Carbon Copy

I saw this movie in the 1980s on German TV (in English). Fortunately, I taped it, because I never saw it again -- until 2006 on the MGM cable channel (and now I recorded it on DVD!). In the meantime, I wrote a thesis that dealt, among other things, with integration and denial issues (compare it to Woody Allen's "Zelig", for example!), and I found more quotable poignant and funny lines in this movie than in any other. On top of it, it has all those minor jokes that you probably won't catch the first time around and that make a comedy great. This movie is extremely funny, well written and has great actors, who should really be proud of it. The only thing that surprises me is that with all those big names attached the movie is so frequently overlooked and almost forgotten. If you haven't seen it and get a chance to, by all means, watch it and spread the word. By the way: I won't claim I saw Denzel's potential back then, but when I look back at this movie now, in hindsight, you can detect an Oscar winner in the making. Why didn't I give ten points? Well, I have to admit that the movie tapers off a bit at the end. If it had started more slowly, it would be OK, but the first half is just one funny line after another, and it just doesn't keep up its pace. And maybe the end is too unrealistic -- but then again, what do you expect from comedy? For me, it still works because it has a lot to say, and it does so in a brilliant way.

Carbon Copy was previously unknown to me but recommended by a friend of mine. I'm a fan of Denzel Washington's work and to see him in a comedy, I figured why not. It has certain similarities to Trading Places as a riches to rags story. George Segal plays a successful white yuppie executive type who's life gets turned upside down when he discovers he has a black son that he won't turn his back on. He ends up losing his job and assets because of it and does the best he can do to deal with the situation. The film deals with a lot of race and class issues that are not much different and relevant today. The race situation is a little better, but we have a ways to go with that in America. Another theme of the movie is selling out has consequences and it is much better to stick to your principles than to take the more financially lucrative situation. Even with some of these themes , Carbon Copy is a comedy and a funny one that doesn't come across as preachy or pretentious.

I was very surprised to see this movie today on a channel that plays lots of familiar movies. I had never heard of this one before, but I figured with Denzel Washington how could I go wrong? Yes, Carbon Copy is over-the-top in its depiction of snooty racists, and some of the comedy borders on slapstick. But if you concentrate on the relationship between the Denzel Washington and George Segal characters, you're in for a real treat. They are truly wonderful together and Denzel, especially considering this is one of his earliest roles, has all the charisma, polish, and depth we have come to expect from him. Bonus points for some really funny lines and a serious point that is made with heart.

White corporation man George Segal gets a rude awakening when he finds out that he has an illegitimate son who happens to be black (our first real theatrical look at Hollywood icon Denzel Washington). Naturally Segal's Beverly Hills life turns topsy-turvy with wife Susan Saint James and father-in-law Jack Warden complicating the situation by forcing Segal into a life of degradation and poverty with usually hilarious results. Pure early-1980s fluff here as Washington puts that bright smile of his on and steals every scene from veteran Segal. Segal though does an admirable job and feeds off the film effectively. Ultimately though the substance is lacking and the typical comedic situations eventually end up being predictable and sometimes stale. The late drama also feels forced and somewhat unnecessary. Still a watchable piece of entertainment for its two leads. 2.5 out of 5 stars.

Walter Whitney has a mansion in San Marino and a great job that comes with a Rolls Royce and numerous credit cards. Hisd life isn't quite perfect, since his uptight wife Vivian won't let him touch her or even let him see her without her clothes on. And her daughter Mary Ann won't accept Walter as her father, even though he adopted her when he married her mother. Mary Ann considers herself to be engaged to her boyfriend, but apparently this isn't important enough to tell Walter.

Nelson, Vivian's father and Walter's boss, has a talk with Walter because he is concerned that his daughter isn't happy. But this is the least of Walter's problems. It seems that when he was in college at Northwestern, Walter lived with a black woman. And that woman's son Roger is here to see him. His mother is now deceased, and Roger feels the need to find his father. Guess who it is!

The opening credits said "Introducing Denzel Washington". This respected and usually serious actor comes across more like Will Smith in TV's "Fresh Prince of Bel Air"--appealing, smart-alecky, intelligent though apparently not book-smart (and we know Smith progressed from that image to a career similar to Washington's, though in less serious roles). Washington does show potential here, though it's not immediately obvious he will someday win an Oscar. He does comedy well, but he also has at least one fine dramatic scene.

But this is not "Fresh Prince". On that show, only Carlton and Hilary thought they were better than everyone else. Their parents never forgot where they came from. In this movie, Vivian, Mary Ann, Nelson, and even the family doctor and pastor think blacks are inferior, and that Walter has done something unthinkable. And wait until you find out the hilarious consequences!

Most of the leading actors here give good performances. Dick Martin is funny as Walter's pot-smoking best friend and lawyer, and Paul Winfield does a good job as another lawyer.

One of the many highlights: Roger's '59 Chevy, which makes Al Bundy's Dodge Dart look like a BMW. The only movie car more pathetic that I can remember was one of the cop cars in "Smokey and the Bandit", but that was only after numerous wrecks.

And you have to see how Walter and Vivian solved their difficulties in the bedroom!

Eventually, lessons about prejudice are learned, but not by all. Those who don't think there should be racial prejudice should keep in mind what was said about Archie Bunker. We learn prejudice is wrong by making fun of it.

The ending was not neat and tidy, but it showed promise.

This was very good.