Stolen Kisses

I watched this film knowing that it was the sequel to Truffaut's the 400 Blows, but I couldn't help doubting that the protagonists for the two movies were one and the same. I know Stolen Kisses takes place nine years after, but something wasn't right. Maybe it was that this film was more comedic, maybe the character was different, maybe the world was different. I don't know. It is like the Antoine of Bizarro World.

Standing by itself, Stolen Kisses is a terrific film about a mediocrity. Antoine can't hold a job, and he can't even hold a woman. He kisses his girlfriend as he would kiss a prostitute - awkward and rough. Upon meeting a private detective (modeled after Andre Bazin - Truffaut's mentor), Antoine gets a job spying on the workers of a shoe store owner who claims everyone hates him. There, he falls into lust with the bosses high-society wife.

At the end of the film, Antoine is forced to compromise and marry his old girlfriend for whom he may or may not feel any true love. The point is that she is there to support him and love him. He is the elevated statue of desire to her just as the shoe store owner's wife was to him.

All in all, this movie is exceedingly well done by the Great Truffaut, but I just couldn't get past the fact that Antoine was the same boy I last saw escaping from a juvenille hall and running to the ocean in a moment of personal victory from a society that didn't really want him. Something in this film did not match up with the previous one.

"Stolen Kisses" is about Antoine Doinel (Jean-Pierre Leaud, in an exquisite performance), part of a three-film cycle about this young man who is trying to figure out life, love, and where and with whom he belongs.

In the beginning of the film, Antoine is dishonorably discharged from the army and thus his job hunt begins. He's really not very good as a gift-wrapper, or as the night watchman at a hotel, or as a private detective. The detective job takes up most of the film. He is dispatched to work undercover in a shoe shop to find out why nobody likes the boss. He falls head over heels for the boss' stunningly beautiful wife Fabienne. We also see Antoine dealing with his on-again, off-again relationship with his girlfriend Christine, who wants him when he doesn't want her, and vice versa.

Accompanied by a beautiful music score and set in '60s Paris, "Stolen Kisses" is a whimsical, sometimes cynical film about different levels of love (often existing in one relationship), the search for self, and for loving the unattainable. The follow-up is "Bed and Board."

The army life just wasn't made for you, after three years of detention they're all through, you're discharged from a shared cell, you get a job in a hotel, you find Christine, who you continue to pursue. A night porter's not the perfect role in truth, but it creates an opportunity to sleuth, as a private detective, you need to keep your perspective, it's a challenge for disoriented youth. As a spy inside a shoe shop you observe, the owners sexy wife you have to serve, there's an age gap but connection, that results in an inspection, forces you to make your next, career move. You get called out, to fix the telly of Christine, it's fair to say that a repair job's not your dream, you don't really have a clue, where you're going, what to do, but there's a chance, you've caught the girl, in your crossbeam.

An often hilarious continuation of Antoine Doinel's life, leaves you reflecting on similar scenarios in your own formative years. Great performances and great direction.

This is absolutely my favourite Truffaut film. Being a film which is based on real events in Truffaut's life (like most of his films), this film shows who Truffaut liked to be (looked at). The charismatic Jean-Pierre Léaud completes this image perfectly. The wonderful soundtrack makes it even better.

Some might say that this film is less revolutionary than his nouvelle vague stuff, but this film is much more effective and up-to-date. It is the funniest and most interesting part of the Doinel-series, which, sadly, had to be finished with the worthless L'amour en fuite.

Watching this film makes you understand what Truffaut thinks about himself, and the 'family-business'of movie making. Watching this film combined with La nuit Américaine, and you'll know what Truffaut really is about. This film steals more than your kisses. It might steal you heart.

After being discharged from the army for insubordination, Antoine Doinel (Jean-Pierre Léaud) visits his former girlfriend Christine Darbon (Claude Jade), and her father finds a temporary job of night watchman for Antoine in a hotel. The naive Antoine is deceived by a private eye in his first night shift, and fired on the next morning. The investigator invites the clumsy Antoine to work in his company, where he is assigned for some minor jobs, until he has to investigate why the owner of a shoes store, Mr. Georges Tabard (Michel Lonsdale), is detested by his employees. Meanwhile Antoine falls in love for the gorgeous Mrs. Fabienne Tabard (Delphine Seyrig).

"Baisers Volés" is a delightful romantic comedy of François Truffault. Using his alter-ego, Antoine Doinel, this movie pictures the romantic and very funny adventures of this character in Paris with prostitutes, with his girlfriend and with his married passion. The soundtrack, with song "Que reste-t-il de nos amours?" of Léo Chauliac, is simply wonderful. This classic story is still charming and not dated almost forty years later. My vote is eight.

Title (Brazil): "Beijos Roubados" ("Stolen Kisses")