A gang of thieves plans to make their fortune by stealing a shipment of contraceptive pills from Finisham maternity hospital. They assume disguises and infiltrate the hospital, but everythin... Read allA gang of thieves plans to make their fortune by stealing a shipment of contraceptive pills from Finisham maternity hospital. They assume disguises and infiltrate the hospital, but everything doesn't go according to plan.A gang of thieves plans to make their fortune by stealing a shipment of contraceptive pills from Finisham maternity hospital. They assume disguises and infiltrate the hospital, but everything doesn't go according to plan.
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With the 1970's came the gradual end of the Carry On series of films that had run since the 1950's and, although the seventies had one or two that were genuinely good, it also had a couple that barely reached the standard set by the poor sex "comedies" that were being mass produced by the UK during this decade. While Matron is not one of the latter, it certainly is not one the stronger films of the decade although there are moments that are very enjoyable. The plot is pretty terrible and the robbery of pills fails to engage simply because it is so damn stupid from start to finish; I know it is a comedy but if ever a man was a less convincing woman than Kenneth Cope then I don't know who it would be it is a problem that the lynch pin of the narrative is him passing himself off as a nurse. The subplots are actually better and the best scenes feature great witty interplay between series legends Williams, Hawtrey and Jacques. There are also some nice little additions such as Connor's waiting station master and little throwaway gags such as one of the wards being known as "The Bunn Ward"! These aspects threw up the odd laugh but anytime it fell back to the central narrative it tended to be weak and just be a series of obvious jokes and clumsy chases/pratfalls.
The cast are pretty good if they have the material in particular the trio of Jacques, Williams and Hawtrey. Scott has a basic role but is quite entertaining in his last appearance in the series but you do have to feel for Sid James who is dumped on the edge of the film with the weak plot to carry with little help from Bresslaw and Maynard. Windsor does her usual stuff but Cope is poor from the start to finish and cannot do anything with the silly narrative and pratfalls. Sims has little to do but it is nice to have as many of the faces as possible in the film.
Overall this is an average entry in the series; the plot is weak and can't provide much in the way of structure or laughs but the subplots provide some classic moments and some good material for the cast members lucky enough to get it. There are much worse films in the series than this one but there are much, much better ones as well; fans of the series will enjoy the classic moments and be patient with the rest, but it is unlikely that this film will be the one to win converts to the series.
Occasionally funny entry in the long running series. The funniest moments include the scene where the Matron (Hattie Jacques) visits the registrar Sir Bernard Cutting (Kenneth Williams) in order to bring him his morning post. Sir Bernard is a proper hypochondriac who thinks he's on the verge of a sex change, "Your mail" says Matron handing him the letters, "I know and I can prove it do you hear prove it" screams Sir Bernard not aware of what she really meant. Another stand out moment is when Syd Carter and his gang arrive at the hospital to pull off the raid, Syd is disguised as a doctor sporting a laughable beard and dark glasses. "I am Dr Zhivago" he says. When the film isn't funny it gets by because it possesses a charm that many of the other less funny Carry On's have, a charm that one journalist described as "an England that never was" and besides that there is the assured presence of all the regulars including Charles Hawtery, Joan Sims, Barbara Windsor and Bernard Bresslaw, but Kenneth Williams, Hattie Jacques and Syd James ultimately steal the show.
Hattie Jacques is brilliant in the title role, I do find it a little sad she'd now been type cast as the battleaxe Matron, especially when you see how fabulous she was in Cabby. Kenneth Cope is odd in the part somehow but just about gets away with it, but poor Bernard Bresslaw, he was idiotic in this, a better actor then the part.
It is one of the better latter day Carry on films, lots of laughs, and a comedy master class from Kenneth Williams. I am struck by the quality of the production values, it looks and sounds great. I find this a truly feel good film.
The last excursion into the often-used hospital territory, and one with bright moments and performances, though it goes over the top in a very laborious way.
Hattie Jacques as matron is given a warm funny character and large role where she can really shine. Kenneth Williams flails about in an enjoyable turn as a hypochondriac doctor. He lapses into lots of slapstick and "stop messin' about" silliness here. Barbara Windsor plays a friendly nurse with less sexiness and nudity than some of her other roles. Extra laughs come from Joan Sims as gluttonous patient Mrs Tidy, and Kenneth Connor as her impatient husband waiting endlessly for her overdue baby to appear. Charles Hawtrey has a fun supporting part as affable psychiatrist FA Goode who gets involved in a funny bedroom farce bit with Jacques and Williams.
Sid James plays his usual type, though here the lecherous angle is de-emphasised. He heads a criminal gang of his conscientious son Cyril (Kenneth Cope), dim Ernie (Bernard Bresslaw) and the sarcastic Freddy (Bill Maynard). Cyril reluctantly dresses as a nurse and is sent to the hospital to find the store of contraceptive pills that Sid plans to steal. Unfortunately Cyril finds himself quickly enmeshed in hospital routine, falls for Windsor, and attracts the attentions of the amorous Dr Prodd (a hilarious Terry Scott in his last Carry On). Cope hits all the right notes and also manages to be funny in a role crucial to the overall story.
I always enjoy Bill Maynard's performances and here he has a bigger part than usual, and lots of funny lines. Derek Francis is great as the quizzical porter, and Margaret Nolan, Madeline Smith, Wendy Richard and Amelia Bayntun contribute fun cameos as various patients. With so many in good parts it sadly leaves little for Patsy Rowlands and Jacki Piper to do, but nice to see them anyway.
Good production values overall and the music is great.
Did you know
- TriviaThe last film in the series to feature "Carry On..." regular Terry Scott, this was also his last cinema film.
- GoofsWhen Sid blows the storeroom door, the dynamite explodes before he turns the handle on the detonator.
- Quotes
Matron: [handing Sir Bernard envelopes] By the way - your mail.
Sir Bernard Cutting: Yes, I am! And I can prove it, d'you hear! Prove it!
- Crazy creditsAlternative Titles: "Womb at the Top" and "The Preggers Opera"
- Alternate versionsSome prints have completely different music over the title sequence, particularly as the 'alternative titles' appear on the screen.
- ConnectionsEdited into Carry on Laughing: Episode #1.8 (1981)
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- Also known as
- Carry on Matron or From Here to Maternity or Familiarity Breeds or Womb at the Top or The Preggers Opera
- Filming locations
- Denham Church, Denham, Buckinghamshire, England, UK(St Mary's church)
- Production companies
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