The Betsy

I bought this film because I LOVE Robert Duvall and Tommy Lee Jones, and it was packed with other great names. The movie misses its mark at every chance. It fails to bring you into caring about the characters, the passion, the evil, etc. I don't know how it could miss with the people involved, but it does. Just the description of the movie was gripping, but the viewing failed to deliver. The era was fascinating. The sets were beautiful. The music was blah. The drama was off center. You should see the chemistry of Jones and Duvall in "Lonesome Dove" to see what is missing in this film. I'm glad I have this chance to comment, as I was dying to tell someone who cares.

Serious cineasts, GO AWAY! Watch this film for the pure pleasure of getting down and dirty in a potboiler. Lust! Greed! Passion! Murder! Seduction! Even MAFIA!

And see Laurence Olivier ham it up like crazy with the goofiest accent you'll ever hear!

Oh, yeah. I forgot ... Hate! Fear! Wealth! Decadence!

I have always been curious as to how so many big name stars came to agree to appear in "The Betsy". Was Harold Robbins' name alone enough for them to believe they were starring in a hit? Perhaps they all were paid handsomely. I hope it's the latter. As you might expect with Harold Robbins' name on the title "The Betsy" is about sex and greed and sex and power and sex and murder and sex. This is pure trash all the way but if you don't take it seriously and catch yourself in a goofy mood then you might enjoy it.

The story is simple. A family headed by patriarch Laurence Olivier manufacture cars and become wealthy and powerful. That's all you really need to know. This family is one sick group. Take for example one scene early on in the movie. A boy (who would grow up to be Robert Duvall) witnesses his father committing suicide. He runs upstairs to be with his mom (Katherine Ross) only to find her in bed shagging grandpa Olivier. All in a matter of moments for this poor kid. And yet he still grows up and goes to work for Olivier. You can't take the story seriously for a second.

Also on hand are Tommy Lee Jones as a stud race car driver and the beautiful Lesley-Anne Down as his mistress who happens to be Duvall's wife. She is sexy and alluring and almost worth the price of admission. And then there is Duvall's granddaughter who seduces Jones on her 18th birthday. The Carrington family from "Dynasty" almost seem normal next to this clan.

Trash movie lovers unite. This is a film for you. It's somewhat of a guilty pleasure for me but I still sit there and shake my head at many scenes more then just enjoying the garbage being presented.

This is not the kind of movie you can recommend, but if you are in the mood for trash with a lot of glitter, this is the one for you. There are not many good adaptations from Harold Robbins novels, and this is not one of them. The all-star cast helps immensely but they might have brought a bit of fun to the proceedings, so we could think this wasn't torture for them to make.

One of the Star Trek sequels has Harold Robbins and Jacqueline Susann referred to as the "Old Masters." Personally, I'm betting that The Carpetbaggers or The Betsy will not be on a high school English class reading list in about 200 years.

The Betsy, by the way, refers to both Kathleen Beller's character and a newly designed car named for her by her great grandfather the patriarch of an automobile pioneer family. Said patriarch is played by none other than Sir Laurence Olivier, arguably the greatest actor the English speaking world has ever produced.

He was certainly thought of as that at the time The Betsy was made. He had nothing to prove as a player in 1978, but Olivier was concerned about leaving a nice sizable estate for his children. So he did take on projects like these that were guaranteed box office.

I have to say Olivier's Loren Hardiman was an offbeat part for him. Prominent in the Olivier bag of thespian tricks is a great ear for accents. Hard to believe that this is the same actor who gave us definitive film versions of Hamlet, Richard III, and Othello.

In filming one of Harold Robbins empire and scandal novels all you can do is ham it up. And following Lord Olivier's cue the rest of the cast hams it up big time. I'm surprised no one in television thought of this as a Dallas like series.

The Betsy has the usual business double dealing and sexual peccadilloes that saturate a Robbins epic. If that's your taste you'll love The Betsy.

An errant thought just struck me. What if someone had thought to hire Sir Laurence Olivier as Jock Ewing in Dallas. I think he'd have done it for the right price and he could have pulled it off.