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When a comet blinds nearly everyone in the world, a genetically-engineered species of plant takes over.When a comet blinds nearly everyone in the world, a genetically-engineered species of plant takes over.When a comet blinds nearly everyone in the world, a genetically-engineered species of plant takes over.
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- TriviaThe title sequence, by graphics designer Douglas Burd, was shot on 35mm film and used quantized color levels in stark relief against a black background. Burd was killed during production when his self-made plane crashed during a flight.
- GoofsAt several places in the series, Bill Masen calls out for Emma instead of Jo. Emma Relph was the actress who played Jo Payton.
- Alternate versionsThis series was originally distributed in six parts (6 x 25min) for the BBC transmissions and in three parts (3 x 50min) for the original American airings. Since that time, both versions, as well as a combined "omnibus" version (all episodes aired as one "movie") have been distributed worldwide.
- ConnectionsEdited into FrightMare Theater: The Day of the Triffids (2021)
Featured review
When an asteroid shower passes over the earth, most of the world stops and watches the "once in a lifetime" spectacle. However the vast majority of the world find themselves blinded. This leaves the world at the mercy of the Triffids a strange species of plant that can move and attack humans, but whose value as an oil resource has seen them farmed and controlled around the world. In a London hospital, Bill Masen is confined to his hospital bed with his eyes bandaged up after a Triffid sting at work. The day after the shower, Bill wakes to find everything quiet with seemingly nobody around to take the bandages off. He stumbles out into the day to find the population blind and, with society quickly crumbling, Triffids seem like just one of the problems to contend with.
I quite liked the film version for what it was but it was quite different from the book. This BBC mini-series though, is much more faithful to the source material and produces three hours of television that are more about the people than the plants of the title. If you consider the six episodes, the Triffids are not present throughout and sometimes they are no more than yet another thing in the background. The main thrust is actually about the breakdown of society, the choices the seeing survivors have to make at the early stages and the later stages. As such it is a very British piece as of course there is the polite indecisions and stiff upper lips that see survival accompanied by a certain amount of shame and frustration.
Hannam's direction is good as he works well with the sets and effects he has available to him. He has a good script to work with that puts food for thought onto the table consistently, while he also maintains a fairly constant sense of fear in relation to the lack of everything we would expect. In this regard the early episodes were the stronger. Of course the effects are limited but the Triffids themselves are actually pretty good and, if walking, man-eating plants did exist then I imagine they may look like this. The sets are quite cheap and have dated as badly as the clothes etc but this is not really a problem since the material is what is interesting, rather than the effects. The cast mostly work well, with Duttine solid in the lead with Relph doing OK work alongside him and Colbourne a strong presence with a character that asks a lot of moral questions of the viewer.
Overall then, better and more faithful to the book than the film version. It looks dated and of course the effects are not brilliant but it is the complexity of a crumbling society and the choices to be made that keep it interesting more than the action of Triffid attacks.
I quite liked the film version for what it was but it was quite different from the book. This BBC mini-series though, is much more faithful to the source material and produces three hours of television that are more about the people than the plants of the title. If you consider the six episodes, the Triffids are not present throughout and sometimes they are no more than yet another thing in the background. The main thrust is actually about the breakdown of society, the choices the seeing survivors have to make at the early stages and the later stages. As such it is a very British piece as of course there is the polite indecisions and stiff upper lips that see survival accompanied by a certain amount of shame and frustration.
Hannam's direction is good as he works well with the sets and effects he has available to him. He has a good script to work with that puts food for thought onto the table consistently, while he also maintains a fairly constant sense of fear in relation to the lack of everything we would expect. In this regard the early episodes were the stronger. Of course the effects are limited but the Triffids themselves are actually pretty good and, if walking, man-eating plants did exist then I imagine they may look like this. The sets are quite cheap and have dated as badly as the clothes etc but this is not really a problem since the material is what is interesting, rather than the effects. The cast mostly work well, with Duttine solid in the lead with Relph doing OK work alongside him and Colbourne a strong presence with a character that asks a lot of moral questions of the viewer.
Overall then, better and more faithful to the book than the film version. It looks dated and of course the effects are not brilliant but it is the complexity of a crumbling society and the choices to be made that keep it interesting more than the action of Triffid attacks.
- bob the moo
- Sep 30, 2007
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- День Триффідів
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By what name was The Day of the Triffids (1981) officially released in India in English?
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