Beetlejuice

With ghosts and the dead, one would normally anticipate a horror movie loaded with screams and gory figures. But in Beetlejuice, we see a new dimension humour being experimented with.

Taking into the account that the movie was made in 1988 with limited special effects, Beetlejuice could be simply labelled as "creativity at its best".

Tim Burton is a pure visionary and with this movie you cannot help but appreciate the amount of creativity he has and his ability to translate it to screen.

Acting is top-rate from all fronts. One can't help but admire promising young Winona Ryder - a flower ready to bloom.

It would take a couple of viewings to be appreciate the movie in totality.

Beetlejuice has a weirdly small amount of screen time in a movie called Beetlejuice. Love the Claymation and special effects. Also love the film's depiction of death as a bureaucratic hellscape with a multitude of stupid and confusing rules.

It may take two or three viewings to warm up to "Beetlejuice". It has a kooky, cockeyed sensibility and a rhythm that is by turns easy, lazy and frenetic. A charming couple in New England die and come back to their beloved home as ghosts, determined to rid the place of the horrendous new tenants. Possibly the most benign and engaging performance ever by Alec Baldwin; Geena Davis, Winona Ryder and Sylvia Sidney are also very appealing. The new couple from New York who take over the house (Jeffrey Jones and Catherine O'Hara) aren't as well written or thought-out as the other characters and some of their bemused, dry-ice comic lines take a few seconds to reach you. Of course, there's Michael Keaton, wildly comic as Betelgeuse. I recall hearing comments back in 1988 that Keaton wasn't around enough to make the picture worthwhile, but that's only if you watch the film for the fast quips and sight-gags. Keaton is truly wonderful, but he's also bombastic, and I felt there was just enough of him to satisfy--it's really not his story anyway, it belongs to Baldwin and Davis; Betelgeuse is used as a horny, vulgar punchline. Director Tim Burton is very careful not to overload the movie with raunch; he is surprisingly careful in setting up this story, and he works magic within a dubious scenario: a comic fantasy about dead folks which ultimately celebrates life. ***1/2 from ****

This is by far Michael Keaton's best performance. Every time he comes on the screen he displays such an eccentric performance that it rivals Jim Carrey from 'The Mask', only without as much help from computers. If his role calls for gross he brings revolting; pushy he brings offensive; witty he brings hilarious sarcasm. One of my few complaints is that he doesn't get enough screen time, although he does have a large portion of it, most goes to Gena Davis and Alec Baldwin.

Tim Burton's directing is great. My favorite scene by far doesn't even have Michael Keaton in it. Anyone who has seen this will remember it as the dancing dinner scene.

This is a classic. If you haven't seen it then you must've'e grown up under a rock or born before I was.

What can I say... Michael Keaton is great at everything he does and the visuals of this film are fantastic. Even 3 decades later they still look great. I really hope they can bring the same level of energy and weirdness for the sequel.