Caprice

1967
A
1h 35m

IMDb RATING

5.5/10

1.8K

YOUR RATING

An industrial designer causes chaos when she sells a secret cosmetics formula to a rival company.

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Caper Comedy Crime Thriller

An industrial designer causes chaos when she sells a secret cosmetics formula to a rival company.An industrial designer causes chaos when she sells a secret cosmetics formula to a rival company.An industrial designer causes chaos when she sells a secret cosmetics formula to a rival company.

See production info at IMDbPro

IMDb RATING

5.5/10

1.8K

YOUR RATING

See production info at IMDbPro

User reviews42

Featured review

5/10

It isn't boring at all

I don't know why the most people think, that "Caprice" is a mad movie, it is no true. This one is the follow-up of "The Glass-Bottom Boat" and is in every case bigger an greater, but not better. Frank Tashlin did a very good job, when he first cooperated with Doris but he used her for his crazy and hardly understandable sense of humor. You have to laugh about the whole movie, you can't take anything in it seriously. That's the trick of it. There are very funny moments, e. g. when Doris goes to cinema to watch "Caprice" and when she strikes again a sexual attack. Perhaps a few of you really enjoy this movie as I do. Take it easy and with a little smile. For all others: Doris didn't like the movie herself.

foggyday
Dec 1, 2001
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Storyline

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Trivia
In her autobiography, Doris Day wrote that this was one of her least-favorite films, also citing The Ballad of Josie (1967), Do Not Disturb (1965), and Where Were You When the Lights Went Out? (1968)--all films to which her husband/manager Martin Melcher signed her without her consent.

Goofs
When Patricia addresses Chris (Richard Harris) as "Richard" during the William Shakespeare scene, she is referring to his impression of Richard Burton.

Quotes
Patricia Foster: That phone is making me very nervous.
Christopher White: It is making me nervous too. Let me take you away from all this. I also have a room with no phone.

Crazy credits
Each screen of the opening credits is presented uniquely. The names of the leads appear in speech/thought bubbles of an extra. One page appears gradually as a walkie-talkie's antenna extends. Others fade in, slide in, are pulled from behind walls, appear with different clipart, etc.