The Big Fix

An excellent film for Dreyfus. At this point (1978), the best known films with Dreyfus were "American Graffiti"(1973), "Jaws"(1975), "The Goodbye Girl"(1976) and "Close Encounters"(1977). Dreyfus did a great job inviting the viewer in and sharing his (Moses Wine's) feelings about the late 60's and its effects on the students at Univ of California Berkley. Wine wanders aimlessly to find out who is pitting various ethnic and political groups, etc. against each other. He does not find out who the true enemy is until the end of the movie. You won't either. John Lithgow also appears in one of his first films. Look for Mandy Patinkin as the pool cleaner. F. Murray Abraham and Susan Anspach also star.

The Big Fix is a mystery that does not answer every question that it raises, but it nails the Zeitgeist of the late 60's from a vantage point 10 years later. I have only seen it once, when it first came out and I have looked for it ever since.

The story is slow to develop with Moses Wine (Dreyfuss) having trouble with seemingly every aspect of his life. We learn that he feels displaced in time, and cannot get past the radical time in his life. I and many others have had those same feelings in the 35+ years since.

The sense of confusion and struggle fits exactly the feelings many of us experienced at the time. Taught to respect the police by our Greatest Generation parents, we often found that we were at the top of the police list of suspects for anything from subversion to bad manners and bad dress. The sense of alienation that I felt at the time permeates the viewing. I may have read too much of myself into it; if so, The Big Fix evoked it from my own life.

Best scenes without spoiling the story:

Leon Redbone's "I Wanna Be Seduced" while Moses gets ready for a date with Lila Shay (Anspach).

Moses at the TV station reviewing scenes of past demonstrations; the images are shown projected on his face. No real detail is visible except the tears on his cheeks. Powerful.

The reunion of old friends as they dance around the swimming pool of the house that was built by selling out the old radical values.

Finally, a sense of something incomplete at the end. The mystery solved, but every question not answered. How true to life!

Okay, the 30's had Sam Spade, the 40's had Philip Marlowe, and the 50's had Cold War PI, Mike Hammer. So why shouldn't the 60's have its iconic private dick too. His name is Moses Wine. He stands 5-5, wears glasses and exercises on a skateboard. His hard knocks' schooling is courtesy the Berkeley college of street protest and radical rhetoric, where he majored in Pinko Studies and How to Grind Up the Establishment. There are no stacked blondes in his life, only an ex-wife hitting him up for child support and two little boys he takes on cases when he can't find a sitter. He wouldn't know a fedora from a fez, a Lucky Strike from a Pall Mall, or a whiskey and soda from a scotch and water. And instead of bashing evil-doers-- such as people who call him a "liberal"-- he pickets their house. On the other hand, if things get really rough, he can put in a call to the ghetto or the radical underground or even a cop siren when a door gets grease-gunned to death. In short, Moses Wine is Mike Hammer's worst nightmare come true.

In the Big Fix, Wine (Richard Dreyfuss) is on the trail of somebody, it's not always clear who. But it has something to do with sabotaging a political campaign. Turns out it's the campaign of a liberal politician, of all people, but then Wine needs the money, and besides everyone else has trimmed their hair and sold out-- so why shouldn't he. Along the way, he meets some interesting types, like the establishment barracuda (Fritz Weaver), and the movie's versions of Abbie Hoffman (F. Murray Abraham) and maybe the Symbionese Liberation Army's Bill and Emily Harris (Bloch & Grody). But my favorite is his crusty old aunt. She's sort of the stand-in for every old lefty who never gave up the labor fight. Now she spends her time in a Jewish old age home, debating the fine points of anarchist theory and telling touring politicians how things really are. So naturally, when Wine bursts into the opening refrain of the Internationale, we know where the inspiration comes from and, more importantly, where he comes from.

Sure the mystery's about as clear as air quality in downtown LA. So don't expect a tidy wrap-up. But then the great Raymond Chandler figured life doesn't come in tidy packages either. Anyway, don't expect to see this one-of-a-kind at the White House any time soon or even at your local Democratic headquarters. But it is well acted and produced, with a lot of humorous touches and an approach that thankfully never gets heavy- handed. So thanks be to co-producer Dreyfuss for daring to entertain where politically correct Hollywood has long feared to tread.

Vastly underrated sleeper which could be described as the 60s meet the 40s in the 70s. Never seems to show up on late night TV(and I have 35+ movie channels). Well worth a look if you can find it. And whatever happened to Susan Anspach? She deserved more of a career

This movie and John Sayles's "The Return of the Secaucus Seven" are the best movies I know about the post-hippie years.

"The Big Fix" is funny, fast, and smart -- and also touching. The scenes of the old activists in jail and around the swimming pool are touched with aching nostalgia. Richard Dreyfuss plays an adorable, idealistic nebbish who really thought the future was going to hold more than EST trainers and deteriorating VW Beetles. I think it's his best performance (though "Inserts" was also fine).

I have read the book on which this was based, and it is not only nothing like the movie but considerably worse than the movie. This is one case ("Roger Rabbit" is another) in which the Hollywood rewrite was a noticeable improvement over the original.