Yanks

The film works for me because it concentrates on the three relationships and lets the war get on with itself. It was written from a British viewpoint and reflects the experiences of many people in war-torn Britain who came in to contact with American servicemen. The impact of the arrival of so many hearty, healthy and relatively wealthy young men was massive. The film struck a chord with many people in the UK, both of my parent's generation - who lived through the war, and my generation - who had heard all about it. The fact that the film was set in the north of England accentuated the gulf which existed in our common language. Many a GI must have been baffled by our slang. The three relationships in the film worked quite well because each one was different. How many times must these events have happened for real? The film isn't as good as THE WAY TO THE STARS of 1945, but it did recreate the war-time atmosphere quite well and evokes a period of history which is still vivid in the minds of many who lived near US bases in the UK in WW2.

John Schlesinger returns to the land of his early, wonderful "A Kind Of Loving" and "Billy Liar" for a cross-cultural love story with a critical but undoubtedly affectionate eye. Richard Gere, pre-"American Gigolo" is terrific as Matt, the cook who falls for Jean, the local English rose played beautifully by the splendid American actress, Lisa Eichhorn. The Americans posted in the North of England felt truly abroad, they could hardly understand the lingo. For the locals it was a different story, they understood the American GI's because after all, they spoke like Gary Cooper. The elders look at the abrasive newcomers with politeness but also with a tinge of suspicion. There was a catch phrase at the time to describe the American troops: "They're overpaid, oversexed and over here" The cultural differences go beyond language and in a masterful writing stroke tells us why. Richard Gere tells Lisa Eichhorn about his dreams for the future - building a chain of Motels across America - while her British boyfriend dreams of getting married and building their home above his parents shop. Lisa Eichhorn's Jane is the perfect "man in the middle" attached to her parents (the wonderful Rachel Roberts and Tony Melody)world, and at the same time, she is fascinated by Richard Gere's look at the American dream - the "everything is possible" mentality. The film is a gem. Unfairly overlooked in its day but now on its 30th anniversary risks to be rediscovered and and re-evaluated. It certainly deserves another life.

Those of us who have seen some of the more recent wartime romance movies (e.g., Pearl Harbor) will be eternally grateful for this well-done picture with its ensemble cast. I liked it so much that I bought a copy on DVD.

This was the first time that I had seen William Devane and Lisa Eichorn in a movie, and I believe their performances were excellent. When William Devane, as the Captain, busts the NCOs for their conduct, it was the height of wartime realism at a human level.

I loved the little nuances ... the mother wrapping the string around her hand after she receives the gift of a cake from Richard Gere ... the little boy and the bicycle ... the steam rising up around the train at the end ... excellent touches ...

Just watched this film again for at least the tenth time since it's release and never fail to be impressed by the accuracy of its portrayal of Northern England. In fact this is the England I remember growing up in in the 1960s and it really only started to change around the 1970s when we finally seemed to recover from post war austerity. Shops looked like that when I was a kid in suburbs of Newcastle. Several people mention the power station mistakenly suggesting it was out of place as it was nuclear. Most power stations in the UK are coal powered and still look exactly like this and as the film was made in and around Stalybridge and the pennine towns of Yorkshire and Lancashire it may well have been Stalybridge which was built in 1926 and definitely never a nuclear plant. Lovely film and exactly as wartime was described in countless family discussions with our mams and dads. This was often the only adventure in their lives so it came up over and over again.

This is a beautifully judged and paced 1979 film by John Schlesinger, which explores wartime romance and a unique culture clash, with sensitivity, wit and an affectionate eye for the period in which it is set. The time, 1943/4; the place, a small town in the north of England; the parties, the US Army gathering for the invasion of mainland Europe, and the locals grateful for the military assistance but watchful for the virtue of their wives and daughters.

Richard Gere's Sergeant-Cook, Matt, is surely still one of his best and certainly most sympathetic roles. His love affair with shopkeeper's daughter Jean (Lisa Eichhorn) - together with another on/off romance further up the social scale between William Devane's Captain and Vanessa Redgrave's upper class lady - highlight the painful choice between love and loyalty which war often presents. Meanwhile, the sunnier, trouble-free pairing and marriage of boxer Danny (Chick Vennera) and happy-go-lucky Mollie (Wendy Morgan) demonstrates that war can offer fresh starts as well as tragic ends.

Though Schlesinger bases most of the film on the moral (and cinematic) values of the time in which it is set, he reminds us in one sequence of the segregation and race problems in the US Army, which would not be resolved until after the war (and of wider race problems in the US generally, which are still not resolved). Rightly, the movie makes no attempt to avoid emotion; and the ending with the troops, including Matt, Danny and the Captain, moving south to an uncertain future with the invasion force is genuinely moving.