It's New Year's Eve in Thatcher's de-industrialising Britain. The scene is set at a seedy bar in Liverpool where a group of Irish Protestant and Irish Catholic pensioners will gather to clas... Read allIt's New Year's Eve in Thatcher's de-industrialising Britain. The scene is set at a seedy bar in Liverpool where a group of Irish Protestant and Irish Catholic pensioners will gather to clash and bash the new year in.It's New Year's Eve in Thatcher's de-industrialising Britain. The scene is set at a seedy bar in Liverpool where a group of Irish Protestant and Irish Catholic pensioners will gather to clash and bash the new year in.
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10jd110
Just like in Josep Heller's book "Catch 22" this move, uses black humour to make some very poignant and telling observations on the ultimate futility of hatred and fighting. The underlying message shouldn't be seen as "Life is short - hat's the point?" it is more "Life is short what's the point in nursing sectarian hatred to the end of your days?". Some might see this as a film with a bleak outlook on humanity (at least the variety that hails from the northern part of my native country), however, I think that this film really has a message of hope when we see how Ray McNally's staunchly Protestan/Unionist character learns from the experiences and offers news year's greetings to his Catholic son-in-law. A New Year greeting that symbolizes a new beginning in his family and perhaps an inspirational model for us all, remember, when the grim reaper comes for us, he/she won't care whether we are Catholic/Protestant, Nationalist/Unionist.
The opening title sets the scene: "Liverpool, New Years' Eve. Just another night out (these days)". Into the same shabby nightclub on the outskirts of town come two separate parties of old-age pensioners out to ring in the New Year, one devoutly Protestant, with a fugitive terrorist hiding in their ranks, and the other a group of Irish Catholics dressed for a costume ball, led by a blind ex-boxer with a grudge to settle. Occupying the no-man's land in between is a collection of mentally retarded hospital patients blissfully unaware that they've simply traded one asylum for another. To make matters worse, the comedy act is a total flop, the magician's rabbit commits a nuisance under his hat (while he's wearing it), and the dance band turns out to be a nihilistic post-punk group who chant "We're gonna die die die die die
" The resulting bedlam is rowdy, hilarious, and chilling, with a dark streak of humor deeply rooted in the tragic religious and political antagonism defining life in modern England.
I first watched this film about 20 years ago and remembered it as a very good piece of black comedy. having recently viewed it again I still found it very good and hilarious in parts but it is now dated and anyone who isn't familiar with the "troubles" in Ulster will probably find a lot of the plot and humour will sail straight over their heads. Considering the cast line up, the acting is pretty good and Bernard Hill is superb as always. The scene with the attempted mugging of the blind man (played by the fella who was the sergeant in Z cars) still has me in stitches. All in all a very watchable film BUT very British and a little dated.
Liverpool mid 1980's New Years Eve an unemployed man finds work managing a run down night club only to find that the local Orange lodge OAP's and Catholic Society old folks have been booked in on the same night. Mix in the worst night club acts ever seen, local gangsters, ageing terrorists and a wickedly dark humour. Hopefully this should be released on DVD soon? Bernard Hill is as usual a real star and has an appearance by Joanne Whalley in one of her first roles. Michael Angelis is excellent and the film is a real joy especially in its use of a dry humour that all visitors to Liverpool will recognise. This is a real slice of social commentary and show cases several cameo appearances including Elvis Costello as a 'walking nervous breakdown' / magician. I have since traced a copy of No Surrender after three years of searching and converted it to DVD as a back up copy. I had forgotten how wonderful the humour was I shall upgrade my ranking just on the strength of this. This film has atmosphere a real taste of my early adult life in early 80's Britain showing it was not all big hair do's and mobile phones the size of bricks.
A very British film. In fact, a very Liverpool film.
Can't see many Americans liking this black comedy, but most Brits with a half decent sense of humour should love it. I first saw this in 1986 and loved it, as a follow up to `The Blackstuff'.
Writer Bleasedale had great success writing for T.V. and I'm surprised he didn't do more films (this was his only film). This was one of my favourite films of the eighties so I bought the video to see if it had stood the test of time. I gave this 10 / 10 in 1986, and even though it is dated, the gritty humour shines through the underlying theme of sectarian divide, that still existed at the time.
Bernard Hill plays a " Yosser type" bouncer, at a Liverpool social club. Michael Angelis plays the laid back new manager, as a typical scouser who's seen it all. Joanne Whalley plays the club's dogsbody, with ambitions to be a singer, and does a great job. The film is loaded with great character actors including the marvellous Joan Turner.
Can't see many Americans liking this black comedy, but most Brits with a half decent sense of humour should love it. I first saw this in 1986 and loved it, as a follow up to `The Blackstuff'.
Writer Bleasedale had great success writing for T.V. and I'm surprised he didn't do more films (this was his only film). This was one of my favourite films of the eighties so I bought the video to see if it had stood the test of time. I gave this 10 / 10 in 1986, and even though it is dated, the gritty humour shines through the underlying theme of sectarian divide, that still existed at the time.
Bernard Hill plays a " Yosser type" bouncer, at a Liverpool social club. Michael Angelis plays the laid back new manager, as a typical scouser who's seen it all. Joanne Whalley plays the club's dogsbody, with ambitions to be a singer, and does a great job. The film is loaded with great character actors including the marvellous Joan Turner.
Did you know
- TriviaFilm debut Linus Roache.
- GoofsAfter Ronnie & Barbara (Davy Crockett, Hula Girl) have their door mistakenly broken in by the anti-terrorist squad, they're given a lift to their coach by a police vehicle. The Rover SD1 shown doesn't have a police crest on its l/h door, only the drivers' door.
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