Choose Me

I love stories with overlapping characters. This is one of them and I really enjoyed it. Interesting and somewhat mysterious characters, some seemingly separate but unknowingly linked together in an intricate pattern. I always liked Lesley Anne Warren who, along with Keith Carradine, Genevieve Bujold, Rae Dawn Chong and an early John Larrouquette provide some good performances. If you're into character driven movies I think you'll like this one.

With atmosphere to spare. If you've never wandered LA's back-streets at night, this movie will give you a taste.

The theme of this movie is a common one, the search for love.

Highly stylized. Overloaded with delicious details and clever ideas. Characters with quirky (and intriguing) personality traits. What male viewer wouldn't want to be like the main protagonist, Keith Carradine's character? Fighter pilot, spy, expert mechanic. What female viewer wouldn't identify with either of the two lead female roles? Tough yet vulnerable, sexy, desirable, but unable to play the mating game and win.

All the characters are interconnected, but they don't always know it. The writer/director gets full marks for interesting characters and a story that twists and turns in on itself, but now comes the challenge of making it cohesive and comprehensible. That's where the movie doesn't hold up as well.

There is not enough "glue" between scenes. There are too many places where the plot takes a leap and the viewer is expected to fill in the gap. I found myself asking, "where did that come from?". I kept wanting to replay the previous scene because I had missed the transition, but there wasn't one.

I wish Rudolph had a collaborator with the screenplay and the directing. I feel the casting was very good, but the performances are often stilted, like what you might find in a high school production. Awkward pauses and intonations in the dialog. This also makes the story hard to follow and hard to believe. I can't decide if this was intentional or not. Reminds me of Hal Hartley.

This movie is not for everyone. Personally, I love it, warts and all. I've seen it three times and own the DVD. The Teddy Pendergrass songs are wonderful and I would say under-used in the film. Very surprised to see Maltin give this 3.5 stars, even if it is "a critics movie". He must have been in a good mood that day.

I drove a long way to see this film, from Riverside to Santa Monica. Well, it was long way for me back then anyway. I loved it so much I sat through it twice that night, and came back a few nights later and sat through it twice again.

This film works for me on so many levels I can't fully describe it, but I definitely identified (and still do, to be honest) with Keith Carradine's Mickey. Chong and Bujold are appealing (especially the latter) and Leslie Ann Warren has never been better.

Rudolph and Carradine have at least one connection, by the by--the both worked on "Nashville".

Saw this when it came out. Still vivid in my mind I add another two cents to say its worth viewing again. Good writers, production and cast, Nice year for this fast movie, set the path, so to speak.

This film strides with confidence into the netherworld of sexual politics. The story is overloaded with allusion, and the actors all render brilliantly nuanced performances inside characters that bristle with sexual energy and conflict.

Geneviève Bujold, as Dr. Nancy Love, is adept at giving radio talk show advice to her listeners, but cannot interact with people in real life. Had the internet been popular then, she would have been an AOL Chat Room Goddess. Her vulnerability blossoms like a rose as she gets caught up in the lives of her new roommate and her lovers.

Keith Carradine plays Mickey, who may or may not be a compulsive liar, but can often substantiate the wild boasts with which he regales anyone who will listen. He is deviously seductive, literally, and his ability to weave truth and lies into a delicate web ensnares and at the same time repulses the women he meets.

Lesley Ann Warren, as Eve, is a former hooker who owns a bar she just had to buy because it had been named for another Eve, who provides a connection to Mickey, maybe. Similarly, every character is delicately, and sometimes most indelicately, connected to every other character. Usually they don't know it, but their lives revolve around one another's secrets. The underlying message appears to be that to know someone, one must discover their secrets, and perhaps that is a bit too obvious to bear comment, but a more universal and ironic truth lies beneath. We want people to accept us as we present ourselves to them, but we demand of those we would care for that we see their inner selves.

Rae Dawn Chong and John Larroquette head up a sterling supporting cast, but Bujold, Keith and Warren are dead solid perfect in their fragile and complex portrayals.

This is one of my all time favorite films, and if you notice that it has a decidedly Altmanesque feeling, it's because director Alan Rudolph was, in fact, an early protégé. I watch it when I want to remember the 80's and wonder how any of us survived, but it's an acquired taste. There should be a warning on the cover; "Caution. Watching This Movie May Require an Intellect."