Serpico

Unquestionably one of the major films of the 70's dealing with a big theme (police corruption) and with some major talents at close to the top of their game throughout. Sydney Lumet spares us little in this gritty urban drama using almost fly-on-the-wall documentary technique to involve the viewer in the action and stand us directly alongside Pacino as crusading street-wise cop Frank Serpico. Serpico's naive idealism is at first bruised by what at first seems casual freeloading by almost everyone of his new colleagues on the force but which turns to literally a battering as he comes to appreciate just how endemic the inside corruption actually is. Lumet plants us firmly on location in contemporary downtown NY with its rundown apartment blocks, graffiti-strewn streets and lowlife criminal element (and that's just the police!) As for Serpico, we feel his frustration as he cracks under the pressure, his relationship with his girlfriend poisoned as he fails to make the powers-that-be sit up and address what to all intents and purposes is standard behaviour. It takes a great acting performance to carry the viewer all the way through this lonely journey, even when the character himself becomes at times obnoxious and unfeeling to his (few) supporters; thankfully Pacino gives a performance the real-life Serpico deserved. Only very occasionally lapsing into the "hoo-ha" overacting style that reached its nadir in "Scent Of A Woman", Pacino plays it cool and tight throughout, always wary, always looking over his shoulder, playing it for real. If one is slightly sceptical if not critical of his sometimes ridiculous-looking "Harry Hippy" persona, I think it can be forgiven as being of its time. The ensemble support acting is top-drawer too, everyone is believable as indeed they need to be to make this film work but particular praise should go to Barbara Eda-Young as his put-upon girlfriend and Tony Roberts, free of Woody Allen for once, as his main ally. It's not hard to see the prototypes here for the new generation cutting-egde TV shows which were soon to follow such as Kojak and particularly Hill Street Blues, but that's the least of this film's achievements. In summary then, this excellent film is proof that it's possible for Hollywood to address a potentially unpopular, certainly uncomfortable serious subject, make its point and still entertain.

A perfect, true to life film based on the true exploits of a young police officer named Frank Serpico. Serpico was an officer in a time when political corruption was rampant and many of his brethren were found "on the take." The true story is brought to the screen under the superb leadership and direction of Sidney Lumet and the brilliant performance of Al Pacino as Serpico. Serpico was said to be known for his eccentricity and Pacino plays it up every step of the way, from the hairy beard to the earrings; he immerses himself into the character. This is the first of two great pairings with Lumet and Pacino. They know character. You see it here and you see it in 'Dog Day Afternoon." They know the streets. Lumet is a avid filmmaker of "New York-style films." Pacino walks the beat in his hobo outfits and long hair as if he's a hippie, not a cop. Although an eccentric, Serpico cannot be bought and certainly cannot be had, by anyone... cop or crook Pacino was Oscar nominated, but lost to Jack Lemmon for his performance in "Save the Tiger." The film was also nominated for it's taut screenplay, based on the Peter Maas book of the same title.

Sidney Lumet proved himself to be a highly competent and effective director/storyteller for the true story of New York Officer Frank Serpico, who became famous after appearing to testify before the NAPA Commission about payoffs and corruption in the Police Department. At the time, it was unheard of, and it gained Peter Maars attention to write the book, which thus got transferred to the screen as so. But what makes Serpico such a riveting and eye catching picture today are the little things about it, little details in specific scenes and locations that help ring Serpico's emotions far more than true- it's just there. Even more amazing on the part of the actual filming of the movie is that it was at the time filmed backwards (started with the beard, then the mustache, then clean-shaven).

Al Pacino, right off of the first part of the Godfather trilogy, took this role with all the fire and compassion that he had in him. He sees in Serpico not just an honest cop wanting some balance and honor in his work, yet also a man, who can get as joyful and humorous as he can act subtle, furious, and thoughtful. This will always remain one of his stand-out roles after all the Scarfaces and Scent of a Woman pictures he can do because he, as well as Lumet, know how to approach such a saga. Plenty of great, compelling set pieces, and even sweet ones (like when he first buys the sheepdog as a puppy). A+

Sidney Lumet is a director who captures something crucial in city based dramas surrounding legal and political affairs; with films like '12 angry men', 'the verdict', 'nightfalls on Manhattan' and 'Q & A' he shows an excellent grasp of the power plays in civic politics. In 'Serpico' he uses an excellent script to tell the story of an unorthodox character in Frank Serpico, a hippie in a time when most cops were square as a doorway but whose honesty when faced with police corruption marks him out as a man of remarkable character. Unflinching in its depiction of Serpico, the film portrays warts and all, over the period in which he refuses to take money and shows his extraordinary political vindication at an official investigation into NYPD corruption. The story of civic corruption is cogent in any time, one only has to look at great empires like Rome to understand how much corruption plays a part in the shaping of so called civilizations; where the very foundation stones have bodies, so to speak, buried under them or even within them. This film is both informative and honest in much the way 'All the Presidents Men' would be in the following year. Winning Al Pacino a deserved Oscar nomination in the years between the Godfather's Part I and II; it demonstrates the range of an actor who would go on to portray a character in Michael Corleone soon afterwards who is the very nemisis of the character in Serpico. In Serpico there is a dramadocumentary that calls to mind Shakespeares history plays in its depiction of a classical situation of a man ostracized and driven by noble sentiments to embody something of the civic value one expects of servants of the public trust. Brilliant film. 10 out of 10.

Al Pacino is one of the best actors around, and he has many definitive roles. His role as Frank Serpico is certainly one of them. He acts with such charm and smoothness in some scenes, while explosive and intense in others.

The movie gets into a big plot line about police corruption and Serpico blowing the whistle on the department. It's interesting and the whole point of the movie, but the reason this is such a good movie is because of the character, not the plot. The better scenes include Serpico's personal life and struggles. There's one great part where he explains to his girlfriend why he's always wanted to be a cop. It's scenes like those that make you sympathetic for him.

Sidney Lumet and Pacino made a great team for this movie, and proved to be a great team for Dog Day Afternoon a few years later. But as good as a director Lumet is, as good as everyone involved with this movie is, this is Pacino's movie. It's an essential viewing for his fans.

My rating: 9/10