IMDb RATING
5.2/10
2.1K
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Hedonistic photojournalist Emanuelle goes undercover to expose the seedy lives of rich and powerful sex cultists and snuff film peddlers in America and Europe.Hedonistic photojournalist Emanuelle goes undercover to expose the seedy lives of rich and powerful sex cultists and snuff film peddlers in America and Europe.Hedonistic photojournalist Emanuelle goes undercover to expose the seedy lives of rich and powerful sex cultists and snuff film peddlers in America and Europe.
- Director
- Writers
- Stars
Bruno Alias
- Party Guest in Venice
- (uncredited)
Fernando Arcangeli
- Antonio Ramirez
- (uncredited)
Salvatore Baccaro
- Charlie
- (uncredited)
Erminio Bianchi Fasani
- Party Guest in Venice
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
The late smutpeddler, Joe D'amato, has released hundreds of disgustin' sleaze epics but the 100 min. uncut version of "Emanuelle In America" takes the cake. Horsemasturbation, hardcore porn, castrations and the most vile "snuff" images you ever will see on film. Canadian maverick David Cronenberg was actually inspired by this flick to make his masterpiece, "Videodrome". Forget "Salo", "Caligula", "Man Bites Dog", "Man Behind The Sun" and "Cannibal Holocust" cuz this one will eat your mind!
After reading the reviews to this film and being a huge Joe D´Amato-fan since a long time my expectations were more than immense! The story is about beautiful reporter Emanuelle (played by D´Amato-darling Laura Gemser) who wants to write a sensational story about perverse sexual practicals of America´s high society. Meeting (and even more than that..!) an influential politician Emuanuelle finds a trail to the legendary/notorious snuff-movies where real humans are tortured and killed on film...
A very interesting story, but sadly the execution is only average, because "Emanuelle in America" is nothing else but typical 1970s standard soft sex! When you´ve seen one example of the endless Emanuelle-series you´ve seen´em all - this movie is no exception! In my opinion, the sickest scene is featured in the 30th minute when a naked girl caresses the dick of a horse. Then nothing´s gonna happen... After one hour the first blow job-scene is brought on and in the last third the movie there are some short hardcore takes filmed.
And then at the very end you´ve got to see those notorious snuff-sequences..! Yes, they are extremely violent! Yes, they are extremely disturbing!! However they have a pretty short running time from about 15 seconds all together and they are quite similar to those featured in Pasolini´s "Salo". And I can´t get rid of that feeling director Joe D´Amato only added them to give this after all very tame movie some shocking and provoking impulses..!
If you want to see a real sick Joe D´Amato-movie watch his splatterfest "Buio Omega" instead!!!
A very interesting story, but sadly the execution is only average, because "Emanuelle in America" is nothing else but typical 1970s standard soft sex! When you´ve seen one example of the endless Emanuelle-series you´ve seen´em all - this movie is no exception! In my opinion, the sickest scene is featured in the 30th minute when a naked girl caresses the dick of a horse. Then nothing´s gonna happen... After one hour the first blow job-scene is brought on and in the last third the movie there are some short hardcore takes filmed.
And then at the very end you´ve got to see those notorious snuff-sequences..! Yes, they are extremely violent! Yes, they are extremely disturbing!! However they have a pretty short running time from about 15 seconds all together and they are quite similar to those featured in Pasolini´s "Salo". And I can´t get rid of that feeling director Joe D´Amato only added them to give this after all very tame movie some shocking and provoking impulses..!
If you want to see a real sick Joe D´Amato-movie watch his splatterfest "Buio Omega" instead!!!
Ah, that Joe D'Amato...you can't help but watch his films no matter how curiously interesting or just plain bad they are. If it weren't for the explicit versions, I think most folks would forget about them soon after viewing, unless just gawking at naked gals here and there in the guise of a "legitimate film" is your kind of thing. The BIG problem with Emanuelle In America is that it can't make up its mind if it wants to be mere exploitation or hardcore, as it bounces back and forth but never really completes those goals.
Li'l Miss Sexpot herself Laura Gemser is "Miss Emanuelle" who will travel anywhere and subject herself to any danger in order to get an ultimate story to further her journalistic endeavors (her sneaking around and snapping pics reminded me a lot of later Charlie's Angels adventures). She joins a harem of sorts and fondles women and watches bestiality, mingles with horny aristocrats, gets an expose of a women's pleasure resort (ah, finally a bunch of naked men in a movie), and shmoozes with bad men behind a snuff film ring. Yes, a film like this DOES need lots of sex to keep it going, but it's strange how much of it doesn't show up until much later.
When sex scenes start, they end abruptly like a bad tease. During the sex, lots of jumpcuts jar the viewer so that it's not easy to get any pleasure out of viewing it. When hardcore footage appears, it usually never "finishes" (okay, there's a lack of money shots). When there ARE money shots, the scene has zipped by so fast you wonder if you were supposed to get excited or think that folks finish sexual encounters within one minute or less. Sex scenes in films like this are usually intended to arouse, and these leave you somewhat confused.
Here is where I DEFEND something about this film: Those people who are only turned on by shaved, squeaky-looking pretty people in porn should not be so harsh to those of us who actually like a bit of body hair on men, or if women aren't so artistically trimmed. I have a feeling that most are bitching about the "hairy men" because of the bearded guy in the hut (in the Tarzan fantasy sequence). If anything, his hirsute appearance enhanced the energy of the too-brief scene, and I'm sure there are plenty of folks that appreciated a natural-looking man instead of plastic pretty boys. As for the women, it's funny how so many "reviewers" are calling the actresses unattractive -- seems there are too many men out there that have ridiculously high standards for women. I didn't find these women unattractive; if anything they seemed real and still even out of the league that most of the drooling heterosexual viewers would ever get in real life. You know the kind, guys with beer guts who wear hats and t-shirts that say "No Fat Chicks" and think that all women are inherently bisexual. I say HOORAY for '70s hairy porn, let's have more of it!
For me, instead of being creeped out by physically follicle-blessed men, I was creeped out by the sordid footage of the snuff films. Instead of a glimpse of one, we are subjected to several scenes of it, and it reminds me of those harsh slasher films that get women naked before they are dismembered. Are we supposed to be aroused by the nudity AND the physical violence at the same time? Otherwise, why so much of it in this film? I say fill out the other basic hardcore sex scenes more, and less of the poles and hooks being used as sexual torture. And to think David Cronenberg got his inspiration for "Videodrome" from this film.....eek!
So, take a look at Emanuelle In America so you can say you saw it, and if you got a kick out it, then it's actually okay. I saw it as a curiosity that had to be done and over with. It just really felt like a longgggg tease to me, so that I had to dig into my stash of hairy '70s porn afterwards to feel satiated!
Li'l Miss Sexpot herself Laura Gemser is "Miss Emanuelle" who will travel anywhere and subject herself to any danger in order to get an ultimate story to further her journalistic endeavors (her sneaking around and snapping pics reminded me a lot of later Charlie's Angels adventures). She joins a harem of sorts and fondles women and watches bestiality, mingles with horny aristocrats, gets an expose of a women's pleasure resort (ah, finally a bunch of naked men in a movie), and shmoozes with bad men behind a snuff film ring. Yes, a film like this DOES need lots of sex to keep it going, but it's strange how much of it doesn't show up until much later.
When sex scenes start, they end abruptly like a bad tease. During the sex, lots of jumpcuts jar the viewer so that it's not easy to get any pleasure out of viewing it. When hardcore footage appears, it usually never "finishes" (okay, there's a lack of money shots). When there ARE money shots, the scene has zipped by so fast you wonder if you were supposed to get excited or think that folks finish sexual encounters within one minute or less. Sex scenes in films like this are usually intended to arouse, and these leave you somewhat confused.
Here is where I DEFEND something about this film: Those people who are only turned on by shaved, squeaky-looking pretty people in porn should not be so harsh to those of us who actually like a bit of body hair on men, or if women aren't so artistically trimmed. I have a feeling that most are bitching about the "hairy men" because of the bearded guy in the hut (in the Tarzan fantasy sequence). If anything, his hirsute appearance enhanced the energy of the too-brief scene, and I'm sure there are plenty of folks that appreciated a natural-looking man instead of plastic pretty boys. As for the women, it's funny how so many "reviewers" are calling the actresses unattractive -- seems there are too many men out there that have ridiculously high standards for women. I didn't find these women unattractive; if anything they seemed real and still even out of the league that most of the drooling heterosexual viewers would ever get in real life. You know the kind, guys with beer guts who wear hats and t-shirts that say "No Fat Chicks" and think that all women are inherently bisexual. I say HOORAY for '70s hairy porn, let's have more of it!
For me, instead of being creeped out by physically follicle-blessed men, I was creeped out by the sordid footage of the snuff films. Instead of a glimpse of one, we are subjected to several scenes of it, and it reminds me of those harsh slasher films that get women naked before they are dismembered. Are we supposed to be aroused by the nudity AND the physical violence at the same time? Otherwise, why so much of it in this film? I say fill out the other basic hardcore sex scenes more, and less of the poles and hooks being used as sexual torture. And to think David Cronenberg got his inspiration for "Videodrome" from this film.....eek!
So, take a look at Emanuelle In America so you can say you saw it, and if you got a kick out it, then it's actually okay. I saw it as a curiosity that had to be done and over with. It just really felt like a longgggg tease to me, so that I had to dig into my stash of hairy '70s porn afterwards to feel satiated!
EMANUELLE IN AMERICA is clearly a testament to the declining CineCitta film industry of this time. Exploitation film-makers were being forced to throw genres together in bizarre hybrids to try and cover as many commercial bases as possible.
This film, without doubt, is the flat out WEIRDEST example of that I've ever seen. The first 50 minutes or so play like a typically flaccid D'Amato softcore sex movie, before kicking into high octane with hardcore bestiality footage, hardcore porn, and pretty grueling "snuff" footage (shot in a verite, hand-held and shaky style that reminds me of the latter half of CANNIBAL HOLOCAUST). None of it really fits together well within the narrative (particularly the XXX footage which is clearly spliced in from another film) and all the excessive stuff is quite brief. I don't really understand what the commercial motivation for the production of this film was, but that certainly interests me. The whole film has an air of not being complete, especially when you consider the bizarrely truncated ending.
An interesting and VERY sleazy watch, but don't expect the rest of the film to be anything but appalling. D'Amato's straight horror (specifically BLUE OMEGA and ABSURD) do the job way more for me, and I usually love sleaze with all my grimy heart. Before anyone yells at me, the copy I own is the "fully uncut" Venezuelan print so I really don't think I'm missing anything here.
This film, without doubt, is the flat out WEIRDEST example of that I've ever seen. The first 50 minutes or so play like a typically flaccid D'Amato softcore sex movie, before kicking into high octane with hardcore bestiality footage, hardcore porn, and pretty grueling "snuff" footage (shot in a verite, hand-held and shaky style that reminds me of the latter half of CANNIBAL HOLOCAUST). None of it really fits together well within the narrative (particularly the XXX footage which is clearly spliced in from another film) and all the excessive stuff is quite brief. I don't really understand what the commercial motivation for the production of this film was, but that certainly interests me. The whole film has an air of not being complete, especially when you consider the bizarrely truncated ending.
An interesting and VERY sleazy watch, but don't expect the rest of the film to be anything but appalling. D'Amato's straight horror (specifically BLUE OMEGA and ABSURD) do the job way more for me, and I usually love sleaze with all my grimy heart. Before anyone yells at me, the copy I own is the "fully uncut" Venezuelan print so I really don't think I'm missing anything here.
A good film by sleaze-master Joe D'Amato? No chance. Wait a minute, this one actually isn't too bad. Emanuelle's (notice, one "m", not Emmanuelle ©) forays into the aristocratic decay lifestyle get weirder and sleazier, culminating in the snuff footage in the end (modeled after Pasolini's "Salo", how ironical). It's not all bleak however, as Joe has a sense of humor. Case in point, Emanuelle and cohort having sex in the next room to an orchestra playing, and hysterically editing the sex with close-ups of the geek musos playing Ludwig's fifth. Or what about the ending? Emanuelle getting a vacation as a reward for her investigative journalism, only it turns to be a movie decor. It is only a movie after all. Hah.
Did you know
- TriviaThe infamous snuff footage in this film inspired David Cronenberg to write "Videodrome"(1983).
- GoofsGemini has an entirely different dubbing voice (and accent) in her two scenes.
- Alternate versionsA region-free USA DVD is available from Blue Underground. This version runs at over 100 minutes and is completely uncut, featuring all the hardcore footage and 'snuff' footage.
- ConnectionsFeatured in Loose Enz: The Venus Touch (1982)
Details
- Release date
- Country of origin
- Language
- Also known as
- Emanuelle negra en América
- Filming locations
- New York Daily News Building - 42nd Street, Manhattan, New York City, New York, USA(Emanuelle meets with her editor)
- Production company
- See more company credits at IMDbPro
- Runtime1 hour 40 minutes
- Sound mix
- Aspect ratio
- 1.85 : 1
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