A Very Natural Thing

I no longer live in Florida, having decided to move to California after the death of my long-time companion/partner -- a life altering event. Having never heard about or seen this movie before, I wish Bill could have viewed this film before he left me! We were pre-Stonewall (I am now in my 80's)and, in fact, living just around the corner from The Stonewall in the NYC Village on the night of that famous explosive event -- another life altering event. A Very Natural Thing is an amazing film that everyone (gay or straight) should (must?)see. It tells a simple story in a very simple manner: expressive of a time when gay men and women were watchful and fearful of exposure. I confess tears streamed down my face -- partially because of the beauty of the film and partially grieving for lost youth. I hope younger homosexuals will not disparage the old-fashion-ness or the lack of modern day cinematic sophistication of this outstanding piece of film work: indeed a thing of beauty and a joy forever.

I only heard of this film in passing, and did not realize how good it was until I rented the DVD. Don't be put off by the dated 1970s music, wardrobes, hairstyles, small-budget, grainy photography, etc. For this is a milestone in gay cinema. Made just about 5 years after the groundbreaking "The Boys in The Band", this greatly improves upon that film, with no self-loathing characters, but natural, real people. The writer-director Christopher Clark incorporates pensive dialogue in the story of an ex-Seminary student who finds love with one man, but is soon turned away from him and eventually finds peace with someone else. The musical score is moving, with classical pieces and more. Cast of unknowns unfortunately remained that way, but they are all outstanding. The parade sequences give added flavor and still timely food for thought. The last 5 minutes, with slow-motion photography and soaring music (pre-dates "Chariots of Fire" -1981), better illustrates male bonding than anything seen before or since. Most of the latter-day gay films remain silly, shallow, frequently mean-spirited fodder, with "Big Eden" (2000 - good), "Maurice" (1987 - better) "Making Love" (1982 - great) among the few notable exceptions. A classic awaiting rediscovery.

It's interesting to see how this film has weathered the last 40+ years. I enjoy reading your comments.

I remember seeing this when it first came out. It was a revelation back then, today it seems like a good story with bad production values. Just seeing two guys kissing on screen was a very big deal back then, then to see them naked too. Oh my. We were beside ourselves. I don't think anyone noticed just how bad the lighting and sound were, we just wanted to see ourselves reflected on the silver screen. Bad editing was easily forgiven.

I just finished watching a special about the history of Fire Island on Logo, then I rented this movie. Must be my 70's day. It's hard to believe I lived through that era and that thirty years have passed.

I wonder what has happened to each of the three leads? I don't recall seeing them in anything else.

"A Very Natural Thing," according to sources I've read, was one of the first films to show gay men candidly as people. The two principle characters could be anyone. They don't fall easily into stereotypes which plague gay-themed films, even today in the late 1990s.

This film definitely has the look and the feel of its times, the mid-70s. It's fascinating to see how people dressed, the way they talked, what cars they drove, even how they cut their hair. It's also interesting to look at gay lifestyles in this period setting. This was before AIDS/HIV, and unprotected sex was the norm. It takes place just at the beginnings of the 70s age of sexual liberation, not only for gays, but people in general as well. (For another view of the period see BOOGIE NIGHTS or the TALES OF THE CITY series.)

But the most important part of the film is the relationship between the two, psychologically different characters who meet in a dance club, fall in love, and live together. It could be two people today. It shows what two average gay men might experience living together.

I cross-referenced some of the people who made this film. Few went on to do anything else in movies. I think only one made it into the '80s in a mainstream film.

The film has low-budget production values from the period. I didn't find that so much distracting as endearing. It made the film all that much more real.