A local reporter gets involved with a corrupt county commissioner.A local reporter gets involved with a corrupt county commissioner.A local reporter gets involved with a corrupt county commissioner.
- Awards
- 1 nomination total
Bob L. Harris
- Borklund
- (as Bob Harris)
Joe Karioth
- Tom Jennings
- (as Joe Carioth)
- Director
- Writers
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I had seen Harris in The Right Stuff and Under Fire but happened to catch this little movie - unexpectedly - and fell in love. I watched FoG because of Blair Brown; had just recently seen her in Altered States, but Harris gives a performance that I believe is one of his best. It is a real shame this is not out on DVD; I have only seen it twice and would love to see it again but not on grainy VHS. I thought that after the success of Pollock that this might get ported over to newer media, but not so far....
Richard Jordan is wonderful as smarmy small-town big fish, but this is Harris' movie. And the flash is for real.
Richard Jordan is wonderful as smarmy small-town big fish, but this is Harris' movie. And the flash is for real.
The setting, the characters, the music - everything just oozes old South Florida in every minute of this gem of a film. Director/writer Victor Nunez's pace seems easy and slow, but it is charged with an energy that keeps growing and growing, and the effect is flat out scary real life. Ed Harris is marvelous as a reporter who refuses to stay trapped in slimy local developer/politician Richard Jordan's plans to become governor. Blair Brown is gorgeous and stalwart as the woman Harris loves who opposes Jordan's development plans, even as her fellow activists are coerced into dropping out, one by one. Harris, Brown and Jordan are at their peak here. Every performance in the film is dead on, and yes, local politics can be downright nasty.
I'm writing this review because I thought that no one else had and that would have been a shame. After reading raves on this site about movies which are, at best, popcorn-fare (`Space Cowboys'?!? . . . yeah, I saw it . . . the theater was air-conditioned . . . what the hell), it would be a shame if this little gem stayed neglected.
Victor Nunez apparently knows how to make only one kind of movie. Those who are familiar with his better-known titles, `Ruby in Paradise' and `Ulee's Gold', will know what I mean. Like those two fine films, `A Flash of Green' is what is often called a `personal' movie, set in Nunez' native rural Florida and populated with ordinary people in recognizable situations. This is a story, which unfolds slowly, allowing us to catch the rhythms or its character's lives, involving us in their concerns. When the Ed Harris character is forced to confront an ethical choice, we are concerned for him because, by that point in the film, we know him as if we, too, are resident in that small town.
Sound boring? It's not. Any good screenwriter knows there's nothing as interesting as real life. `A Flash of Green' is not a documentary. It has its artifice, in the best sense of the word, with evocative images and sounds and wonderful performances from top to bottom. But it is the atmosphere, the feeling that I've been somewhere and met the people who live there, that stays with me most about this film. I can't describe too much of the plot. I only saw it once almost 15 years ago. But this isn't, foremost, a plot-driven movie anyway. There are no startling twists, memorable bits, catch-phrases, special effects or `money shots'. Just fine actors, good writing and a director accomplished enough to make us feel as if his characters' world is ours, too.
`A Flash of Green' is sweet, sad and best of all, absorbing filmmaking. Take the time to make the trip.
Victor Nunez apparently knows how to make only one kind of movie. Those who are familiar with his better-known titles, `Ruby in Paradise' and `Ulee's Gold', will know what I mean. Like those two fine films, `A Flash of Green' is what is often called a `personal' movie, set in Nunez' native rural Florida and populated with ordinary people in recognizable situations. This is a story, which unfolds slowly, allowing us to catch the rhythms or its character's lives, involving us in their concerns. When the Ed Harris character is forced to confront an ethical choice, we are concerned for him because, by that point in the film, we know him as if we, too, are resident in that small town.
Sound boring? It's not. Any good screenwriter knows there's nothing as interesting as real life. `A Flash of Green' is not a documentary. It has its artifice, in the best sense of the word, with evocative images and sounds and wonderful performances from top to bottom. But it is the atmosphere, the feeling that I've been somewhere and met the people who live there, that stays with me most about this film. I can't describe too much of the plot. I only saw it once almost 15 years ago. But this isn't, foremost, a plot-driven movie anyway. There are no startling twists, memorable bits, catch-phrases, special effects or `money shots'. Just fine actors, good writing and a director accomplished enough to make us feel as if his characters' world is ours, too.
`A Flash of Green' is sweet, sad and best of all, absorbing filmmaking. Take the time to make the trip.
Just finished viewing "Flash of Green" on the Sundance Channel & was amazed by it's laid-back, easy yet altogether potent quality. Catch this if you can.
It's a wonderful example of the all-American one-good-man theme in journalism, and in the context of the coastal Florida south 'round about the early 1960s. It's about how an individual can both belong to and resist the toxic tides in his or her own immediate environment; has a delicate sense of place without (New York City style) shoving it in your face. Thematically one will also find delicious shades of Rachel Carson & Oliver Sachs (i.e., think out of the box) -- and the acting is superb. Sure, it's a bit of a melodrama; but so what. Isn't that part of what good story telling is about?
It's a wonderful example of the all-American one-good-man theme in journalism, and in the context of the coastal Florida south 'round about the early 1960s. It's about how an individual can both belong to and resist the toxic tides in his or her own immediate environment; has a delicate sense of place without (New York City style) shoving it in your face. Thematically one will also find delicious shades of Rachel Carson & Oliver Sachs (i.e., think out of the box) -- and the acting is superb. Sure, it's a bit of a melodrama; but so what. Isn't that part of what good story telling is about?
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This a very compelling drama directed by Victor Nunez and produced by Richard Jordan who also starred in the movie along with Ed Harris and Blair Brown. And all three give excellent performances. And this came out right after Ed Harris did The Right Stuff and before he became one of today's major stars. I just wish this movie was more widely known than it is. It deserves more recognition than it got when it first came out in 1984 and when you have three great talents like Richard Jordan, Blair Brown and Ed Harris working together you know the movie will be top-notch. I have the book that the movie was based on and unlike other movies that are based on a book, this movie stays true to its original source. So I highly recommend this movie to anybody that appreciates fine acting and a compelling story.
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- TriviaFinal film of Joan Goodfellow.
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