The Protectors

What opulence! The cars, the clothes, the interior designs, the DOG! Could a seventies show BE any more seventies? From the sublime Jensen Interceptor, to Anholt's neck scarves and Nyree's exquisite trouser suits, from Vaughan's eyebrow acting to the fantastic multi-Euro locales (did an episode ever NOT feature a European airport?)... pure snazz! Who cared that 30 minutes weren't enough? Who gave a damn about the back projections, Nyree's dodgy accents (Italian? British? KIWI??)...? This is a deluxe show, where EVERYONE has a drinks bar inside a big globe, and no matter what is going on, there's always time for a scotch - "drink?" And the yellow car in the opening credits? A FIAT 850 Coupe... so now you know.

Altogether now, "All the low are living high!" Groovy!

Rather than the glib UNCLE show, this effort for Robert V. had a believable conceit - a small group of bodyguard/detectives hires themselves out to whomever can afford them (without crossing their moral scruples). CEOs and governments were frequent customers of The Protectors, never mob or terrorist elements. As with the best in series television, a good premise and tight chemistry in the cast usually overcame mediocre scripts.

I hope I never grow up enough to think this show is awful.I can see why people think it is dated,but I like it.The first episode is one of the best,it was very exciting. The theme tune is great as well as catchy.I often find myself humming it. Gerry Anderson fans might like it,but I think other people will think it is terrible.

It is one of my favourite Gerry Anderson shows.

This series almost works. Almost. But thirty minutes (or, rather, 25 minutes of runtime) just aren't enough. I always thought Robert Vaughn and Nyree Dawn Porter had the beginnings of a strong on-screen chemistry. But it never really happened. And it wasn't just because of the background presence of Gerry Anderson, whose sci-fi series cast with humans (UFO and Space: 1999) often rivaled his puppet populated sci-fi series, such as Fireball XL5, for stiffness and lifeless performances. No, it was mainly a matter that just as soon as Harry and the Contessa began even the mildest of banter the producers had to move the story along to get in all the action scenes and wrap things up at the end of a half hour.

Otherwise, the makers of the series seem to be flying by the seat of their pants throughout. And this is not necessarily a bad thing. There are lots of interesting and even novel, for the time, camera shots and action sequences. All in all, not a bad way to spend a half hour. For all its faults, there is more imagination in the shooting of The Protectors than there is in most of the static drama series on TV today.

I remember seeing this series in Saint Louis, running as the last thing Sunday night. As an old fan of "The Man from UNCLE," I was curious to see Robert Vaughn playing an older, cynical, grouchier version of Napoleon Solo. Vaughn's personal liberal sentiments occasionally showed through, in one episode involving a military intelligence case. His Harry Rule character showed nothing but contempt for the way the military operated and its goals.

On the other hand, there was a small amount of goofiness. One episode I recall had Rule and his Italian costar stopping a neo-Nazi plot. Instead of contributing the gold they seized that was intended to revive the Third Reich to a charity cause, they stuck it in a Swiss bank. Not precisely heroic behavior.

One other note: Faberge, the perfume company, made the series (it was "A Brut Production") and the show contained a lot of "barter" spots for the Brut line of men's care products.