The Blue Knight

I have read the book so many times I forgot how many, it was that good! I saw the TV movie when it first came out in the days before video staring William Holden and the TV show staring George Kennedy, Holden had the moxie that Wambaugh describe in his book but Kennedy had the build, Bumper Morgan weighing in at 275 pounds, the TV series was played down more than the movie was as far as attitude and Bumper way of thumping on people, but they were both excellent films and were way ahead of their time. You had to wait for Hill street Blues to come to TV before you got another true life cop show. Blue Knight was on TV in 1973 and 1975-76, Hill street did not come on tell late 80's I believe, that left a lot of years without good police shows on TV. now people are use to good shows with Law & Order and others but I remember a time when on a Saturday night at 7pm all you had to watch was Lawerance Welk, he-ha, and bugs bunny,! I choose the Bunny..

Director Robert Butler concocted together this 188-minute TV series, which may have been the blueprint for the better known and orchestrated HILL STREET BLUES series that enjoyed some considerable success in the 1980s.

Cinematography is strictly competent and fitting, featuring mostly drab surroundings and down and outers in the seedier parts of a major US city.

William Holden holds those 188 minutes together thanks to a masterful performance and dry delivery. It is a pity that an actor of his immense quality should have made so many poor choices, but certainly THE BLUE KNIGHT deserves watching for his contribution alone.

The script is rather thin. Nothing much happens. The character of Bumper Morgan, the street cop played by Holden, is fairly well etched and credible. I found it more difficult to understand Lee Remick's part. Beautiful woman that she was, a university lecturer to boot, why would she bother with a bottom of the barrel cop struggling with ghosts from the past like his failed marriage and his dead son? And when he seems to have made a place for her and a kid in his life, he kicks it all out and goes back to his lonely street cop job even though he is on his last day and about to hang up holster, gun and badge. Baffling, to say the least.

I give this a very generous 7/10 because of Holden. The rest is completely forgettable.

The film has a gritty realism. Holden gives, I think one of his best performances. Lee Remick is wonderful as the love intrest. You'll be surprised to see a very young Sam Elliot in the role of the rookie cop.

I also saw this NBC mini series in its original uncut network run in the fall of 1973 and then saw it repeated in 1975, but that's it. Yes, it needs to be released on DVD or VHS in its original state because this is classic landmark adult TV. This was the re-birth of William Holden's career and he was beyond memorable as Bumper Morgan. The characters ran better here than in print and that was hard to top because Wambaugh wrote a great first person character analysis with his novel of the final works days of a dinosaured LAPD street cop. Overlooked was the supporting mastery of Joe Santos, Vic Tayback and Sam Elliot. Along with KOJAK, this was TV's best of 1973.

Some of William Holden's best work from the 70s is in this made for TV movie The Blue Knight. It came out at the time that Joseph Wambaugh was being celebrated for his work involving police. The Blue Knight was a best selling novel and one of Wambaugh's best.

Holden perfectly captures the aging Bumper Morgan on the last week of his job hoping to go out on top against the criminals. A prostitute he knew from his beat is found murdered.

That in itself is interesting because police as a rule don't give too much attention to crimes against hookers. But Holden is apparently thought of enough that they make an effort on this one.

Holden is keeping company with college professor Lee Remick who would like to marry and settle down with him. Holden is at loose ends though contemplating his retirement.

Some praise should go to Sam Elliott as the homicide detective who is assigned the hooker case. He and Holden don't get along, but by the end respect each other. Also to young Sergeant Joe Santos who the following year would be another sergeant, Dennis Becker on The Rockford Files who serves kind of as Bumper's alter ego and better self.

What I liked best about this film is that we really have no idea what Holden's future will be. You can speculate for a week about it.

A Golden Globe for Lee Remick and an Emmy for William Holden as Best Actor to go with his Best Actor Oscar for Stalag 17. The Blue Knight is one of the best made for TV films out there.