Ivanhoe

Courage, revenge, love, combat, victory, honor, defense, reconciliation...those ideals deeply hidden within the human spirit have long been considered precious targets of human life. Not only poetry and literature but also epic movies attempted to promote the virtues and depict humanity in the spirit of reason and heart. The question was: historical time. In this respect, there was, perhaps, no better period in history than the 1,000 year-long Middle Ages, both controversial and spiritual with a flair for darkness and exceptional enlightenment. Among many other epic movies that depict the period is IVANHOE based on Sir Walter Scott's novel being at the same time a remake of the 1952 classic Hollywood production.

Keeping in mind that remakes usually face high expectations in case of their classic "predecessors", I watched this movie without much referring to the older version and that is how I intend to comment on it underneath.

Let me say at the beginning that IVANHOE by Douglas Camfield is a very good movie at multiple levels. It makes a perfect use of historical material supplying us with a clear and pretty accurate insight into Medieval England, and, more specifically, its late 12th century situation with savage conflicts, difficult political situation, Anglo-Saxons vs Normans relations, prejudice as well as those visual aspects like costumes, feasts and baths. In this respect, the movie may constitute for a viewer a wonderful journey into those distant times and bring out some pearls out of prefabricated negative opinions about the Middle Ages. There was, indeed, something good about the period, too. The aspect of interest highlighted in this case appears to be Ashbey sequence where the savage combines with the glamorous or the deep psychology and morals of characters expressed in many scenes throughout. Here, it seems necessary to mention Lady Rowena (Lysette Anthony) and Rebecca (Olivia Hussey), two women of different backgrounds who face similar emotions.

Besides, IVANHOE can boast very good cinematography, wonderful shots, stunning locations. Consider, for instance, the subtle images at the scene when Ivanhoe visits Lady Rowena at her castle with Wamba (George Innes). The extraordinary locations and interesting shots make the film not only a historical work but also a rousing adventure. Moreover, to these artistic features, I would add a very accurate sense of humor (consider the scene of a bath or Wamba's Pax Vobiscum) and subtle musical score. The tunes are filled with the spirit of chivalry and the spirit of romance which, alone, can resemble the very essence of the story. But, the core of art is acting.

The movie known for a number of famous and talented cast could be falsely assessed as a vehicle. Yet, it does not have to be a "promotion" for anybody. To the contrary, it is a film that proves the importance of talent first and foremost. All the cast take great pains to give something truly great of themselves. Anthony Andrews is a perfect Ivanhoe as described by Sir Scott and as imagined by modern viewers. He clearly portrays a character of courage, nobility and gentleness. Sam Neill and John Rhys Davies appear to give powerful performances as "Norman dogs" people not so much afraid for the good but rather absorbed by savage brutality. James Mason does a fine job as calm, good Jew, Isaac of York, whose destiny appears to have brought more wounds than cure. The female roles are brilliant. Here, however, I would not praise that much Lysette Anthony: I admit she is beautiful, she gives a memorable performance. Yet, the absolute top notch is Olivia Hussey, the famous heroine at Zeffirelli's appears here as a gentle, subtle, beautiful Jewess whose "individually formed spirituality" conquers "externally organized morality" of many "pious men of God." She gives a brilliant performance as a flower of peace fearfully surrounded by the thorn of war and the light of tolerance surrounded by the darkness of prejudice. Absolutely great role! Consider, among many, the scenes depicting the trial.

In the end, if you see this IVANHOE, do not compare it with the older version. These are two different films focusing on different aspects. If someone insists on me to say which one is better, I'd rather say both are good films. Thorpe's IVANHOE is a typical epic of the classic Hollywood era while Camfield's IVANHOE stands out on its own as a movie filled with remarkable psychology and adventure. Great tribute to the real Courage and the Chivalrous Spirit!

I love this movie. Everyone is playing larger than life, but that's fine with me. Olivia Hussey is wonderful as Rebecca. Anthony Andrews is great in any period part (or any other, for that matter). It took me a few viewings to figure out that that really was Sam Neill, as he's not as understated as I'm used to seeing him play. Lysette Anthony is pretty as Ivanhoe's love, if a bit less convincing as someone who would cause him to be faithful to her forever. The Black Knight coming to Ivanhoe's rescue is an interesting move. Basically everything that one other reviewer hated most about this movie were the things I liked the best.

If they would put this out on DVD I'd be extremely happy.

Television is such a wasteland at times.

Every once in a while a good thing comes out of TV. Ivanhoe is one of those things. It's episodal, which diminishes the dramatic impact sometimes, but considering its budget and the medium, it really is a fine piece of work.

A great story...some great acting (Rebecca is exceptionally played) and a wonderful blend of drama, adventure, romance and raw violence.

Ivanhoe: A nice experience for a romantic fan

This was a TV-movie I liked when I was a child, I still think it is okay, but maybe not a realistic end battle between Brian and Wilfred, and the same with the make up, some of the costumes and hair styles. But you will find a lot of good joustings between the knights. Some of the actors are better than average, I liked Sam Neill as Brian de bois Builbert and James Mason as Isac of York.

Rating: 7 of 10.

Although the romance and derring do of medieval chivalry is best expressed in the famous MGM big screen version of Ivanhoe that starred Robert Taylor, this made for British TV Ivanhoe stays far more accurately to what Sir Walter Scott wrote. There are even characters that the MGM film eliminated from the story that are present here.

Anthony Andrews plays the hero Sir Wilfred of Ivanhoe in this version and he's a knight who takes his vows quite seriously. That means help and aid to the weak and oppressed and Jews in medieval England were among the most oppressed. Although his heart is set on the Saxon princess Rowena played by Lysette Anthony, he gets a stirring for the medieval Jewish princess Rebecca as played here by Olivia Hussey.

But the one who's really crushing out on her big time is Sam Neill playing Brian Bois Guilbert a knight of the Templar order and the Templars are trying to topple Richard the Lion Heart from the throne and put Prince John on it. Sad for the years of his reign for the people of England they got a King John after the action of this film is over. As a Norman he and Andrews just don't like each other on general principles. Put in the romantic angle and even those who never read the book know that Andrews and Neill will be duking it out with lance and spear at the climax.

The Robert Taylor classic never covered the Templars and hence the anti-Semitism was muted. Here it bursts forth in full flower and the Templars who pronounce Hussey a witch are sure no knight who takes any Christian vows will champion an infidel.

By dint of his star power James Mason who plays Rebecca's father Isaac of York gets top billing. Mason is effective and the part is built up somewhat.

I do love Robert Taylor's Ivanhoe, one of my favorite of his films. But this version is one good Cliff's Notes version of the story.