Although wife and mother Mabel is loved by her husband Nick, her mental illness places a strain on the marriage.Although wife and mother Mabel is loved by her husband Nick, her mental illness places a strain on the marriage.Although wife and mother Mabel is loved by her husband Nick, her mental illness places a strain on the marriage.
- Nominated for 2 Oscars
- 10 wins & 7 nominations total
Matthew Labyorteaux
- Angelo Longhetti
- (as Matthew Laborteaux)
George Dunn
- Garson Cross
- (as O.G. Dunn)
Vincent Barbi
- Gino
- (as Vince Barbi)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured review
"Dad ... will you stand up for me?"
Oh my goodness, Gena Rowland in this. She's brilliant. Peter Falk too. I love how Cassavetes just immersed us into their lives and let us gradually understand their issues through their behavior, instead of explaining everything in that tidy way of conventional Hollywood. We see Rowland's character acting awkwardly, oblivious to social cues, or dissociating from reality entirely, but we also see a caring person being crushed by pressure, and cowed by her husband. We see Falk's character being patient and understanding of his wife's idiosyncrasies, and we also see him prone to violent outbursts, and piss-poor parenting. He regularly defaults to trying to yell and force things, like when he bellows "We're having a good time!" after dragging his kids and a co-worker out to a beach. The kids' instinctive reaction to what's going around them is heartbreaking, like when the adorable little girl runs to the other man on the beach, or they all try to protect their mom after she's been released from the mental hospital.
What's remarkable is that none of these characters has been transformed over the course of the story, though the viewer might be in some small way, after having witnessed such powerful performances of vulnerable, flawed characters. What an interesting title too. What is Rowlands' character under the influence of? Not alcohol, as the opening scene might suggest. A condition that threatens her sanity? Her domineering husband? The pressures of society to be a good wife and mother? How telling is that early on she says to her husband "Tell me what you want me to - how you want me to be," and that late in the film he tries to command her by saying "Be yourself!" when it seems that when she is being herself, she isn't accepted as "normal" by her husband or his co-workers. Meanwhile, the husband's erratic, dangerous behavior is par for the course, unquestioned, and certainly not about to be shipped off for ECT. There is thus a certain feminism at the bottom of this film which is fascinating, in light of such an unlikely protagonist.
Oh my goodness, Gena Rowland in this. She's brilliant. Peter Falk too. I love how Cassavetes just immersed us into their lives and let us gradually understand their issues through their behavior, instead of explaining everything in that tidy way of conventional Hollywood. We see Rowland's character acting awkwardly, oblivious to social cues, or dissociating from reality entirely, but we also see a caring person being crushed by pressure, and cowed by her husband. We see Falk's character being patient and understanding of his wife's idiosyncrasies, and we also see him prone to violent outbursts, and piss-poor parenting. He regularly defaults to trying to yell and force things, like when he bellows "We're having a good time!" after dragging his kids and a co-worker out to a beach. The kids' instinctive reaction to what's going around them is heartbreaking, like when the adorable little girl runs to the other man on the beach, or they all try to protect their mom after she's been released from the mental hospital.
What's remarkable is that none of these characters has been transformed over the course of the story, though the viewer might be in some small way, after having witnessed such powerful performances of vulnerable, flawed characters. What an interesting title too. What is Rowlands' character under the influence of? Not alcohol, as the opening scene might suggest. A condition that threatens her sanity? Her domineering husband? The pressures of society to be a good wife and mother? How telling is that early on she says to her husband "Tell me what you want me to - how you want me to be," and that late in the film he tries to command her by saying "Be yourself!" when it seems that when she is being herself, she isn't accepted as "normal" by her husband or his co-workers. Meanwhile, the husband's erratic, dangerous behavior is par for the course, unquestioned, and certainly not about to be shipped off for ECT. There is thus a certain feminism at the bottom of this film which is fascinating, in light of such an unlikely protagonist.
- gbill-74877
- Jul 25, 2023
- Permalink
Storyline
Did you know
- TriviaJohn Cassavetes could not find a distributor for the film after completion, and was at one point literally carrying the reels under his arm, from one theater to another, in hopes of getting one to play his movie. Finally, Martin Scorsese, who had recently become critically acclaimed following his film Mean Streets (1973) happened to be a huge fan of Cassavetes' work and threatened to pull his film Alice Doesn't Live Here Anymore (1974) from a major New York film festival unless they accepted this film.
- GoofsIn the scene at the end of the film when Nick and Mabel are putting the children to bed, the boom mic is visible on the left side of the screen poking out from behind the door frame just after Nick exits the room and Mabel is about to turn off the light.
- Quotes
Mabel Longhetti: Dad... will you stand up for me?
George Mortensen: Sure.
[stands up]
Mabel Longhetti: No, I don't mean that. Sit down, Dad. Will you please stand up for me?
- Alternate versionsThe world premiere screening of a restored print was held at the Castro Theatre in San Francisco on April 26, 2009, as part of the San Francisco International Film Festival. The restoration was done by the UCLA Film & Television Archive with funding provided by Gucci and the Film Foundation.
- SoundtracksLa Boheme: 'Che facevi, che dicevi Act 3
Written by Giacomo Puccini
Performed by Mirella Freni, Nicolai Gedda and Thomas Schippers
- How long is A Woman Under the Influence?Powered by Alexa
Details
- Release date
- Country of origin
- Languages
- Also known as
- Neurosis de mujer
- Filming locations
- 1741 N. Taft Avenue, Hollywood, Los Angeles, California, USA(the Longhettis' home)
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $1,000,000 (estimated)
- Gross worldwide
- $25,601
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