Phyllis

I was 20 when Phyllis was filmed - and had the absolute pleasure of attending every single episode filmed, as part of the live audience for the two season run. What a thrill. I was (still am) an avid Cloris Leachman fan and following Phyllis from MTM was so exciting. It had a great start - and I especially loved Barbara Colby. So sad for the world that she did not get the chance to fulfill her talent longer due to the untimely death. Looking back though, I must say that the highlight of the whole Phyllis experience was the Mother Dexter character. She just stole EVERY scene (the way Phyllis used to on the MTM show). If I want to smile - all I have to do is think about Judith Lowry (Mother Dexter) chasing Billy Barty (guest starring as Bess' potential new in-law) around the living room saying..."you're so cute" - as if he was a baby. As much as I love Cloris (always will) - Judith was the highlight. The second season absolutely declined, but still contained many classic Judith Lowry & Cloris moments. Mother Dexter's Wedding stands out. So funny & moving at the same time to see these two old people (Judith & Burt Mustin) getting married. Burt was also perfectly cast. And then...as fate would have it...Judith died a week before the airing of the show and Burt died about six weeks later. This was the last piece of work they would do. (What a way for an actor to go!). HOPE THE WHOLE SHOW GOES TO DVD SOON! While I do have an unedited version of the "wedding" - the rest of what I have is so heavily edited. IF anyone from MTM reads this...THANKS FOR THE MEMORIES!!

The character of Phyllis was not originally designed to be a leading role; rather she was a self-centered, opinionated, overbearing cameo character of sorts to add a zany counter to the tranquil Mary Richards. She was silly, but not really likable. Once the character had to stand on her own, she had to be toned down and made more appealing, thus losing the truly funny quality she added to the Mary Tyler Moore Show.

With the exception of Mother Dexter, her supporting characters did not do the necessary job of balancing the character of Phyllis, and the show often looked strained and weak. The show seemed to mirror the character of Phyllis in that it did not seem to know where it was going or what to do with itself after the pilot episode. The 'wacky' photography studio was dropped for the dull politician's office thereby dooming the show to current political topics and satire - but without the proper characters to pull it off. Nothing felt right and the second season was worse than the first.

I so wish Phyllis had stayed in Minneapolis!

Though the show obviously needed help with more creative plots and had too many 70's sitcom rejects, it did have some funny moments, and with recasting, could have had a nice run. Barbara Colby as (Julie Erskine), and Liz Torres as (Julie Erskine)were not funny and their character was unneeded. Phyllis' "generation gap" conversations with her daughter Bess (Lisa Geristien)were predictable and dry. The main reason I think Lisa Geristien was still on the Phyllis show was for consistent transition form the Mary Tyler Moore show. Her character was pointless. The real entertainment came with the dialogue between Phyllis (Cloris Leachman) and "Mother" Dexter. The caustic wit of "Mother Dexter" as she poked fun of Phyllis' troubled life was hysterical. Further, the dialogue between Judge Dexter (Henry Jones) and Audry Dexter (Jane Rose) as they tried to understand the antics of their "well meaning" but confused daughter-in-law Phyllis, was also extremely funny. Judge Dexter's stuffy monotone, yet patient voice countered nicely against Phyllis'scatter brained personality, thus highlighting Phyllis' bizarre logic.

Overall, the show did have potential, if they had just thinned out the cast and had more creative plots. It was funny though.

I'm very much working from memory but there was a time back in the70's when I was as happy viewing this MTM comedy as its more celebrated originator and first spin-off series, "The Mary Tyler-Moore Show" and my personal favourite "Rhoda". The few times I remember in "TMTMS", she was almost the anti-heroine, the snobbish, bitchy next door neighbour whom you wondered how even St Mary could befriend. Only occasionally did she show her human side which probably made it difficult for the show's writers to centre her as a watchable character in her Jen show.

For what it's worth, I certainly remember enjoying the show on the sporadic occasions it turned up on British television in the mid-70's. Clovis Leachman was great in the title part, her face capable of going from happy to sarcastic in the one line. I was never comfortable when her daughter got air-time with her own brand of spoilt second-hand sardonic-ism but her genial but occasionally caustic middle-aged parents and her acid-tongued grandmother Dexter made good foils for her, the latter perhaps prefiguring the similar character who stole the show years later in "The Golden Girls". It perhaps said something about the star- power of the show that the episode I remember best is the one where Tyler-Moore guest- starred, perhaps to try and boost the ratings.

Perhaps I'm remembering thus show as better than it was but I'd sure like the opportunity to see it again although its short-lived TV shelf-life makes that only a remote possibility. One thing it did have was a great bitter-sweet theme tune which arguably captured the title character's personality in one pay-off finishing line better than two full series of half- hour shows!

This was a funny spin off, not the best ever, but certainly memorable, and enjoyable. (The theme-song sequence is one of the best in TV history.) The show allowed the wonderful Cloris Leachman to really flesh out the Phyllis Lindstrom character. Unfortunately, despite good ratings, the show was canceled just when it was blossoming.

Phylllis was the flip side of Mary Richards. She didn't so much embrace her liberation as slip on it like a banana peel. In many ways her character and this show were precursors of the dysfunctional survivor school of situation comedy. Marge Simpson, Peg Bundy, Malcolm's mom, Lois, and many others owe a little tip of the hat to Cloris Leachman's put-upon Phyllis.