The Venetian Affair

And a big yawn goes to "The Venetian Affair" from 1966.

Based on a Helen McInnes novel, none of which made successful films, it sports an interesting, if not great cast: Robert Vaughn, Ed Asner, Boris Karloff, Elke Sommer, and Karl Boehm. The most interesting things about it are Karloff and the shots of Venice, my favorite city. I wish it had been in color.

The beginning makes one think you're really going to see something. An American diplomat detonates a bomb during a conference on disarmament in Vienna. There doesn't seem to be any reason for him doing so, and the USA doesn't want to be blamed. They start looking for reasons.

Vaughn, playing a drunk named Bill Fenner, who is ex-CIA, is sent back into action by the CIA. He has an ex-wife who is a turncoat, and the CIA is sure he can locate her. They think she might have been involved or at least know something. Fenner never got over her, though you wouldn't know it since he propositions every woman he meets.

It becomes confusing from there -- and boring. Slow pace, and Vaughn was not the stuff movie stars are made of. It's normal when you have a big success like Man from U.N.C.L.E. to try your luck at films, but not everyone succeeds.

Despite what some people state on this board, that people who don't like this movie were expecting explosions and all sorts of car chases and CGI, etc, I didn't care about any of that and never have. It's just not a very intriguing film. All I ask from a spy film is some suspense and a really good story, along with the acting.

During this time, we had the James Bond films with all their gadgets, and U.N.C.L.E., and the producers tried to attract both audiences. A very routine film.

Two things are noteworthy about The Venetian Affair. One was that Robert Vaughn tried to break out into the big screen like such television contemporaries as James Garner and Steve McQueen without the success that they had. The second was that this was the last film Boris Karloff did that was not related to the horror genre.

The film begins with a bang. An American diplomat is given a bomb and it detonates in a disarmament conference in Venice. No one can figure out why, but you can bet the USA does not want to be held responsible when forensics prove it was our guy who was the suicide bomber.

Our man in Venice for the CIA Edward Asner sends for former agent Robert Vaughn who is now an alcoholic newspaperman working for a wire service. They suspect his ex-wife Elke Sommer has something to do with it and he's the best at finding her. She's also the reason that he's no longer with the CIA.

Boris Karloff plays an elderly man of geopolitical mystery. He knows what's going on, but some sinister folks are controlling him.

The Venetian Affair is a pedestrian affair moving at a paint drying pace and Vaughn after being television's urbane Napoleon Solo in The Man From UNCLE never quite got his teeth in this part. Karl Boehm is a good villain and only at the very end do we find out who he is working for. As for the reason why the diplomat did the foul deed, that you watch The Venetian Affair for.

In 1967, when the spy genre became well and truly a parody of itself, there were only some spy films that were serious attempts in the genre. "The Venetian Affair" is one such film. It's a very well made, suspenseful and dramatic work, based on Helen MacInnes' novel of the same name. Still TV's super-spy Napoleon Solo, Robert Vaughn plays the anti-hero, antithesis of Solo/Bond/Flint etc, as former-CIA man, now downtrodden journalist Bill Fenner. He plays Fenner extremely well, a perfect role for Vaughn's sensibilities as a thoughtful, intellectual man. Aided magnificently is a strong European cast - Elke Sommer, Boris Karloff, Luciana Paluzzi and Karl Boehm to name just a few. Also prominent is Edward Asner as the tough CIA chief Rosenfeld.

Overall, this is an excellent and often misunderstood film. Most people and critics alike, expected the any spy film from this era to be more glamorous and fun a la "In Like Flint" or "You Only Live Twice" which came out the same year. However, looking in retrospect some thirty-years on, one can appreciate a fine dramatic work, one which stands up to the test of time much better than any of its more outrageous competitors.

Robert Vaughn was so great as a spy in Man from U.N.C.L.E. that he got a starring role in the full length film Venetian Affair. Vaughn is Fenner, retired CIA, but now working as a reporter (really ?). after the bombing of diplomats in venice, he is sent to get whatever information he can for the wire services. Some other fun names here. the awesome Boris Karloff, taking a break from his horror films. Ed Asner, WAY before MTM or Lou Grant. he had done lots of tv work, but this appears to be his third film role. Elke Sommer did a bunch of projects with Dean Martin. in this film, she's Sandra, who may be involved in the bombing. Karloff is Dr. Vaugiroud, who may or may not be helpful to Fenner. the first half moves pretty slowly.. it's all setup. there's kind of a showdown scene at the end, and things are explained, but it's just so-so. it's entertaining enough, but nothing new and exciting. some fun scenery of Venice, as imdb claims that it actually was filmed there. directed by Jerry Thorp, his first of only two film projects; done in the middle of so many television shows. story by Helen MacInnes, who had a couple novels made into film.

Dr. Robert Vaughn (Ph.D Communications), one of the Hardest Working Television and Screen Actors, Stars in this Low-Key Spy Thriller that Manages some Intrigue, a Beautiful Landscape, and a Decent Score from Lalo Schifrin, a few Good Supporting Actors like Ed Asner, Boris Karloff, and Karl Boehm do Good Work, and Elke Sommers Doesn't Do Much.

The most Interesting Part is Not well Integrated, the Secret Psychotronic Weapon. The Third Act Picks Up the Pace that Lingered and Stalled previously. It's a Slow Burner for sure. The Plot can be Hard to Follow for a While, but there is just Enough Professionalism on hand to make this Worth a Watch.

Don't Expect James Bond's High Tectonics and a Silky Smooth Platte and You Might Like this, another Sixties Spy Thriller, one of the Super Serious Ones. Karl Boehm Almost Steals the Show in a Small Part.