Corrections officer Brian Courtland, naive drug pusher Alan Campbell, and college professor Jonathan Page convicted of manslaughter report to prison and soon learn the truth about the prison... Read allCorrections officer Brian Courtland, naive drug pusher Alan Campbell, and college professor Jonathan Page convicted of manslaughter report to prison and soon learn the truth about the prison system. From a Truman Capote story.Corrections officer Brian Courtland, naive drug pusher Alan Campbell, and college professor Jonathan Page convicted of manslaughter report to prison and soon learn the truth about the prison system. From a Truman Capote story.
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- Won 1 Primetime Emmy
- 2 wins & 4 nominations total
Edward Michael Bell
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I wish I had the video in my library but it's very hard to find...Rented copies are suspected 'pirated' copies from tv. Very poor quality. This is Morrow's best role. Alda's best role and Gulager's best role. The most believable prison movie ever made. No heroes here just heavy reality crammed into 90 minutes on network tv! Makes "The Shawshank Redemption" look like "Mary Poppins". Kudos to Morrow (the most vile characterization ever captured on film). Think "One Flew Over the Cuckoo's Nest" without the comic relief. Too depressing to make my top 10 list but it's in the top 20.
Anybody visiting this for the first time now who can't take themselves back to 1972 (the time of the film's release) are going to be screaming formulaic. Luckily as a fan of the genre and holding a steadfast belief that a viewer should always get a mindset of a film's original release period, I wouldn't dream of calling this formulaic.
This is something of genre perfection because the makers realise that incarceration should be stifling, the viewer should feel a level of oppression to get on side with the nature of the film, and here they achieve that with a feeling of simmering menace bubbling under the surface, you know that things are going to go pear shaped and it's the waiting that drives you on in an uneasy state.
All the pieces are in place for classic prison drama, tough nasty bad guy exuding menace (a wonderful creeper turn from Vic Morrow), the screw who is the lone voice of authority who cares (take a bow Clu Gulager), the good guy main protagonist who we are rooting for (a fine heartfelt turn from Alan Alda), and a story that doesn't veer to nonsense (from the pen of one Truman Capote).
The violence is shocking, and of course rape and suicide is prominent, all the things to make the viewer stunned and saddened in equal measure are here, but most of all the film triumphs with its ending, there is no cop out here and the makers were brave enough to not slip into maudlin pay off that so many prison genre films tend to do.
For this new modern era of film making there is nothing new here, but for 1972 and a TV movie, this is well worth support and sampling by any potential first time viewers. 8/10
This is something of genre perfection because the makers realise that incarceration should be stifling, the viewer should feel a level of oppression to get on side with the nature of the film, and here they achieve that with a feeling of simmering menace bubbling under the surface, you know that things are going to go pear shaped and it's the waiting that drives you on in an uneasy state.
All the pieces are in place for classic prison drama, tough nasty bad guy exuding menace (a wonderful creeper turn from Vic Morrow), the screw who is the lone voice of authority who cares (take a bow Clu Gulager), the good guy main protagonist who we are rooting for (a fine heartfelt turn from Alan Alda), and a story that doesn't veer to nonsense (from the pen of one Truman Capote).
The violence is shocking, and of course rape and suicide is prominent, all the things to make the viewer stunned and saddened in equal measure are here, but most of all the film triumphs with its ending, there is no cop out here and the makers were brave enough to not slip into maudlin pay off that so many prison genre films tend to do.
For this new modern era of film making there is nothing new here, but for 1972 and a TV movie, this is well worth support and sampling by any potential first time viewers. 8/10
I saw this film at the cinema in the UK in 1972. I remember being pretty shocked and disturbed by it. Actually, I think it helped to keep me on the straight and narrow (more or less) when I spent a year in the States some years later! There was no way that I wanted to end up in an American nick! 1972 is a long time ago and my memory is not what it was, nevertheless the film has stayed with me and I often mention it when discussing contemporary films. I would love to see it again and recommend it to anyone with a strong stomach. Scum - a British film set in a borstal, which was made round about the same time, is also with looking out for.
College professor is sentenced to a maximum security prison for manslaughter. Early made-for-television prison film is well worth seeing despite familiar story line and characters. Impressive direction, cinematic quality acting, good script and not a miscast anywhere. Viewers may also enjoy "Shawshank Redemption" (1995), "Escape From Alcatraz" (1979) and "Runaway Train" (1985). (Rating: A-minus)
THE GLASS HOUSE, is a stomach-churning morality play. However, it's morals are more grounded in reality (so don't go expecting happy endings or dangerous escapes) and the underlying theme of 'forced corruption' is evident throughout. ALAN ALDA, gives a performance light years away from MASH (check out WHISPERS IN THE DARK, as well) and (the late, great) VIC MORROW matches him, in a gutsy role, as an all too human 'bully'.Apperently, a lot of real-life inmates were cast as extra's in this movie. But the professional cast fit in so well, it's quite hard to tell. At certain points, the viewer can (or wants to) identify with ALDA, as he wants to help others, but also wants to maintain his pride. It asks us questions about ourselves, is there a fine line between foolishness and cowardice? Given that this movie was also made the same year i was (ha-ha!) it may now seem 'formulaic' in regards to set up, but i'm sure this broke a lot of new ground, when first released. The scenes of ALDA running for his life, will set any viewers pulse racing, and 32 years on, the movie has to power to shock and mortify.
Usually released at a TV-friendly running time of 73 minutes, my recently purchased 'CATCOM' DVD runs in at 91. And certain scenes include profanity and mild nudity, so i wonder if this movie was intended to go to theaters?
Great movie 10 out of 10
Usually released at a TV-friendly running time of 73 minutes, my recently purchased 'CATCOM' DVD runs in at 91. And certain scenes include profanity and mild nudity, so i wonder if this movie was intended to go to theaters?
Great movie 10 out of 10
Did you know
- TriviaAlan Alda on his autobiography "Never Have Your Dog Stuffed - and Other Things I've Learned" claims that this movie was shot in real prison with real prisoners as extras. During the filming of the movie, its director Tom Gries made jokes with prisoners that they should take Alan Alda as their hostage because that is the only way they can escape from prison. On the last day of shooting, two prisoners approached Alda and put an improvised knife on his throat telling him that he is their hostage. Luckily prison guard arrived shortly after and carefully negotiated with prisoners to let Alan Alda go. They let him loose telling him that they were just joking. Alda also states that no prisoner was punished for the incident.
- GoofsThe word 'fictitious' is misspelled as 'ficticious' during the opening disclaimer.
- Crazy credits[prologue] "This motion picture was filmed entirely in a state prison. Most of the faces and voices are those of actual prisoners. The story and characters are fictitious, but the situations are real".
- ConnectionsFeatured in The 24th Annual Primetime Emmy Awards (1972)
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