Royal Navy Commander Max Easton fakes his defection to the Soviets in order to sue the slandering newspapers for the money he needs to woo a fancy American woman.Royal Navy Commander Max Easton fakes his defection to the Soviets in order to sue the slandering newspapers for the money he needs to woo a fancy American woman.Royal Navy Commander Max Easton fakes his defection to the Soviets in order to sue the slandering newspapers for the money he needs to woo a fancy American woman.
- Nominated for 1 BAFTA Award
- 1 nomination total
Henry B. Longhurst
- Club Member
- (as Henry Longhurst)
Featured reviews
A Touch of Larceny is directed by Guy Hamilton and adapted to screenplay by Ivan Foxwell & Roger MacDougall from the novel "The Megstone Plot" written by Paul Winterton. It stars James Mason, George Sanders and Vera Miles. Music is by Philip Green and cinematography by John Wilcox.
Plot finds Mason as Naval Commander Max Easton, a one time hero and a playboy who now idles away his time at an Admiralty desk. When an old comrade, Sir Charles Holland (Sanders), arrives on the scene with the beautiful Virginia Killain (Miles) on his arm, Easton wants her for himself. But Holland is well off financially and Easton is not, so he hatches a plan to make the press think he is a traitor to his country, and thus when they write damning articles about him he can sue them for libel!
It's little seen these days and merely a small entry on either the curriculum vitae of Mason & Sanders, but it deserves to have a bigger audience. It's very dry in humour and paced sedately without histrionics or extraneous passages of play (it was BAFTA nominated for Best British Screenplay), this is, in short, a long way from being screwball like! The novel it is adapted from apparently carries a cynical edge (not read it myself you see), and whilst the thematics here in the filmic adaptation; caddish rivalry and manipulation of the press, do lend a fragment of spice to the story, it's mostly played in a playful unobtrusive manner. The joy comes in watching the two wonderful cad lad actors on each side of the bonnie Miss Miles. All parties are doing darn fine work, with Mason dominating the screen with an engaging performance that pours scorn on those who thought he couldn't do comedy.
No masterpiece for sure, and sometimes it comes off as being a little bit odd, but this be a film to savour for the acting, the dialogue and the warm glow that follows when the end does come. 7/10
Plot finds Mason as Naval Commander Max Easton, a one time hero and a playboy who now idles away his time at an Admiralty desk. When an old comrade, Sir Charles Holland (Sanders), arrives on the scene with the beautiful Virginia Killain (Miles) on his arm, Easton wants her for himself. But Holland is well off financially and Easton is not, so he hatches a plan to make the press think he is a traitor to his country, and thus when they write damning articles about him he can sue them for libel!
It's little seen these days and merely a small entry on either the curriculum vitae of Mason & Sanders, but it deserves to have a bigger audience. It's very dry in humour and paced sedately without histrionics or extraneous passages of play (it was BAFTA nominated for Best British Screenplay), this is, in short, a long way from being screwball like! The novel it is adapted from apparently carries a cynical edge (not read it myself you see), and whilst the thematics here in the filmic adaptation; caddish rivalry and manipulation of the press, do lend a fragment of spice to the story, it's mostly played in a playful unobtrusive manner. The joy comes in watching the two wonderful cad lad actors on each side of the bonnie Miss Miles. All parties are doing darn fine work, with Mason dominating the screen with an engaging performance that pours scorn on those who thought he couldn't do comedy.
No masterpiece for sure, and sometimes it comes off as being a little bit odd, but this be a film to savour for the acting, the dialogue and the warm glow that follows when the end does come. 7/10
**** out of 5...No violence and no special effects, just droll and urbane humor and WIT. More in the spirit of "How To Steal A Million" or "The Thomas Crown Affair" rather than "The Sting," this British comedy has lots to like. Begin with a thoroughly winning, playboy-rogue characterization by James Mason. Mix in a perfect snob played by the inimitable George Sanders (as only he can). Simmer with the last half, which builds into one of those reversal-on-reversal, can-you-top-this endings. I caught it at 3AM on a local station and, fortunately, taped it.
I first saw this film on TV as a teenager. It has stuck with me and it is a quintessential James Mason film. I keep waiting for it to come on cable. It is fun, relaxing, with just a little suspense to add spice, and thoroughly enjoyable.
A Touch of Larceny (1959)
Oh, it would be easy to brush off this film as a trifle. But it's so nicely constructed, so perfectly acted in a very cinematic and restrained British manner, and the plot is a joy, you really should give this a chance. And it gets only better as it goes.
The ploy here is two-fold. First there is the love affair that might or might not happen. James Mason in the lead has taken a liking to Vera Miles as the desirable but rather strong and disinterested female. Mostly. Then there is the political intrigue, much more lighthearted than a Hitchcock mixture of romance and intrigue, but giving an edge of suspense, or at least surprise, to the results. The third character in what is never quite a love triangle is the inimitable George Sanders who, like the rest of the cast, is very Old School. In fact, the American woman and the rather charming international Brit in the form of Mason are the two exceptions to the feel of the acting and the accents.
You do get a sense that some of these old sorts are being made fun of, but only in a loving and appreciative way. The war, meaning (for Britain) WWII, is now 14 years past, and these military types are hanging on to a foggy past keeping their chairs warm and rather enjoying an easy ride on the government's paycheck. We are, after all, about to enter the 1960s, and we all know how dated this world will seem once Love Love Me Do rolls over the AM radios of England.
So, a glimpse of a time, and a clever and fun and truly lightweight story, too. But well done enough to pull you in. You'll be rooting for someone or other by the end. And expect a twist, whether or not you get one.
By the way, the director, Guy Hamilton, is thoroughly British in his feel for films and humor (though born in France of British parents), and he went on to greater fame doing four James Bond movies (including "Goldfinger") and several others that have had some respect beyond their pop culture roots. It shows here. "A Touch of Larceny" could have been a painful flop, but it has the touch of three great actors and an up and coming big name director.
Oh, it would be easy to brush off this film as a trifle. But it's so nicely constructed, so perfectly acted in a very cinematic and restrained British manner, and the plot is a joy, you really should give this a chance. And it gets only better as it goes.
The ploy here is two-fold. First there is the love affair that might or might not happen. James Mason in the lead has taken a liking to Vera Miles as the desirable but rather strong and disinterested female. Mostly. Then there is the political intrigue, much more lighthearted than a Hitchcock mixture of romance and intrigue, but giving an edge of suspense, or at least surprise, to the results. The third character in what is never quite a love triangle is the inimitable George Sanders who, like the rest of the cast, is very Old School. In fact, the American woman and the rather charming international Brit in the form of Mason are the two exceptions to the feel of the acting and the accents.
You do get a sense that some of these old sorts are being made fun of, but only in a loving and appreciative way. The war, meaning (for Britain) WWII, is now 14 years past, and these military types are hanging on to a foggy past keeping their chairs warm and rather enjoying an easy ride on the government's paycheck. We are, after all, about to enter the 1960s, and we all know how dated this world will seem once Love Love Me Do rolls over the AM radios of England.
So, a glimpse of a time, and a clever and fun and truly lightweight story, too. But well done enough to pull you in. You'll be rooting for someone or other by the end. And expect a twist, whether or not you get one.
By the way, the director, Guy Hamilton, is thoroughly British in his feel for films and humor (though born in France of British parents), and he went on to greater fame doing four James Bond movies (including "Goldfinger") and several others that have had some respect beyond their pop culture roots. It shows here. "A Touch of Larceny" could have been a painful flop, but it has the touch of three great actors and an up and coming big name director.
James Mason is the caddish Royal Naval officer "Easton" killing time in his unchallenging job from day to day until he meets "Virginia" (Vera Miles) and suddenly he has to up his game - and his income. The former is easy enough, but the latter is a problem until he devises a cunning wheeze to appear to defect to the Soviets only to return, all innocent, and to sue the defaming newspapers. One additional fly in his ointment - the girl is already engaged to "Sir Charles Holland" (George Sanders). "Easton" goes to great and public lengths to implement his plan, but on his return he realises that there is far more going on than he anticipated - and we are unsure whom is the cat and whom is the mouse... Mason is great in this, he has the role of the amiable rogue down to a T, but Miles is less engaging and Sanders features a bit too sparingly to allow his character to get up much of an head of steam. It is amusing at times, though, and Guy Hamilton and a strong script keep the pace building nicely to an ending that is not without quirk or two.
Did you know
- TriviaThe working title for this film was suggested by James Mason himself. He thought of the title "A Touch of Larceny", as stated in his autobiography, "Before I Forget".
- GoofsWhen Max picks up Virginia for their luncheon date, she tries to put a scarf on her head to keep her hair from blowing around in the wind caused by riding in Max's convertible sports car. However, when Max brings his car to a sudden stop, the wind continues.
- Quotes
Sir Charles Holland: I suppose somebody reads this stuff, otherwise they wouldn't bother to write it. You know, I believe that these days, people are intelligent in direct proportion to what they disbelieve in the newspapers.
- ConnectionsSpoofed in The Army Game: A Touch of the Other (1960)
Details
- Release date
- Country of origin
- Languages
- Also known as
- Hochverrat mit Hindernissen
- Filming locations
- Dubh Sgeir, Firth of Lorne, Scotland, UK(Commander Easton's Shipwreck Island)
- Production company
- See more company credits at IMDbPro
- Runtime1 hour 33 minutes
- Color
- Aspect ratio
- 1.66 : 1
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