IMDb RATING
7.8/10
5.6K
YOUR RATING
Various MGM stars from yesteryear present their favorite musical moments from the studio's 50-year history.Various MGM stars from yesteryear present their favorite musical moments from the studio's 50-year history.Various MGM stars from yesteryear present their favorite musical moments from the studio's 50-year history.
- Awards
- 2 wins & 1 nomination total
June Allyson
- June Allyson
- (archive footage)
Kay Armen
- Clip from 'Hit the Deck'
- (archive footage)
Ray Bolger
- 'Hunk'
- (archive footage)
- …
Virginia Bruce
- Clip from 'The Great Ziegfeld'
- (archive footage)
Jack Buchanan
- Clip from 'The Band Wagon'
- (archive footage)
Leslie Caron
- Lise Bouvier
- (archive footage)
- …
Carleton Carpenter
- Clip from 'Two Weeks with Love'
- (archive footage)
- Director
- Writer
- All cast & crew
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Featured reviews
In the mid-seventies, when MGM as a producing force in studio history was pretty much dead, a couple of researchers started to put together a compilation of the greatest moments from the birth of the talkie to Gigi's glut of Academy Awards at the end of the 1950s. The idea of this first 'That's Entertainment!' was to showcase the cream of the musicals, using a number of MGM's former contact stars (Frank Sinatra, Gene Kelly, Fred Astaire, Elizabeth Taylor, Mickey Rooney et al) to link segments together.
The result was so breathtaking and brilliant that two further sequels followed; one almost immediately, and the third after a gap of twenty years, in time for MGM's seventieth birthday. This first compilation shows us sequences from 'An American In Paris', 'Singin' In The Rain', 'The Harvey Girls', 'Hollywood Revue', and on, and on. It has special segments devoted to Astaire, Kelly, Garland, Garland with Rooney, and, er, Esther Williams. It should give any viewer the appetite to seek out full movies they haven't seen, and to reflect with affection on those they have.
The result was so breathtaking and brilliant that two further sequels followed; one almost immediately, and the third after a gap of twenty years, in time for MGM's seventieth birthday. This first compilation shows us sequences from 'An American In Paris', 'Singin' In The Rain', 'The Harvey Girls', 'Hollywood Revue', and on, and on. It has special segments devoted to Astaire, Kelly, Garland, Garland with Rooney, and, er, Esther Williams. It should give any viewer the appetite to seek out full movies they haven't seen, and to reflect with affection on those they have.
This is it! This is the Holy grail of musical documentaries, the very definition of the term "They don't make 'em like this anymore.." everyone is here and in the subsequent 2 sequels. Oh, to see this in a movie theatre! 20 foot tall Gene Kelly performing "Singing In The Rain"! Busby Berkeley as his extravanganzas were meant to be seen! Definately worth watching even of you see it on video! A time capsule, a treasure. (sigh... Hollywood...)
This is a sentimental and enjoyable look back at the time when M-G-M was the premiere studio in Hollywood and had more stars than there are in the heaven. Famous musical numbers are presented by some of those legends including Fred Astaire, Elizabeth Taylor and Frank Sinatra. I just don't like the way they brag and flatter each other. Is it really necessary to tell the viewer how good they were? The audience should be able to judge for themselves. And the numbers are great, no doubt about it. Fred Astaire's tap dance with Eleanor Powell is awesome, Donald O'Connor's "Make'em laugh" is funny, Gene Kelly sings in the rain and Judy Garland sings over the rainbow. It's also fun to see dramatic actors like James Stewart, Clark Gable and Cary Grant sing and dance. That's entertainment! Rating: 4/5
This got big notice when it came out in the mid '70s. With the advent of VHS, you could provide the public with something like this: a collection of great song-and- dance scenes from classic films. In this edition (there were two more to come), we see highlights of MGM musicals from the 1920s through the 1960s. Most of them were the '30s through the '50s.
MGM had many of the musical stars but not all, so you don't get Shirley Temple, Ruby Keeler, Dick Powell, Julie Andrews and others. However, you do get a ton of great performers like Fred Astaire, Judy Garland, Gene Kelly, Frank Sinatra, Mickey Rooney, Esther Williams and others. To use a cliché, this is a must-have for music fans. In addition to the above stars, who are remembered in some of their best scenes, you have the incredible sets of the Busby Berkeley movies.
At over two hours, there is a lot of great material in here.
MGM had many of the musical stars but not all, so you don't get Shirley Temple, Ruby Keeler, Dick Powell, Julie Andrews and others. However, you do get a ton of great performers like Fred Astaire, Judy Garland, Gene Kelly, Frank Sinatra, Mickey Rooney, Esther Williams and others. To use a cliché, this is a must-have for music fans. In addition to the above stars, who are remembered in some of their best scenes, you have the incredible sets of the Busby Berkeley movies.
At over two hours, there is a lot of great material in here.
There is nothing in this film--or more accurately, documentary--that doesn't do *exactly* what the title promises. It's hard for it to fail, really, considering the material it's working with. THAT'S ENTERTAINMENT! sets out to be a joyous celebration of everything that was fun and sparkly and happy-making in the MGM musical, with the added bonus of having the stars (the BEST, brightest, eternal ones) that were there themselves telling us all about it.
Well, it works. No two words about it. These clips of song-and-dance routines that will stay with us forever were made with one sole purpose--to entertain. And entertain they do. From 'Singin' In The Rain' through to 'Showboat', 'High Society', 'Seven Brides For Seven Brothers'... the film is a catalogue of the best and brightest of MGM musicals, and the stars. Fred Astaire and Gene Kelly deliver tributes to each other, Liza Minelli and Mickey Rooney talk about the magic that was Judy Garland, Donald O'Connor and Debbie Reynolds and Peter Lawford--with a lovely stint by Bing Crosby and a hilarious interlude by James Stewart--bring us through the decades singing and dancing. The clips picked were great, of course. How could you go wrong with segments dedicated to Astaire, Kelly and Garland? The clips were all perfect, with some rarer items popping up like Cary Grant singing 'Did I Remember?' and enough of the classic ones to make one feel like pulling out all the tapes and watching them through again.
There are a couple of things that keep me from giving this documentary top marks. Firstly, a general complaint that really isn't quite fair: seeing these clips just don't compare to watching them in their original films and the proper contexts. I hope that people who watch this film as an introduction to movie musicals actually go out and rent them afterwards, because there really isn't anything more brilliant than SINGIN' IN THE RAIN or ON THE TOWN. Secondly: it would have been much more engaging if the actors invited to speak on the programme hadn't so evidently been reading off pre-written scripts. Some fared better than others, with Taylor being the spaced-out worst, and Stewart acquitting himself admirably with his trademark drawl and charm. Astaire and Kelly are both still immeasurably attractive onscreen, but even they can't quite pull off the image of camaraderie the words they speak impart to their previous relationship. (Not to say that they were rivals--the opposite extreme isn't true either. They were simply professionals, and acquaintances.) It'd have been just that much more fun if these legends had been allowed to speak off the cuff.
All said, if you want to introduce someone to the magic that was the movie musical, there's really no need to go further than THAT'S ENTERTAINMENT!. It's a catalogue of stars and talent, song and dance, and extensive proof that we won't ever see the likes of all this again. More's the pity for those of us who weren't there when film history happened, all to the songs of Berlin and Gershwin and the toe-tapping of Astaire and Kelly...
Well, it works. No two words about it. These clips of song-and-dance routines that will stay with us forever were made with one sole purpose--to entertain. And entertain they do. From 'Singin' In The Rain' through to 'Showboat', 'High Society', 'Seven Brides For Seven Brothers'... the film is a catalogue of the best and brightest of MGM musicals, and the stars. Fred Astaire and Gene Kelly deliver tributes to each other, Liza Minelli and Mickey Rooney talk about the magic that was Judy Garland, Donald O'Connor and Debbie Reynolds and Peter Lawford--with a lovely stint by Bing Crosby and a hilarious interlude by James Stewart--bring us through the decades singing and dancing. The clips picked were great, of course. How could you go wrong with segments dedicated to Astaire, Kelly and Garland? The clips were all perfect, with some rarer items popping up like Cary Grant singing 'Did I Remember?' and enough of the classic ones to make one feel like pulling out all the tapes and watching them through again.
There are a couple of things that keep me from giving this documentary top marks. Firstly, a general complaint that really isn't quite fair: seeing these clips just don't compare to watching them in their original films and the proper contexts. I hope that people who watch this film as an introduction to movie musicals actually go out and rent them afterwards, because there really isn't anything more brilliant than SINGIN' IN THE RAIN or ON THE TOWN. Secondly: it would have been much more engaging if the actors invited to speak on the programme hadn't so evidently been reading off pre-written scripts. Some fared better than others, with Taylor being the spaced-out worst, and Stewart acquitting himself admirably with his trademark drawl and charm. Astaire and Kelly are both still immeasurably attractive onscreen, but even they can't quite pull off the image of camaraderie the words they speak impart to their previous relationship. (Not to say that they were rivals--the opposite extreme isn't true either. They were simply professionals, and acquaintances.) It'd have been just that much more fun if these legends had been allowed to speak off the cuff.
All said, if you want to introduce someone to the magic that was the movie musical, there's really no need to go further than THAT'S ENTERTAINMENT!. It's a catalogue of stars and talent, song and dance, and extensive proof that we won't ever see the likes of all this again. More's the pity for those of us who weren't there when film history happened, all to the songs of Berlin and Gershwin and the toe-tapping of Astaire and Kelly...
Did you know
- TriviaThe film was a revelation at the time of its release. The majority of the pre-1936 MGM film library had rarely been released to television, so clips from films such as Free and Easy (1930) and The Hollywood Revue of 1929 (1929) were shown for the first time since their original theatrical releases. For years, films such as Meet Me In St. Louis (1944) and An American in Paris (1951) had only been shown via worn, badly spliced prints late at night on independent TV stations. For this film, the vintage footage was meticulously restored and remastered for 70mm projection, making it look better than they did upon their original releases.
- GoofsAt the beginning of the film, Frank Sinatra says The Hollywood Revue of 1929 (1929) is the "first all-talking, all-singing, all-dancing movie ever made". In fact, it wasn't; the first was The Broadway Melody (1929), which was released in February, nine months before "The Hollywood Revue" was released. Indeed, by the time of That's Entertainment! III (1994), narrator Gene Kelly was now calling The Hollywood Revue of 1929, "one of the first all-talking, all-singing, all-dancing movies."
- Quotes
Liza Minnelli: Thank God for film. It can capture a performance and hold it right there forever. And if anyone says to you, "Who was he?" or, "Who was she?" or, "What made them so good?" I think a piece of film answers that question better than any words I know of.
- Crazy creditsProducer Jack Haley Jr.'s credit appears over a still image of his father, Jack Haley, as the Tin Man in the Wizard of Oz.
- Alternate versionsSome TV prints extend Bing Crosby's segment by adding the musical number "True Love" from "High Society" (1956).
- ConnectionsEdited into American Masters: Gene Kelly: Anatomy of a Dancer (2002)
- SoundtracksThat's Entertainment
(1953) (uncredited)
Music by Arthur Schwartz
Lyrics by Howard Dietz
Performed by the M-G-M Studio Orchestra Conducted by Henry Mancini
- How long is That's Entertainment!?Powered by Alexa
Details
Box office
- Budget
- $3,200,000 (estimated)
- Gross US & Canada
- $26,890,200
- Gross worldwide
- $26,890,729
- Runtime2 hours 15 minutes
- Color
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