The Evil Force

4D Man is a very entertaining Sci Fi thriller that utilizes the talents of actor Robert Lansing to their fullest extent. He strikes the right cord as Dr Scott Nelson. Using the research gathered by his brother Dr Tony Nelson, and the data he has gathered through his own work Nelson discovers a method of projecting himself into a fourth dimensional state which allows him to pass through solid objects. The downside is that each projection he attempts causes his body to age very rapidly. He then discovers that with his touch he can absorb the life energy of other living creatures which will renew his own life force and restore his youth. This has the added effect of killing those whose energy he has drained.

The old adage that "absolute power corrupts absolutely" comes through as Nelson allows his pent up frustrations to surface and he uses his powers to rob, and take revenge on those who feels have wronged him.He eventually is able to project himself through shear force of will. When he finds that his fiancé and his brother have fallen in love with each other and have gone to the authorities about him, he targets them both for death.

4D Man has an interesting and unusual premise for a science fiction film. Irvin S Yeaworth Jr directed and did a first rate job of making an absorbing and tightly wound story. Lansing was a low key actor who generally underplayed his scenes. While it didn't not always work, it's the right method for Dr Scott Nelson in this story.Good special effects also help. Sci Fi fans and fantasy buffs will enjoy and appreciate 4D Man.

Wow, I searched for years to get this on DVD. I first saw it back in High School on one of those midnight horror shows in Australia (Deadly Earnest was the host...anyone from Australia remember him??).

I remember being obsessed with the walking through walls special effect, the way in which bits of his clothing would appear first, then the rest of him.

It's funny how a film can stay with you from childhood. The day I got the DVD, I was stoked. Not the greatest film ever made, but I am a die hard fan. I admit to being surprised by the score, very jazzy for such a dark story. I thought Robert Lansing and the rest of the cast were cool. They gave some considerable depth to what was after all very much a 'B' movie.

Check it out!

Producer Jack Harris and director Irvin Yeaworth were responsible for two of the more off-the-wall sci-fi flicks of the '50s, "The Blob" and this one (they also did "Dinosaurus," but that's a whole other story). Both films appear to have been made around the same time, in 1957; while "The Blob" was released then, this picture, for some reason, wasn't put on the market until two years later. Actually, all things considered, I think it's a better film than "The Blob," although "The Blob" is actually more fun to watch. Lead actor Robert Lansing would at first glance seem to be an odd choice to star in a sci-fi movie; he was one of the more intense actors of his period, and you wouldn't think that his somewhat gruff demeanor and rugged, craggy looks would be the qualities you'd expect to find in an actor playing the lead in a sci-fi film; those parts were usually played by men who were more conventionally better looking than Lansing--and, frankly, younger. However, Harris and/or Yeaworth knew what they were doing when they cast him, as he fits this part to a tee; the coiled intensity he brought to all his roles really works here. His character is a basically good guy who lashes out when he discovers he's been betrayed (his ne'er-do-well brother steals his girlfriend) and in the process comes up with a scientific discovery that allows him to pass through solid matter. He also discovers that the side effects of this condition necessitate his draining the "energy" from others in order for him to survive. It's intriguing to watch Lansing's transformation from a decent if somewhat grouchy man to a homicidal, power-crazed "mutant"; where a sci-fi standby like John Agar would have either underplayed it or gone over the top, Lansing manages to strike just the right note, and really makes you pity, if not empathize with, the creature he's become.

Female lead Lee Merriwether has always been, in my opinion anyway, much underrated as an actress, being judged more for her status as a former Miss America than for her talent. However, she had a relaxed, naturalistic quality that many actresses with far more training and experience lacked, and I think it adds to the believability of the picture.

"The 4D Man" is no masterpiece, of course, but it's definitely one of the more intriguing, and thoughtful, sci-fi epics of the '50s. An interesting premise, very good special effects--considering the relatively low budget--solid performances and a much more adult tone than the usual '50s sci-fi flick make this a keeper. Check it out.

The second Jack H. Harris-Irwin S. Yeaworth collaboration is a more cerebral effort (being an outright sci-fi piece) than its more famous predecessor THE BLOB (1958). Typically for the genre, it deals with a scientist becoming accidentally endowed with some form of superhuman ability (in this case, passing through solids) – the downside to this is that he ages every time this feat is accomplished…but, then, coming to contact with other people, he is able to sap their energy and bring about his own rejuvenation! Robert Lansing – whom I fondly recall from the TV series AUTOMAN (1983-84) that I used to watch during childhood – is adequate in the title role but his brash younger brother (who is actually the catalyst for the transformation) is less likable; as a result, while Lee Meriwether makes for a lovely conflicted heroine (being engaged to Lansing but falling for his younger sibling), their budding relationship sorely feels like a plot contrivance. Besides, Robert Strauss is cast against type as a scientist who is not above appropriating a colleague's work for his own advancement. Even though boasting variable effects (particularly the aging make-up) and ending somewhat inconclusively, the film remains an eminently watchable and thought-provoking piece that should please fans of the genre and the era which spawned it.

Of all the films of actor Robert Lansing this film " The 4-D Man " is perhaps the least seen or appreciated. The story revolves around inventive scientist Dr. Scott Nelson (Robert Lansing) who is searching for something which can revitalize his nearly futile experiments with a new metal process. He discovers that his younger brother Dr. Tony Nelson (James Congdon) is also working with a fantastic invention which ventures into the realm of the incredible. At first, Scott is uninterested and disbelieving, until his brother shows him. Once aware of the possibilities, Scott steals the project and pushes it to the limits. However, the outcomes are totally unexpected as Scott is propelled into the world of the Forth Dimension with horrendous results. This is a solid movie and Lansing overwhelms the cast despite having Lee Meriwether, Robert Strauss and Edgar Stehli as Dr. Theodore W. Carson. Look carefully and you'll see a very young Patty Duke playing Marjorie Sutherland. Good fun for the Special Effects crowd. ***