Cry of the Banshee

Those familiar with the concept of banshees would probably agree that "Cry Of The Banshee" is an interesting title for this film. I think the film-makers probably just decided it was just too good a title to pass up. Nonetheless, those looking for a horror tale containing bona fide Celtic mythology should probably look elsewhere. There is horror to be had here however, and the film still does more or less what it promises.

"Cry Of The Banshee" is set during the height of Middle Ages England, where rampant ignorance and superstition meant anyone could be condemned and burned for alleged witchcraft, and anyone you didn't like could be targeted. However, this being in the horror genre rather than an Arthur Miller play, the local inhabitants' fears are not entirely unjustified. Nonetheless, the greater threat is the Witchfinder General (played by Price) and his family, who abuse their authority and keep the entire local population in their grip. 'Witches' are regularly found, and dispatched in the name of God. The witchfinder gets more than he bargained for however when he annoys a real witch, who decides to take revenge.

Vincent Price is an actor you can rely on to take an average film up a notch, and he does so here. His presence, his voice, his face - he doesn't even have to try very hard. Not that the story is especially bad. It's fairly basic but entertaining enough. Even so, the pantomime acting and thinly-drawn characterisation made it hard to take everything seriously. A melodramatic situation shouldn't mean over-the-top theatricality, but that's what the script and the direction unfortunately settle for.

Fortunately, the horror elements of the film are not so misplaced. Suspense is built up, the 'banshee' of the title is wisely heard rather than seen until the climax, and the end itself is very satisfying. The mood is bleak, the lighting is low, and the score helps the action along without ever being out of place. Like many Hammer Horrors, there's a lot of nudity. just in case everything else isn't enough to draw you in.

Overall, "Cry Of The Banshee" is an enjoyable example of classic horror that fans of the genre should enjoy. It's not brilliant, but it has its moments, and one of the genre's star performers to breathe life into it.

Lord Edward Whitman(Vincent Price) is a wicked magistrate who why while not believing in Witchcraft, delights in accusing peasants of the crime. The punishments he dishes out are not always within the law though. Working On a tip off, his men kill many within a coven of witches, the witches leader Oona swears revenge and pleads with Satan to send her an Avenger who will smite him and his family. Such an avenger is the mild mannered stable hand Roderick(Patrick Mower), who was found as a child in the woods and brought up by the Whitmans, around his neck he wears a strange and ancient medallion of unknown origin.

Gordon Hessler has a mixed filmography in Horror, this on the face of it, is a production designed to take advantage of Michael Reeves's Witchfinder General, as wonderfully hammy Vincent Price and the beautiful Hilary Heath, both return, as does DP John Coquillon, who adds oodles of atmosphere and energy with his ever moving camera which captures the location work beautifully. Hessler learnt his trade with Hitchcock and to some extent it shows in this film, he knows when and where to provide the scares. The film itself was much rewritten and Hessler found himself getting further away from the theme of the title which had already been sold as a Banshee film before filming began, but he was reigned back in by the producers, the meddling doesn't quite ruin the film but it does have a lot going on plot-wise, as a result. The witches coven send a "Sidhe" an ancient derivative of the banshee in the form of Patrick Mower, (his make up none to convincing) to kill one by one, members of the Whitman family, not all of which are bad, some are very decent people, this effective ploy is also used with the witches, making it hard to take sides or see who the really bad guys are. Fans of period Brit Horror shouldn't be disappointed, there's copious nudity and plenty of buxom wenches that make for pleasant viewing, there's also an excellent sting in the tale.

Vincent Price plays Lord Edward Whitman, a cruel, witch hunting English Lord in the Sixteenth Century. A curse is placed upon his family by the local sorceress. This is a role that suited him well, having already portrayed real life Matthew Hopkins. Again he hams it up, though not overly so. Michael Elphick,a well known face to viewers of British TV in the 1980's and 90's, plays his equally sadistic right hand man, and does a good job too. Though not as good Banshee does fit in well with similar movies such as Witchfinder General and Mark of the Devil. Some scenes are a little poorly staged, such as an almost laughable fight in the dungeon, and I believe that the VHS copy that I watched to be cut. Overall a good combination of horror, witches and their persecutors in old England. I shall seek out an uncut release

Gordon Hessler's "Cry Of The Banshee" of 1970 is certainly one of the weaker films with the great Vincent Price, but it is still a pretty good horror flick, and certainly way underrated. I must add, however, that Vincent Price is my favorite actor of all-time and my personal opinion is that you can never go wrong with a film with Price in the lead.

Price stars as Lord William Whitman, a sadistic despot in Elizabethean England, who wants to terminate superstitious beliefs by brutally massacring followers of the 'old religion', a bizarre hippie-style witch cult lead by an old woman called Oona (Elisabeth Bergner). Lord Whitman, who lives in his castle with his kind-hearted daughter Maureen (Hillary Heath) his sadistic son Harry (Carl Rigg), his wife, Lady Patricia (Essy Persson), and Roderick, a young man whom the despotic lord let live with his family since childhood, shows no mercy when it comes to the persecution of the pagans living in the woods, and brutal oppression is the everyday situation in his town, where people are tortured and killed for the simple suspicion of being followers of Oona's cult.

Some parts of the movie remind a lot of Michael Reeves' masterpiece "Witchfinder General" of 1968, which also had Price in the lead and which is, of course, incomparably better than "Cry Of The Banshee". Besides Price, the movie also stars Hillary Heath, who also played the female lead in "Witchfinder General". Price is excellent as always, and Heath also delivers a good performance as his daughter. The rest of the acting differs, some performances are better, some worse, but they're certainly not terrible. The movie certainly has a few pretty cheesy moments, but it has at least as many creepy ones. Although the violence in this movie is not comparable to the violence in "Witchfinder General", the movie has some pretty brutal moments and some nudity, which gives the film a nice Exploitation feeling.

"Cry Of The Banshee" is certainly not one of the masterpieces with Vincent Price, but it is certainly not as bad as many seem to regard it. I personally found it very enjoyable, it definitely has some creepy moments, and I warmly recommend it to fans of Horror flicks and Vincent Price. 7/10

Like many a horror movie knock-off, Cry Of The Banshee is a hopeless mish-mash of inconsistancies; and while Vincent Price has saved many such films by his mere presence alone, he does so here almost grudgingly, as if his heart really isn't in it. At the beginning of the film, he's presented as a heartless Witchfinder General soft of fellow, but at the first sign on any real witchery he at first scoffs at it, feeling that any real proof of witchcraft might "undermine his authorty". How such a vindication of his efforts could harm his character in the eyes of the people is never explained, since he's more than willing to torture innocent villagers. Eventually he does manage to get on the real witch, Oona's bad side, however, and she curses him and all his family to die. We try to like her at this point, and sympathize with her vengeance; but she is the very Evil that Vincent has vowed to destroy. So, since both sides are evil, only the victims are innocent; and when Vince makes a last minute bid to save his daughter and escape the fate of their accursed house & name, we're left to wonder why he ever placed himself in such a position in the first place since suddenly he comes off as a caring father and nothing more... It's worth seeing, but see The Conqueror Worm first...