User reviews

All the actors in this film do a fine job. But honestly, I can't see why other reviewers are going ape over Peter Sellers - are they just surprised that he could be serious? The man was a good actor, not just a clown. But in this film, we don't really know his character - he's just one of seven sorry souls trapped underground in a large storeroom after an Allied raid on the camp where they were held prisoner.

The film has an interesting premise, but trying to cram six years of action into 90 minutes is beyond the ability of the director and writers. It becomes very episodic, starting with a decent amount of set-up, followed by what more or less amounts to a series of death scenes. The story is certainly tragic, but it feels like Cliff's Notes on celluloid. I'm going to try to find the book.

This was probably Stanley Myers's easiest film to score, since it only called for an opening and closing bit with only a couple of instruments. The lack of music throughout underscores the claustrophobic atmosphere of the "dungeon." The sound and picture quality of the DVD available from Netflix (in 2010) leave much to be desired. If you enjoy dark, depressing, hopeless stories, this should be in your top ten.

We're told in the opening credits that this is a true story and only two out of seven survive. We then move into a superb opening sequence of Allied bombing, which takes us neatly into the central story of trapped men.

The cast is excellent and the dark, gloomy and claustrophobic atmosphere is well done but, for me, the characters are insufficiently well-drawn. We are told very little about their background and how they arrived at this place. The sound recording leaves something to be desired and the dialogue is often unclear.

Having said that, this is a film which will stay with you, if you make the substantial effort required to watch it. As Sellers has said. "It's a film for connoisseurs of cinema. A very heavy movie, which could easily put you on a downer". My advice though is to make that effort.

One point of fact: the true story was actually one of seven German soldiers trapped in a food depot in Poland, blocked in, unknowingly, by their retreating comrades who dynamite the entrance.

A film that seems intended to drive its audience to mass suicide, "The Blockhouse" is more likely to inspire tedium and finally relief when it limps to its unsatisfying conclusion.

The film features seven slave laborers in World War II France who find themselves trapped deep in an underground chamber when their German position is bombed and shelled in preparation for D-Day. There is no escape for these men; they must bide their time eating and drinking from the ample provisions left by the German Army, do their best not to get on each other's nerves, and hope for a miracle.

The film stars Peter Sellers, though he is only a first among equals here and certainly not to be watched for his comic prowess. Playing a teacher named Rouquet, he has a light moment trying to teach dominos to the others, but for the most part stares bleakly at the walls as a heavy beard grows on his face. Sellers is completely convincing in his part, but it is less a character than a construct. Rouquet is the voice of hope whose point in the story is being stilled.

The other main character, and the only one that catches your notice, is Jeremy Kemp's Grabinski, a rational man who realizes before anyone else the hopelessness of the situation but who tries to make things bearable for his comrades. His exchanges with Rouquet playing games reflects the hope/no hope dichotomy.

"I think you'll lose," Grabinski tells Roquet during the dominos demonstration.

"How can you possibly tell I'll lose when I'm teaching you this game?" Roquet replies.

"Never mind," Grabinski shrugs.

The whole movie is like that, unconnected vignettes between the trapped men that strive at some greater purpose without advancing anything resembling a plot. Director/co-writer Clive Rees seems to be trying to go for a Pinder or Beckett thing with the sparse dialogue and hopeless situation. But too much bleakness keeps us distant from the characters and their situation.

As calamities pile up, like the suicide of one of the men and the arrival of winter, it's all you can do to register their pain. You don't have any sense of who these people might be, however good a job Kemp, Sellers, and the other actors do. And they do good work all around, including the legendary French singer Charles Aznavour as a tough scrapper named Visconti and Swedish notable Per Oscarsson as the brooding Lund. With their beards and grimy faces, and their believable, seemingly improvised acting, they pull you into their horrible situation easily enough. But the film lets them down in terms of having anything more to say than life is hell.

Don't be fooled by the 90-minute running time: This is a long movie to sit through, tough to follow with choppy editing that seems to kill off one character twice while two others disappear without explanation. Characters say little to one another, and when they do speak it is often pitched so low one can barely hear it. The visual design leans heavily on the dark surroundings to the point where the only print available today screens like an oil spill.

This is a movie I wouldn't watch once if it wasn't for Sellers, and can't recommend even to his fans. If you like bleak movies, you may feel otherwise, but whatever your mindset I doubt you will have any more success figuring out what is happening than I did.

The DVD box for "The Blockhouse" says "A true story of perseverance and survival". The same could be said for the audience. The constant darkness, illuminated only by candles, cannot shed enough light on this story of seven men, trapped underground for six years. As entertainment the film is a failure for three reasons. 1. The claustrophobic darkness is depressing. 2. The lack of any background or character development means a "so what" as far as differentiating who we like or dislike. 3. The abominable audio quality of the DVD makes understanding what is being said impossible. What you are left with is a dark, depressing, boring, and unintelligible movie. Not recommended. - MERK

Clive Rees has made a wonderful "dark" film based on Jean-Paul Clebert's book which describes a WWII story that one can hardly believe, yet true! The film was ahead of its time and the production suffered from financial problems and lack of faith in the film. This caused in cutting down scenes, and finally in never releasing the film, despite the great stars involved in it (Peter Sellers, Jeremy Kemp, Peter Vaughan, Charles Aznavour and others)! Since then, the film has appeared a handful of times in festivals & retrospectives and was released as a VHS in USA (1984). Yet, the VHS version is a vulgarly abridged one where entire scenes are missing... I was happy to help the film be part of a Peter Sellers retrospective in the annual Athens International Film festival (September 2000), held by Sinema magazine. Clive Rees attended the screenings and brought with him the directors' cut version of the film, which runs about 15 more minutes. The result is a totally different film, a poetic creation, a really great drama, with wonderful performances of the participating actors! The audience gave 95,3% positive votes for the film and gave a long, spontaneous applause, which I think was, at last some reward to Clive Rees' unlucky film. If only had the film been released nowadays, I am pretty sure it would have had a completely different chance. Now, at least it deserves a great DVD version and I hope it soon will (but of course it would have to be the director's cut and hopefully a making of documentary). Does anyone listen???

The makers seem to have forgotten why films ate called movies - because the pivtures move.

They have scored an own goal by locking their internal cast in the dark underground for an hour and a half. It is simply unwatchable. To make matters even worse if that were possible they have underlit it that's turning the whole thing into an ordeal for anyone who decides to watch this film. We needed I was a bit more at the front of the pool to tell us what these people are going through, much less time spent underground simply not interesting. And we should have the scene when they're just covered. As it is it seems that the directors don't want to tell us the story. What's the best will in the world I found it very very difficult to watch and I have to admit that I spun forward after the first 45 minutes at double speed at least to the end of this film.

Not a lot happens in this film, practically nothing in fact. Very odd casting but as nothing happens any actors could have been cast as they didn't have a lot to do. Time passed watching this film the same way it passed for those in the bunker, very, very, very slowly. The lack of background regarding the characters means that the audience don't really care one way or another what happens to them and there were no "leading characters" to move the story along. I spent a night in a German bunker on Jersey when our tents all got blown down by a 66 mph wind and a film of us cooking and eating pancakes all night would have been a better watch than this film.

This film had so much promise.To be honest,I had never even heard of it but the story line was so promising. The element of person or persons trapped underground has been told in many films but The Blockhouse(1973),although starting off well enough just halted to a crawl.Peter Sellers is great but this film was so slow and painful to watch.I rated it 1 out of 10 because there wasn't a 0 out of ten rating.Shame,because I normally like films of this kind.

Imagine being trapped underground with six other people (men, that is), with unlimited supplies of food and wine. All that runs out, eventually, is candlelight.

Based on a horrible true story that was no doubt repeated throughout WWII Europe, The Blockhouse documents the 'What If...?' scenario of (slave labourers) being stuck forever in a bunker with enough supplies for an army. And nothing else: just like Christmas with the family, really.

Charles Aznavour effortlessly steals it from a very good Peter Sellers, Peter Vaughan overcooks it as usual, the rest of the cast are pretty good, given the dramatic constraints; you wouldn't think it was 1973 most of the time. The sound, it must be said, is bad - subtitles will help.

Sadly, the narrative kind of peters out; I believe this was due to production financial issues. But these things don't matter on Xmas day. It's the perfect movie to get slowly drunk to, with endless supplies of cheese and cake.

This film could have been a masterpiece as the cast was great and the story was moving.Peter Sellers gives an excellent performance, in one of his most dramatic roles, but the film was hampered by the bad sound (mostly).What's more, its direction didn't help much and it is sad that great performances of most of the actors, remained, for many years,lost and forgotten.

I guess its grade should be 3 stars.

Talking Pictures TV does it again, they unearth a lost obscurity from the dusty cabinet of film. This time it's The Blockhouse, from 1973 starring Peter Sellers, I use that term loosely because it's a wonderful ensemble piece, in which actors share the screen, dialogue and drama the same. The premise of the movie is a work party of 7 POWs, country of origin indeterminate in occupied Europe. Flee the onslaught of allied bombing on D Day and their German guards by hiding in an underground bunker, on the entrance being bomb and blocked they have to hide further in the catacombs, with no way out they have to live on the contents of the cellar, which is wines, canned foods, cigars, etc etc in fact everything you could possibly want....over the hour and half we watch the men slow descent into madness and their long lingering death, due to the lack of fresh food, fresh air and light. It is so bleak, Sellers, Charles Aznavour, Jeremy Kemp and all are stunning and when you see the outcome and realise it's a true story it will leave a lasting impression.

I consider myself as big a Peter Sellers fan as there is in the world, but this one film had eluded me for years until now...It is one of my favorite of Sellers' performances, and is a very powerful film overall. Highly recommended!

This extraordinary curiosity unearthed by Talking Pictures is a definite exception to the detritus of Peter Sellars' output of the early seventies, free from his usual sin of caring only about his own role at the expense of the overall production.

The passage of time charted by the growth of his beard, Sellars' performance is easily the equal of his Chauncey Gardener in 'Being There' (although his French accent remains rather goonish). Jeremy Kemp as usual is excellent.

Reminiscent of a play by Sartre, the cast have plenty to eat and drink - as one of them observes "All I need is a woman!" - but sorely short of fresh air and decent lighting, the confinement eventually driving them all off their rockers as one by one they succumb to cabin fever.

Took me 15 years to remember it, buy it, and view it once more. I'd love to see Directors-cut....and Hollywood should Definitely re-release this film as DVD. This IS a very haunting movie....dry dialogue, great performances by all...with words often unspoken. Dark, deep...but true story...Truly-deserves new or re-release. Sellers was brilliant in this movie.....great performance, as so many only regarded him for his comedic charm and abilities. I very HIGHLY recommend this film.

One must go back to War Films in general for a long long time just to discover such a unique film presentation. I consider this to be totally riveting...though my copy was "grainy" and soundtrack was not up to par by my standards. I have an original VHS copy only. BUT, this film shines like a diamond in the rough so to speak. The men portrayed must have had tons of fortitude...or a belief system that belies more than basic survival. Great Flick.