IMDb RATING
7.2/10
1.8K
YOUR RATING
The work of Catalan architect Antonio Gaudí, as seen by Japanese New Wave director Hiroshi Teshigahara.The work of Catalan architect Antonio Gaudí, as seen by Japanese New Wave director Hiroshi Teshigahara.The work of Catalan architect Antonio Gaudí, as seen by Japanese New Wave director Hiroshi Teshigahara.
Storyline
Did you know
- TriviaThis film is part of the Criterion Collection, spine #425.
- Quotes
Antonio Gaudi: Everything comes from the Great Book of Nature. Human attainments are an already printed book.
Featured review
Is this a documentary ?
Of course it is not, since there are no voice-overs, obtrusive commentaries and no polemics.
Yes, sure it is, because it gives a lot of background and insight to a unique artist, who, although legend has it, did not came out of the blue. Nature provided him with a lot of inspiration, and the movie shows some architects of the same epoque and generation, who try to go the same way Gaudi did.
With a handful of explaining subtitles and one interview director/producer/editor Hiroshi Teshigahara (don't miss his incredible WOMAN IN THE DUNES) shows it all in a wonderful way in this 'documentary or is it a feature', in which the music of Toru Takemitsu is never on the foreground but inescapable present.
Watching this picture will give the viewer the shortest 73 minutes of his or hers live. Is there nothing wrong then... Well, every now and then there are too many dark corners, but to paraphrase Cinematographer Nestor Almendros: Darkness stimulates the viewers mind, and maybe even his imagination. And camera-movements are neat but a bit crude. But of course, truely gifted camera-operators like Alessandro Bolognesi & Erwin Steen were too young in '84 to help the Japanese Maestro out.
Thank you Antoni Gaudi; thank you Catalunia. Thank You Teshigahara and Takemitsu.
Of course it is not, since there are no voice-overs, obtrusive commentaries and no polemics.
Yes, sure it is, because it gives a lot of background and insight to a unique artist, who, although legend has it, did not came out of the blue. Nature provided him with a lot of inspiration, and the movie shows some architects of the same epoque and generation, who try to go the same way Gaudi did.
With a handful of explaining subtitles and one interview director/producer/editor Hiroshi Teshigahara (don't miss his incredible WOMAN IN THE DUNES) shows it all in a wonderful way in this 'documentary or is it a feature', in which the music of Toru Takemitsu is never on the foreground but inescapable present.
Watching this picture will give the viewer the shortest 73 minutes of his or hers live. Is there nothing wrong then... Well, every now and then there are too many dark corners, but to paraphrase Cinematographer Nestor Almendros: Darkness stimulates the viewers mind, and maybe even his imagination. And camera-movements are neat but a bit crude. But of course, truely gifted camera-operators like Alessandro Bolognesi & Erwin Steen were too young in '84 to help the Japanese Maestro out.
Thank you Antoni Gaudi; thank you Catalunia. Thank You Teshigahara and Takemitsu.
Details
- Release date
- Country of origin
- Languages
- Also known as
- Антонио Гауди
- Production companies
- See more company credits at IMDbPro
Contribute to this page
Suggest an edit or add missing content