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IMDbPro

An American Werewolf in London

  • 1981
  • X
  • 1h 37m
IMDb RATING
7.5/10
129K
YOUR RATING
POPULARITY
3,135
396
Griffin Dunne and David Naughton in An American Werewolf in London (1981)
Official Trailer
Play trailer1:42
2 Videos
99+ Photos
Body HorrorBuddy ComedyDark ComedySupernatural HorrorWerewolf HorrorComedyHorror

American college students David Kessler and Jack Goodman on a walking tour of Britain are attacked by a werewolf that none of the locals will admit exists. Jack dies. David recovers in a hos... Read allAmerican college students David Kessler and Jack Goodman on a walking tour of Britain are attacked by a werewolf that none of the locals will admit exists. Jack dies. David recovers in a hospital, where he has nightmares.American college students David Kessler and Jack Goodman on a walking tour of Britain are attacked by a werewolf that none of the locals will admit exists. Jack dies. David recovers in a hospital, where he has nightmares.

  • Director
    • John Landis
  • Writer
    • John Landis
  • Stars
    • David Naughton
    • Jenny Agutter
    • Joe Belcher
  • See production info at IMDbPro
  • IMDb RATING
    7.5/10
    129K
    YOUR RATING
    POPULARITY
    3,135
    396
    • Director
      • John Landis
    • Writer
      • John Landis
    • Stars
      • David Naughton
      • Jenny Agutter
      • Joe Belcher
    • 542User reviews
    • 283Critic reviews
    • 55Metascore
  • See production info at IMDbPro
    • Won 1 Oscar
      • 3 wins & 4 nominations total

    Videos2

    An American Werewolf in London
    Trailer 1:42
    An American Werewolf in London
    'The New Mutants' Cast Reveal Characters & Film Inspirations
    Interview 3:25
    'The New Mutants' Cast Reveal Characters & Film Inspirations
    'The New Mutants' Cast Reveal Characters & Film Inspirations
    Interview 3:25
    'The New Mutants' Cast Reveal Characters & Film Inspirations

    Photos346

    View Poster
    View Poster
    View Poster
    View Poster
    View Poster
    View Poster
    + 340
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    Top cast99+

    Edit
    David Naughton
    David Naughton
    • David Kessler
    Jenny Agutter
    Jenny Agutter
    • Alex Price
    Joe Belcher
    Joe Belcher
    • Truck Driver
    Griffin Dunne
    Griffin Dunne
    • Jack Goodman
    David Schofield
    David Schofield
    • Dart Player
    Brian Glover
    Brian Glover
    • Chess Player
    Lila Kaye
    Lila Kaye
    • Barmaid
    Rik Mayall
    Rik Mayall
    • 2nd Chess Player
    Sean Baker
    Sean Baker
    • 2nd Dart Player
    Paddy Ryan
    • First Werewolf
    Anne-Marie Davies
    • Nurse Gallagher
    John Woodvine
    John Woodvine
    • Doctor Hirsch
    Frank Oz
    Frank Oz
    • Mr. Collins…
    Don McKillop
    • Inspector Villiers
    Paul Kember
    • Sergeant McManus
    Colin Fernandes
    • Benjamin
    Albert Moses
    Albert Moses
    • Hospital Porter
    Jim Henson
    Jim Henson
    • Kermit the Frog
    • (archive footage)
    • Director
      • John Landis
    • Writer
      • John Landis
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews542

    7.5129.4K
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    Featured reviews

    Deviant-7

    Great film, full of humor and thrills.

    One of the best werewolf movies ever made, full of dark humor and gory thrills. As most people know, this has one of the best human/werewolf transformation scenes in cinematic history! The only other movie to show such detail is The Howling. This movie is really fun to watch, and if you are seeing it for the first time you will be shocked at some of the things you see. Great performances from the cast, and an excellent script make this a memorable experience. Unlike monster/horror movies today, this film has no computer-aided special effects. It doesn't need them, for this is a landmark film.
    8paul_m_haakonsen

    Truly a werewolf classic...

    Interestingly enough then the 1981 horror movie "An American Werewolf in London" still is one of the most iconic werewolf movies out there and has been so for 41 years. That is some impressive feat, I have to admit that.

    I had the opportunity to sit down and watch writer and director John Landis' 1981 movie again here in 2022, and of course I needed no persuasion to do so, because "An American Werewolf in London" truly is a horror classic. And I find that the movie is every bit as entertaining and enjoyable as it was back in the day when watching it as a kid.

    The storyline is pretty straight forward, and it is actually rather enjoyable, despite being somewhat generic. But take into consideration that this movie was made in 1981, so it was somewhat pushing boundaries back in the day.

    The visual effects were great back in the day. And I will actually go as far as saying that they still hold up now 41 years later. Sure, there are signs of aging, but having just seen the movie again, I still find the special effects in the movie rather enjoyable and good. Especially the transformation scenes, they are just spectacular and very, very impressive for a movie 41 years old.

    The cast in the movie is good, and I've always liked David Naughton in this movie. But the movie also have familiar faces on the cast list such as Jenny Agutter, Frank Oz and even a short appearance by Rik Mayall.

    If you enjoy werewolf movies, then you should be well-familiar with "An American Werewolf in London" already, and if you are not familiar with this 1981 classic, then you should make haste and acquire a copy and sit down to watch John Landis' masterpiece.

    My rating of "An American Werewolf in London" lands on a well-deserved eight out of ten stars. This is a classic werewolf movie, and it is one that can be watched over and over.
    10Quinoa1984

    both entertaining as a technical marvel, as comedy, and even as horror

    John Landis has one of his most memorable films, as it challenges him as a director of comedy and horror, and he's rarely done better in the latter. While many of his best films are among the comedies that he directed for SNL alumni Belushi and Aykroyd and Eddie Murphy, An American Werewolf in London stands apart from those by casting David Naughton, Jenny Aguter, and Griffin Dunne in the parts- all practically unknowns then- and giving them some of the best kinds of genre roles imaginable. The two friends played by Naughton and Dunne are out on vacation, sort of, and they stumble upon a town loaded with superstition about wolves and other things. When Dunne gets killed and something, uh, peculiar happens to Naughton, it changes both of them- principally because Naughton keeps seeing Dunne, deteriorating throughout the rest of the film, even as he both turns into the werewolf ("Beware the moon, David, beware the moon") and falls for a kind nurse played by Aguter. All three roles are realized well, though it might be prudent to put a lot of good will on the male leads, as they both go under Rick Baker's still show-stopping make-up jobs.

    This is the kind of production that could go in a few different directions, and for someone like Landis's skills it could've gone in those directions, either one, considering his background. It could have been a send-up much like his Kentucky Fried Movie. It could have been just dumb, pure camp like one of his lesser comedies of the 90s. But here he's really sticking to his guns to make it really believably scary, but also with a sly, coarse, and crude sense of humor about it. It's almost in tune to what would come a few years later with Ghostbusters, only without the mega-wit and overall mainstream appeal. It's a cult item that probably isn't seen by many as Landis's other films, yet I still remember things very well from the film years later, indelible things like the use of songs (obvious, sure, by 'moon' being all over the place, but everything from Van Morrison to CCR to the main Blue Moon theme used during the crossover are really dead-perfect for what's needed). Aside from the obvious make-up scenes, I remember being both freaked and delighted by the undead exchanges with David, especially when it finally reaches its purest absurdity in the movie theater scene.

    And even the ending, unlike other Landis films, is with a tinge of tragedy and sadness. This is not the ending a typical comedy director would bring, as by now we've really gotten on the side of David, the scorned protagonist turned bloody villain by way of a curse. Some of the scenes that end up cutting back to the old rural village, as I also remember it, were not my favorite scenes as they brought more of the superstitious stuff that is not necessarily needed. It's the bits with Naughton, with Dunne, and even with the lady of the film that make it worthwhile. It's fun but not too goofy or bad B-movie-like, and it's scary without being cheap. It's basically the finest synthesis yet from the filmmaker to combine his gory theatrics with his firm, cool sense of humor. It's also one of my favorite films of 1981.
    jbirtel

    Going Out On A Limb (no pun intended)!!

    A Film maker's film that's an homage and a refreshing take on the werewolf legend. It's scary; rich in dialogue; practical... (in a horror movie???) AND Funny!

    Especially in DTS sound... It's Scary!!!

    Specifically...for anyone who enjoys the old 'Universal Studios' classic renditions of the "Wolf Man" saga, this modern 'fairy tale horror' doesn't violate any traditions. If you haven't seen the old classics, not to worry;...this flick stands on its own.

    The story unfolds!...And the tension begins!...slowly!

    Actors Naughton and Dunne are perfectly cast as your typical college students, backpacking their way thru Europe for...well...for what ELSE!!?!! Their back & forth banter is priceless!! Their 'on screen' chemistry is, unfortunately, too short (that's kinda redeemed in the DVD commentary by both actors). And their trek across the fog laden moor ranks as one of the most frightening scenes in movie history.

    But the real star of the film is director John Landis!

    Along with the Cast!

    And make-up artist Rick Baker.

    Not since "Bud Abbott & Lou Costello Meet Frankenstein" has Comedy/Horror worked so well. The difference is: unlike "A&C Meet Frankenstein", this film is a horror story laced with a sharp and clever 'comic relief'. And Landis captures that fine line balance between horror/humor that is unprecedented.

    A near definitive werewolf movie that's bloody! scary! funny! satirical! funny! intelligent! sexy! charming!...and ultimately sad!!!...(did I say funny twice?). HEY...if you ever take time to see only one werewolf movie; then...

    Well...everyone's got their opinion.

    But this film ranks way up their in horror. A Classic!!

    With a soundtrack that's perfectly placed! And composer Elmer Bernstein perfectly placing the music.

    Grab the popcorn! And Hang On!
    8framptonhollis

    Hilarious and Horrifying

    While it isn't high art, "An American Werewolf in London" is easily among the most entertaining films that I have ever seen. It mixes humor and horror in a way that, while tonally inconsistent, it provides so many scares and laughs that I didn't care what its flaws were.

    The film's sense of humor is definitely because the film's director and writer, John Landis, has directed so many great comedies. If you gave the same premise to a much more serious filmmaker, they probably would have made a straight horror film, subtracting all of the brilliant laughs that Landis gives us. Of course, part of what makes "An American Werewolf in London" so special and so entertaining is how hilarious it is. It's almost unbelievable that a movie with so many horrific and gory moments can also be laugh out loud funny throughout.

    Another important part of "An American Werewolf in London" is the use of the acclaimed, award winning special effects, that earned Rick Baker a well deserved Oscar win. The werewolf transformation scene definitely lives up to the high expectations anyone viewing the film for the first time may have. It's legitimately disturbing, and amazingly well done!

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    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      Due to the controversial lack of recognition for The Elephant Man (1980), make-up and industry technological contributions became recognized by the Academy Awards in 1981. Make-up artist Rick Baker was the first to receive an Oscar in the new category. William Tuttle was the first make-up effects artist to receive an honorary Oscar, for his work on 7 Faces of Dr. Lao (1964). At 31, Baker was also the youngest person to win the award, a record that was later tied by Tami Lane for The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (2005).
    • Goofs
      Repeated mentions of werewolf attacks during a full moon are ignored when David undergoes his transformation on two consecutive nights. There is only one full moon during a lunar cycle. If the moon is full on a Saturday night, for example, it cannot be truly full on the next night, Sunday.
    • Quotes

      David: I want you to arrest me, you asshole!

      Bobby in Trafalgar Square: There's no call for that kind of language.

      David: Queen Elizabeth is a man! Prince Charles is a faggot! Winston Churchill was full of shit!

      Bobby in Trafalgar Square: That's enough.

      David: No! Let go of me!

      Alex: David, please!

      David: Shakespeare's French! Fuck! Shit! Cunt! Shit!

    • Crazy credits
      Kermit the Frog and Miss Piggy star as themselves.
    • Alternate versions
      Universal Studios re-mixed the film's monaural soundtrack to Dolby Digital 5.1 and DTS for the 20th anniversary "Collector's Edition" DVD, replacing the older sound effects and adding some new ones (see also Jaws (1975)).
      • Extra thunderclap sound effects were added in the scene when David and Jack are walking in the moors and it starts to rain.
      • The first werewolf can now be heard growling in the rear channels as it circles David and Jack. A louder growl has been added to the rear-left channel after Jack says "It's circling us" to make the audience jump.
      • All the gunshots and car crash sound effects have been replaced.
      • The train in the "London tube" scene can now be heard moving from one channel to another
      • Despite already being bad enough, the entire mix is inexplicably pitched down a half-pitch and sounds very different from the original mix.
    • Connections
      Edited into Poppers (1984)
    • Soundtracks
      Blue Moon
      Music by Richard Rodgers (uncredited)

      Lyrics by Lorenz Hart (uncredited)

      Performed by Bobby Vinton

      Courtesy of Columbia Records

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    FAQ47

    • How long is An American Werewolf in London?Powered by Alexa
    • Jack says his spirit is trapped in limbo, until the werewolf that killed him's bloodline is severed, so no other werewolf in David's bloodline had taken a life before Jack, Shouldn't there be an army of ghouls, or the werewolf that bit David's ghost?
    • What did Dr. Hirsch mean when he said to Alex, about "witnessing some form of Mass neurosis in East Proctor"?
    • How did David escape Alexs flat, without causing damage to the door as a werewolf?

    Details

    Edit
    • Release date
      • November 12, 1981 (United Kingdom)
    • Countries of origin
      • United Kingdom
      • United States
    • Language
      • English
    • Also known as
      • Un hombre lobo americano en Londres
    • Filming locations
      • Crickadarn, Powys, Wales, UK(East Proctor)
    • Production companies
      • Polygram Pictures
      • Lyncanthrope Films
      • American Werewolf
    • See more company credits at IMDbPro

    Box office

    Edit
    • Budget
      • $10,000,000 (estimated)
    • Gross US & Canada
      • $30,565,292
    • Opening weekend US & Canada
      • $3,786,512
      • Aug 23, 1981
    • Gross worldwide
      • $30,820,576
    See detailed box office info on IMDbPro

    Tech specs

    Edit
    • Runtime
      1 hour 37 minutes
    • Color
      • Color
    • Sound mix
      • Mono
      • Dolby Digital
      • D-Cinema 48kHz 7.1
      • Dolby Surround 7.1
      • 12-Track Digital Sound
      • Dolby Atmos
    • Aspect ratio
      • 1.85 : 1

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