IMDb RATING
7.0/10
4.5K
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A worried husband finds a lover for his depressed wife, but she falls in love with a bullied thirteen-year-old math prodigy and wants to have the boy's baby.A worried husband finds a lover for his depressed wife, but she falls in love with a bullied thirteen-year-old math prodigy and wants to have the boy's baby.A worried husband finds a lover for his depressed wife, but she falls in love with a bullied thirteen-year-old math prodigy and wants to have the boy's baby.
- Won 1 Oscar
- 3 wins & 4 nominations total
Riton Liebman
- Christian Beloeil
- (as Riton)
David Gabison
- Le quidam
- (as Alain David Gabison)
Philippe Brigaud
- Le docteur Papillon
- (uncredited)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured review
What might seem an already risqué love triangle between two misogynous men (Depardieu and Dewaere, repeating their successful teaming of "Les Valseuses") and a pathologically passive woman (Carole Laure) develops into a REALLY unconventional love quartet when a 13 year-old boy (Riton) is thrown into the story and wins the woman's sexual and emotional favors over the grown men, and nothing turns out quite the way one would expect.
Good reasons to see this movie: A) cliché-free, offbeat satire with brilliant dialog and surprise turns everywhere (director/writer Blier's specialty is, of course, épater la bourgeoisie, e.g. "Les Valseuses", "Tenue de Soirée", "Trop Belle pour Toi"); B) young, fit, ugly-handsome Depardieu's rounded performance; C) a very different approach to love and sex in movies, unlike the usual everyday stuff; D) wonderful Michel Serrault.
Favorite sequences: the opening scene at the restaurant, in which the offbeat dialog states at once this is not "another love story" (very honest of Blier to show his cards early on); the cheese war sequence; Serrault extracting all the information he wants from Riton's mother with one single question; Riton's young mates asking him about how it feels like to make love to a woman ("Are there hairs inside?", they ask). Minor letdowns: the so-so ending; Carole Laure's rather blunt approach to her apparently blunt but wonderful role (imagine Isabelle Huppert doing it!!); Riton's utter lack of appeal (he had a physique reminiscent of Benoît Ferreux, the boy in Louis Malle's "Le Soufflé au Coeur/Murmur of the Heart", but not an ounce of his charm).
As a footnote, it's interesting to remember that this film won the Academy Award for Best Foreign Language Film, which tells a lot about how much more open-minded American movie industry people were in the 1970s. Giving an Oscar to a similar film today would be unthinkable in sexually neo-prudish Hollywood of the 2000s(an adult woman falling for a 13 year-old boy WHILE being the lover of two other men!). Recommended for viewers who enjoy unconventional story-telling and, well, unconventional sexual situations spiced with a subversive sense of humor.
Good reasons to see this movie: A) cliché-free, offbeat satire with brilliant dialog and surprise turns everywhere (director/writer Blier's specialty is, of course, épater la bourgeoisie, e.g. "Les Valseuses", "Tenue de Soirée", "Trop Belle pour Toi"); B) young, fit, ugly-handsome Depardieu's rounded performance; C) a very different approach to love and sex in movies, unlike the usual everyday stuff; D) wonderful Michel Serrault.
Favorite sequences: the opening scene at the restaurant, in which the offbeat dialog states at once this is not "another love story" (very honest of Blier to show his cards early on); the cheese war sequence; Serrault extracting all the information he wants from Riton's mother with one single question; Riton's young mates asking him about how it feels like to make love to a woman ("Are there hairs inside?", they ask). Minor letdowns: the so-so ending; Carole Laure's rather blunt approach to her apparently blunt but wonderful role (imagine Isabelle Huppert doing it!!); Riton's utter lack of appeal (he had a physique reminiscent of Benoît Ferreux, the boy in Louis Malle's "Le Soufflé au Coeur/Murmur of the Heart", but not an ounce of his charm).
As a footnote, it's interesting to remember that this film won the Academy Award for Best Foreign Language Film, which tells a lot about how much more open-minded American movie industry people were in the 1970s. Giving an Oscar to a similar film today would be unthinkable in sexually neo-prudish Hollywood of the 2000s(an adult woman falling for a 13 year-old boy WHILE being the lover of two other men!). Recommended for viewers who enjoy unconventional story-telling and, well, unconventional sexual situations spiced with a subversive sense of humor.
Storyline
Did you know
- TriviaIn reference to the scene where Carole Laure undresses in front of the kid, Bertrand Blier said: "We were shooting take after take without ever being satisfied. We had the impression that the scene was obscene, vulgar. Everyone was unhappy, from the actors to the stagehands. And then suddenly, on the ninth take, the miracle: a collective relief, the certainty that this time 'it would work'. It was this take that was obviously chosen and it is true that it has a certain grace..."
- Alternate versionsDue to possible problems with the Child Protection Act UK cinema and video versions were cut by 5 secs to edit a scene where Christian looks at Solange's naked body as she lays in bed. The cuts were later waived for the 15-rated 2007 DVD.
- SoundtracksSolange Et Christian
Written and Performed by Georges Delerue Et Son Orchestre
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Details
- Release date
- Countries of origin
- Language
- Also known as
- Frau zu verschenken
- Filming locations
- Restaurant Le Wepler, 14 Place de Clichy, Paris 18, Paris, France(opening scene: Raoul and Solange at the restaurant)
- Production companies
- See more company credits at IMDbPro
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