Shock Waves

This is an underrated cult classic from the 70s, a great decade for atmospheric horror films. The eerie score, excellent location and spooky zombie makeup are all great. A few reviewers have complained about the makeup for the zombies but I thought it was good for the purposes and budget of this film. I assume these naysayers also belong to the "show us more guts" crowd. Some other complaints are about the daylight shooting. Apparently, according to some, this detracts from the movie's effectiveness to scare people. Hogwash. It takes more talent to create atmosphere and terror in broad daylight than at night. The director accomplishes this quite well and deserves to be applauded for it.

The cast is solid. Brooke Adams is a young and sexy lead. Solid support from horror vets Peter Cushing and John Carradine (whose arthritic hands are painful to look at and I can only imagine the poor man's suffering). The male lead is the mustachioed Luke Halpin (from Flipper) and he's very rootable.

On a side note I have to roll my eyes at some of the reviewers bemoaning the lack of gore and guts. This is not a zombie movie in the Romero mold. These are reanimated dead Nazis who kill. They don't eat brains or rip out guts. Why some need to see such visceral imagery to enjoy a horror film is perplexing to me but it takes all kinds I guess.

This film isn't a big budget film which may put off some viewers from the outset. It is very good if you're into this kind of thing though. The horror is not too explicit, but is more suggestive, and this actually makes the film genuinely creepy in parts. The performances are a little amateurish by the lower cast members, but Peter Cushing is in commanding- if all too brief - form and John Carradine gives a good perf. Brooke Adams also registers well in her acting debut. The plot is daft yet manages to convince, mainly because there is a really neat exposition scene in which Cushing explains what is going on. He's such a persuasive actor that even though the whole idea is so preposterous, when he says it you kind of feel compeeled to believe him. I rate this flick and would hope that anyone reading this at the moment would go out of their way to try to see it. It's worth the time and has a weirdly effective way of sticking in your mind for a long time afterwards.

Rather than re-watch Rob Zombie's homage to 70s flicks, or any of the modern remakes of the "Living Dead" films, why not just dig up some of the little seen but really good original 70s stuff? There's a lot of it out there that deserves to be seen, and this is one of them. There's a lot going for it, atmospheric soundtrack, decaying old structure, handful of frightened folks out of their normal element, the walking dead, plans for escape all go awry, very typical of the 70s pre-slasher horror genre. But this is one of the best entries, surprisingly better than I remember it to be when I saw it back in 1979 on tape. Back then, being an immature young kid, I though it was slow, but now I see it's a steady build of tension.

For a film about Zombie Nazi soldiers who rise from the sea to murder a group of shipwrecked tourists, you would expect blood and guts. Well "Shock Waves" is relatively bloodless. and yet, it is an extremely good horror film! Heavy on the tension and atmosphere, this is a film, much like John Carpenter's "Halloween," that relies on mood and setting to captivate it's audience. the fact that this movie was made with a larger budget, and big name actors, helps "Shock Waves" to avoid being categorized as cheap exploitation. The cast is great, but of course the dead Nazis are the centerpiece of the production. The images of these blond SS soldiers walking out of the water are haunting and almost beautiful to behold. The fact that they don't have any reason to kill the hapless tourists makes them seem a bit more soulless than if they were killing them for "food." They don't eat their victims; they just kill them and leave them where they lie.

Featuring a wonderful, creepy electronic score and imaginative camera-work throughout, this is a must-see for fans of the genre. Of course those looking for a bloodbath will be disappointed. but those looking for some good, old fashioned horror should be pleasantly surprised with this gem. Recommended.

This is a great little film that combines two of the 70s most popular horror movie themes: monsters in the water and undead zombies. It also features the always-wonderful Brooke Adams (from "Invasion of the Body Snatchers") in a major role, not to mention both John Carradine and Peter Cushing.

A group of vacationers being taken on a cruise around some unspecified tropical islands experiences some trouble when a decades-old ship appears out of nowhere and rams their boat. The "ghost ship" is populated by undead SS soldiers who were created to survive both underwater and on land, and it goes without saying that they have no friendly intentions.

The new castaways take refuge on an island inhabited solely by Peter Cushing, a former Nazi commander who was in charge of the "Death Corps", and their host gives them a hasty explanation about what they're all up against.

The rest of the film is the tourists and sailors being stalked and offed by the zombies, who have really wrinkled skin and wear groovy goggles. Unlike the standard flesh-eating zombies of 70s horror, these undead guys don't wanna bite you, they just wanna hold you under the water until the bubbles stop. Genre fans hoping for some cannibalism or guts will be disappointed.

The visuals in the movie are sometimes striking. The underwater shots of the zombies are bizarre, as are the scenes of them rising up out of the ocean (or whatever body of water happens to be handy). Most of the action takes place on the island, which features a deserted resort that is pretty creepy in itself. A couple of the shots reminded me of "Carnival of Souls", with one or two scenes of undead faces looming just under the surface of the water.

The editing is a bit choppy and slightly incoherent. It seems like a few scenes establishing the characters were excised, as well as some other exposition such as the fate of the tourists's boat (what DID happen to it, after all?). The pacing is also not for all tastes, since this movie never builds into a all-out assault or anything, but it's an enjoyably creepy chiller in the classic 70s style. This is a prime candidate for DVD rediscovery. Watch it if you can find it.