Goliath and the Barbarians

Though best known for playing Hercules, Steve Reeves only played that character twice and spent most of the rest of his Italian film career playing similarly situated mythological or legendary heroes. "Goliath and the Barbarians" (originally titled "Il terrore dei barbari") has him, in the English-language version anyway, playing Goliath, the nom de guerre of Emiliano, a woodcutter whose Italian village is over- run by the multicultural barbarian hordes in the oddly specific year 568 A.D. Conveniently ignoring that Italy had been the seat of the most powerful empire in the West and had done plenty of conquering and pillaging of its own, this film portrays the Italians as salt-of-the-Earth, hardworking peasants beset by the evil foreigners. You know they're evil because 1) they are boorish; 2) they spend a lot of time in revelries and generally seem to be having much more fun than the Italians; 3) one of them is named Igor (a terrific Livio Lorenzon) and sports a vaguely Mongolian hairstyle; and 4) they spend as much time plotting against each other as they do conquering and pillaging. Basically, they're rude and not very disciplined -- straight up signs of bad guys.

Among the least disciplined is Chelo Alonso, as the barbarian chief's headstrong daughter Landa, who naturally falls for our hero as soon as she lays eyes on his big biceps. Alonso is usually one of the star attractions of Peplum cinema and she doesn't disappoint here, having not one but two exotic dance numbers (the second especially energetic and involving fire), and a parade of fabulous costumes. She brings a manic energy to her role and to the film and helps carry Reeves, who is more subdued here that he was in "Hercules Unchained." He has almost as much chemistry with Alonso as he did with Sylvia Lopez in that film. Also appearing is former Hollywood boy starlet, Bruce Cabot, who never quite managed to become an A-list star (despite rescuing Fay Wray from the original "King Kong") but had a long career as a supporting player.

The plot gets fairly convoluted, what with in-fighting and double- crossing among the rival factions of barbarians plus the Romeo-and- Juliet nature of the romance between Emiliano and Landa (being from opposing sides and all), but it mostly holds together. It tries hard to sell a particularly nonsensical bit where a captured Emiliano, whom the barbarians strongly suspect is this Goliath guy who has given them so much trouble, is given two tests of strength, called by Landa "Tests of Truth." The fact that he is strong enough to pass them is supposed to mean he's telling the truth when he says he isn't Goliath, but the fact that he passes them is also a pretty clear indication that he is the heroic strongman. It's a conundrum the film doesn't quite manage to solve, but it's fun watching it try, and those scenes are the best opportunities in the movie to show off Reeves's impressive physique. (Alonso is very impressed!) The only major Peplum trope omitted is a battle with some kind of mythological or wild creature, but since Emiliano dresses in costume as Goliath, to scare the barbarians, I guess he is supposed to substitute for an actual monster.

This is a crisply directed, well-paced film that provides plenty of battles and plundering and an all-around good time, if you're inclined to like this genre.

This Muscle man movie contains adventures , thrills , a love story and hokey historic events . Being a so-so Italian production financed/written by Emimmo Salvi and professionally directed by Carlo Campogalliani . Colorful sword-and-sandal odyssey , well-plotted, with an appealing performance from Steve Reeves , dealing with the time of King Alboino and his Longobards in which Barbarian armies sweep the Ancient Roman empire . When Barbarians invade his village and kill his father , a local man wages an one-man war against them . Then , there appears a corpulent mysterious masked man . He will kill 10,000 Barbarians . And all of them will call him GOLIATH! . As Goliath and his men go after the Barbarians who are ravaging and terrorizing the Northern Italian countryside , attacking Verona and Milan , during the Fall of the Roman Empire . Goliath must fight Barbarians to save enemy princess (lovely Chelo Alonso) and he conquers all . The picture is partially based on historical events , here shows up the powerful Alboino (American secondary Bruce Cabot) . After gathering a large coalition of peoples, Alboin crossed the Julian Alps in 568, entering an almost undefended Italy. He rapidly took control of most of Venetia and Liguria. In 569, unopposed, he took northern Italy's main city, Milan. Pavia offered stiff resistance however, and was only taken after a siege lasting three years. During that time Alboin turned his attention to Tuscany, but signs of factionalism among his supporters and Alboin's diminishing control over his army increasingly began to manifest themselves. Alboin was assassinated on June 28, 572, in a coup d'état instigated by the Byzantines. It was organized by the king's foster brother, Helmichis, with the support of Alboin's wife, Rosamund, daughter of the Gepid king whom Alboin had killed some years earlier .

This is an entertaining Peplum movie , full of action , thrills , double-crosses and of course , a lot of battles and fights . Another sword and sandal flick , this is acceptable . The production values are better than average, and the acting and direction at least try , including noisy action , spectacular combats , court intrigue , and usual dances performed by the gorgeous dancer Chelo Alonso . Screen-written by Emimmo Salvi who wrote and produced lots of Peplum , Giallo and Spaghetti Western . Lots of intrigue , treason , evocative scenarios , twists , thrills and ordinary spectacle as bouncing man carried out by the great Steve Reeves . Well sculped Steve plays yet another mesophorn to the rescue in this poorly dubbed Spaghetti legend . Sympathetic performances by main star cast such as Steve Reeves in one his main films of his fruitful career , beauty Chelo Alonso and agreeable secondary cast ; as the marvelous main actors are completed by a stellar cast full of veteran Italian players as Arturo Dominici , Gino Scotti , Livio Lorenzon , Andrea Checchi , Carla Calò and special appearance by Bruce Cabot , John Ford's regular secondary .

The picture is well starred by the hunk man Steve Reeves as the notorious war-time hero against Lombards captained by Igor : Livio Lorenzon and Delfo : Andrea Checchi , all of them governed by King Alboino : Bruce Cabot . In 1957, Reeves went to Italy and played the lead character in Pietro Francisci's Hercules, a very low-budget epic based loosely on the tales of Jason and the Argonauts, though inserting Hercules into the lead role . Steve performed the mythic Maciste in a number of movies was randomly assigned the identity of Goliath , Hercules or Samson for US viewing . From 1959 through 1964, Reeves went on to appear in a string of sword and sandal movies shot on relatively small budgets , and although he is best known for his portrayal of the Greek hero Hercules, he played the character only twice: in the 1957 film and its 1959 sequel Hercules Unchained (released in the US in 1960) . He played a number of other characters on screen, including Sir Edward Bulwer-Lytton's Glaucus of Pompeii ; Goliath ; Tatar hero Hadji Murad; Romulus, the legendary founder of Rome (opposite Gordon Scott as his twin brother Remus); pirate and self-proclaimed governor of Jamaica, Captain Henry Morgan; and Karim, the Thief of Baghdad . Twice he played Aeneas of Troy and twice he played Emilio Salgari's Malaysian hero, Sandokan . Steve Reeves played the Umberto Lenzi Sandokan saga ; the first was "Sandokan, La Tigre di Mompracen¨ or "Sandokan the Great" (1963) and second was ¨Pirati Della Malesia (1964) .

This film is colorfully photographed by Bitto Albertini who bit later on launched his career as a professional filmmaker . Atmospheric and evocative musical score by Carlo Innocenci and compellingly conducted by Franco Ferrara . The picture was decently directed by Carlo Campogalliani (1885–1974) , a veteran and good craftsman director . He worked in silent cinema , shooting early Peplum as Il Testamento Di Maciste 1920 , Il Viaggio Di Maciste 1920 , Maciste Contro la Morte 1920 , Il Teschio D'Oro 1920 , La trilogy Di Maciste 1919 and Maciste I . In the sixties Carlo directed four Sword and Sandals movies : Ursus 1961 , Maciste Nella Valle Dei Re 1960 , this Goliath and the Barbarians 1959 and Rosmunda e Alboino 1961 , the latter dealing with Alboino (Jack Palance) , the Lombard ruler, wants to marry the daughter of a neighboring king, but she loves another . This barbarous war lord has his eyes set on princess Rosmunda (Eleonora Rossi Drago) and her father agrees to a marriage of convenience , subsequently to take place Alboino's killing .

In 1960 I was a 13-year-old boy, undergoing the initial fires of puberty, pimply and awkward and ugly (well, STILL ugly), when I saw this movie. BONG!! Immediately wanted to BE Steve Reeves. Thought if I saw the movie enough times, I might metamorphose. Sigh. For me, this was THE Steve Reeves movie - didn't see "Hercules" till much later. Thrilled with the music, too, I wrote a letter to the studio (amateurishly addressed to "Hollywood") asking if an album was available. A few weeks later, a copy of the soundtrack album arrived, gratis! That album was damaged in a house fire, but the cover, a photo of the lead actress in arms-raised dancing pose (underarm hair!?!) is still largely intact. I dream of seeing this movie again before I die!!!! Pleeeeese, powers that be, DVD it for me!!

You have to wonder how smart or stupid the Hollywood movie studios in the late 1950 were....first of all they all passed on a cheaply made Italian muscleman movie named "Hercules" with Steve Reeves and then passed again on "Hercules Unchained" with Reeves again in the title role....independent producer Joseph E. Levine picked up the options on both of these films and waged a massive advertising campaign in newspapers and television and those two "Hercules" films became monster hits at the box office. Not to learn from their previous mistakes, Reeves then made a muscleman "epic" called "Goliath and the Barbarians".....independent American International picked up the option on the film and it made a monster amount of money for them. Go figure out Hollywood....In "Goliath and the Barbarians" Reeves is the leader of a band of Italian villagers hell bent on revenge against a massive horde of barbarian huns led by a maniac named Igor. After a massacre of his village including the murder of his father Reeves decides enough is enough. He secretly starts to wipe out the barbarian horde one by one until his methods are found out by Igor. Along the way the beautiful Chelo Alonso, a barbarian queen becomes his love interest. Talk about a beauty.....she is a dancer and a romancer. Reeves tries not to get too involved with her but that is a lost cause. Check out the scene with Reeves in a test of strength pulls two horses with his hands tied to a pair of ropes....then he pulls down a slew of barbarians trying to pull him into a sword pit on a wall.....great stuff for the kids and the Saturday afternoon matinée crowd. Reeves ripling, bulging muscles are shown to the max in those scenes. By the end of the film Reeves and his men wipe out the barbarians including their leader and all is well. Final scene shows Reeves riding off into the sunset with Alonso sitting on his saddle.....at that time Reeves was the king of the muscleman movies with three blockbusters to his credit. All the muscleman actors that followed were no match for the physique and looks of Mr. Reeves. He certainly was the king of the Italian muscleman flicks.

It's easy to get these Italian sandal-and-spear movies mixed up, but clearly the best "hero" to emerge from the genre was Steve Reeves. His mere presence elevates a movie from the "also-ran" to the "must-see" status. Reeves looks great in this predictable but lively outing which has him tied between two horses charging in opposite directions. Rather than being pulled apart like a wishbone, Reeves manages to rein them in, and you know something? His powerful physique and straining muscles almost make this seem plausible. The dubbing, as usual, is sloppy, but hey, who's looking at the lips?