News

Hugh Jackman will perform a 12-show concert series at Radio City Music Hall in 2025.

The show, entitled From New York With Love, will start on Jan. 24, 2025, with one weekend of shows per month in April, May, June and July. The final shows are scheduled to take place Aug. 15 and 16.

Jackman announced the news on social media in a video with his Deadpool & Wolverine co-star Ryan Reynolds, noting that it was a little over two years ago that Reynolds announced that the two would be starring in that film and joking that Reynolds would not play a part in this project. The movie has grossed more than $1 billion globally and marked Jackman’s return to his trademark role after a seven-year break.

“It was the time of my life. Ryan and I had such a great adventure together,” Jackman said in the video. “And I’ve been wondering what comes next…...

Hugh Jackman is returning to the New York stage in 2025. He’s performing a 12-concert residency at Radio City Music Hall, where the showman is expected to curate a career retrospective.

Jackman will showcase songs from “The Boy From Oz,” The Greatest Showman” and “The Music Man,” as well as “surprises from his career,” according to the official release. Other musical roles of Jackman’s have included Tom Hooper’s “Les Misérables” movie adaptation and Off Broadway and West End revivals of “Oklahoma!” and “Carousel.” The 55-year-old Australian has mounted one-man shows in the past like “The Man. The Music. The Show” world tour in 2019 and “Hugh Jackman: Back on Broadway” in 2011.

This series, titled “From New York With Love,” will kick off at the famed venue on the weekend of Jan. 24, 2025, and will continue through select weekends in April, May, June, and July with the final shows on Aug.

Among the fascinating bastards born when the French New Wave and the nouveau roman swapped precious fluids, the films of novelist Marguerite Duras are beautiful, monstrous sleepwalkers, creeping through modern emptinesses and doped on remembered conversations. In a real sense, they feel like movies made by and about dead people — narrative experiences from limbo.

Already the author of nine relatively conventional novels when she wrote the screenplay for Alain Resnais's Hiroshima Mon Amour (1959), Duras felt the winds blowing, and as her fiction became sparser and more enigmatic alongside fellow rad fictioneer-turned-auteur Alain Robbe-Grillet, she decided to make the move to film, first with versions of her plays La Musica (1967) and Destroy...