An injured, unconscious man washes ashore in a small French town. As he recovers, it becomes quite clear, someone is trying to kill him.An injured, unconscious man washes ashore in a small French town. As he recovers, it becomes quite clear, someone is trying to kill him.An injured, unconscious man washes ashore in a small French town. As he recovers, it becomes quite clear, someone is trying to kill him.
- Won 1 Primetime Emmy
- 1 win & 2 nominations total
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Featured reviews
There are parts of the movie where you think it might be a comedy. Bourne (Richard Chamberlain) running in Théoule-sur-Mer, France (Port Noir) with children following.
He is never really convincing as a fighter. Maybe that is because we are used to the smoothness of Matt Damon in the later retelling of the story.
The film is very 80's with the apparently suave and sophisticated Bourne in his knitted sweater taking care of the bad guys, and then the ladies.
It is easy to tell that it was originally made for TV, as the story is almost broken down into "sound bites" so that you see whole but separate parts in between where each set of the commercials would go.
It was fairly enjoyable if a little long winded at times. The story was quite good and the long running time enables a lot of character development which is lacking in the remake.
He is never really convincing as a fighter. Maybe that is because we are used to the smoothness of Matt Damon in the later retelling of the story.
The film is very 80's with the apparently suave and sophisticated Bourne in his knitted sweater taking care of the bad guys, and then the ladies.
It is easy to tell that it was originally made for TV, as the story is almost broken down into "sound bites" so that you see whole but separate parts in between where each set of the commercials would go.
It was fairly enjoyable if a little long winded at times. The story was quite good and the long running time enables a lot of character development which is lacking in the remake.
Superficially the 2002 Matt Damon movie is better as far as action and pacing goes and I almost passed this by seeing that Richard Chamberlain (not my favourite actor) is in it. But this is a very well made and watchable version (though slow paced). What I found most striking was that the lead characters are played by adults and it was obviously made with that audience in mind. It's supposedly truer to the original book as well. It's not quite a classic but better than I expected and a reminder of how movies (even those made for tv) used to have substance - as opposed to just being a series of strung together action sequences.
Filmed in Europe, the story is based on a classic Robert Ludlum novel. This made for TV movie is better than the average TV fare. Originally a two part mini-series, it tends to have some periods where it drags with too much interplay between the stars but it still contains the usual amount of Ludlum action, suspense and his keen senss of scenery. Richard Chamberlain and Jaclyn Smith are supported by a fine European cast which includes Anthony Quayle and Denholm Elliott. Well worth your time. A collectors movie.
I thoroughly enjoyed this I must admit, but I can't help but wonder why it wasn't made for the big screen instead of being shown on television. What makes this Bourne Identity completely nonidentical to the 2002 theatrical release is that Richard Chamberlain's character is very much in line with Robert Ludlum's book (albeit with some subtle changes here and there). The big screen version may have featured more dramatic car chase sequences and fighting scenes etc, but it just seemed to focus away from the original plot.
Richard Chamberlain performs Bourne to a very high standard - with strong performances from the supporting cast - and makes the role his own. Primarily, I watched The Bourne Identity just to see Jaclyn Smith if I'm honest; I've always been a fan of Jaclyn, and she gives out a believable performance as Marie St. Jacques. This movie in no doubt sealed Jaclyn's crown as the "Queen of mini-series".
I don't think film and TV buffs should be put off by its three hour length; the plot and any questions that may arise when viewing The Bourne Identity are answered admirably come the end of the film, and should not disappoint fans of espionage/spy thrillers. It was a great effort from all concerned, certainly strengthened thanks to the wonderful imagery and intrigue of the many different cities involved. 7/10.
Richard Chamberlain performs Bourne to a very high standard - with strong performances from the supporting cast - and makes the role his own. Primarily, I watched The Bourne Identity just to see Jaclyn Smith if I'm honest; I've always been a fan of Jaclyn, and she gives out a believable performance as Marie St. Jacques. This movie in no doubt sealed Jaclyn's crown as the "Queen of mini-series".
I don't think film and TV buffs should be put off by its three hour length; the plot and any questions that may arise when viewing The Bourne Identity are answered admirably come the end of the film, and should not disappoint fans of espionage/spy thrillers. It was a great effort from all concerned, certainly strengthened thanks to the wonderful imagery and intrigue of the many different cities involved. 7/10.
I didn't expect too much from a TV mini-series based on an adventure novel, which was later made into a big budget action film.
I had not enjoyed the 2002 version of The Bourne Identity with Matt Damon, but this one was gripping from the first frame. I read a lot of the reviews and posts here as I always do to compare reactions, and found people were praising some elements, and criticizing others. Here is how it affected me.
Primarily it was a story about a man's search for his identity, and Chamberlain, never known as the greatest actor in the world, was very believable and effective. Jaclyn Smith was just adequate in her role and she is definitely one of the worst actresses they could have chosen, but one can't have everything. She makes good eye candy. The movie's other characters played pivotal roles and delivered excellent characterizations. Notably Denholm Elliott as the doctor.
The story was a fast moving adventure, which was almost Hitchcockian, the story of one bewildered man with villains trying to kill him, and a random pretty girl he abducts to help him (also echoes of the Redford movie Three Days of the Condor), and the extensive scenery of Paris was beautiful. Except for the obvious pauses where commercials used to be, this looks like a real movie and not a TV series. It doesn't look cheaply made. They obviously took pride in this production.
But to me the most surprising thing of all was the human element, the complex emotions in the amnesiac's story. Richard Chamberlain delivered them far above what one would expect from him, or from a TV movie. Yet this movie is all but forgotten since the theatre versions were made. I think that Hitchcock, if he had been alive to make this picture, would himself have chosen Chamberlain as he was very much like the James Stewart "everyman" who raced against time to solve the mystery of his amnesia.
There are a few places where key scenes from the past are shown briefly and never explained (apparently a sequel was planned, which would explain them), and yet I was able to fill in a likely explanation, from my own imagination. This is the mark of good film making.
There were no fantastic special effects or avant garde techniques. It was straightforward story telling.
I am easily bored, highly critical, and so because I loved this, I am very surprised and had to post about it, in case it might help someone decide to go ahead and see it. Yes, it is well worth it and highly enjoyable. It hails from another era (where the story was more important than the chases and effects).
I am glad it is still available in video, and if I find it in DVD I will buy it because it was a movie I would like to see again. I still think about it - and went to the library to get the book the next day - and that rarely happens with an action movie of this type.
I had not enjoyed the 2002 version of The Bourne Identity with Matt Damon, but this one was gripping from the first frame. I read a lot of the reviews and posts here as I always do to compare reactions, and found people were praising some elements, and criticizing others. Here is how it affected me.
Primarily it was a story about a man's search for his identity, and Chamberlain, never known as the greatest actor in the world, was very believable and effective. Jaclyn Smith was just adequate in her role and she is definitely one of the worst actresses they could have chosen, but one can't have everything. She makes good eye candy. The movie's other characters played pivotal roles and delivered excellent characterizations. Notably Denholm Elliott as the doctor.
The story was a fast moving adventure, which was almost Hitchcockian, the story of one bewildered man with villains trying to kill him, and a random pretty girl he abducts to help him (also echoes of the Redford movie Three Days of the Condor), and the extensive scenery of Paris was beautiful. Except for the obvious pauses where commercials used to be, this looks like a real movie and not a TV series. It doesn't look cheaply made. They obviously took pride in this production.
But to me the most surprising thing of all was the human element, the complex emotions in the amnesiac's story. Richard Chamberlain delivered them far above what one would expect from him, or from a TV movie. Yet this movie is all but forgotten since the theatre versions were made. I think that Hitchcock, if he had been alive to make this picture, would himself have chosen Chamberlain as he was very much like the James Stewart "everyman" who raced against time to solve the mystery of his amnesia.
There are a few places where key scenes from the past are shown briefly and never explained (apparently a sequel was planned, which would explain them), and yet I was able to fill in a likely explanation, from my own imagination. This is the mark of good film making.
There were no fantastic special effects or avant garde techniques. It was straightforward story telling.
I am easily bored, highly critical, and so because I loved this, I am very surprised and had to post about it, in case it might help someone decide to go ahead and see it. Yes, it is well worth it and highly enjoyable. It hails from another era (where the story was more important than the chases and effects).
I am glad it is still available in video, and if I find it in DVD I will buy it because it was a movie I would like to see again. I still think about it - and went to the library to get the book the next day - and that rarely happens with an action movie of this type.
Did you know
- TriviaThe microfiche embedded under Bourne's skin and read by the doctor has the following "GEMEINSCHAFT BANK ZURICH 0.7.17.0.12.14.26.0".
- GoofsWhen Bourne shoots a man on the steps when he's trying to meet up with D'Anjou, you can see wires leading to his 'bullet wounds'
- Quotes
Jason Bourne: Whatever you're getting paid, I'll double it. You were at the bank, you know I can do it.
Gold Glasses: I wouldn't touch your money.
Jason Bourne: Money's money. Why not?
Gold Glasses: Are you serious? Wealth is relative to the time we have to enjoy it. I wouldn't last five minutes.
- ConnectionsFeatured in The 40th Annual Primetime Emmy Awards (1988)
- How many seasons does The Bourne Identity have?Powered by Alexa
Details
- Release date
- Country of origin
- Languages
- Also known as
- Agent ohne Namen
- Filming locations
- St. Ermin's Hotel, 2 Caxton Street, Westminster, Greater London, England, UK(scenes at the fictional Carillon du Lac hotel)
- Production companies
- See more company credits at IMDbPro
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