The life of a working class couple living in London and their complicated relationships with other members of the family.The life of a working class couple living in London and their complicated relationships with other members of the family.The life of a working class couple living in London and their complicated relationships with other members of the family.
- Director
- Writer
- Stars
- Awards
- 6 wins & 6 nominations total
Phil Davis
- Cyril
- (as Philip Davis)
Aidan Harrington
- Man in Street
- (uncredited)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
‘Snow White’ Stars Test Their Wits
Storyline
Did you know
- TriviaBefore High Hopes (1988), director Mike Leigh had made Bleak Moments (1971), released in 1971, and Meantime (1983), released in 1983. This gap in his filmography was attributable in part to his process for creating films: When he applied for financial backing, he did not yet have finished scripts, preferring to allow actors, once they were hired, to use improvisation sessions to create the dialogue. As a result, given the absence of a concrete script, many potential financial backers were reluctant to support Leigh's work. For "High Hopes," that spelled doom until the British TV station Channel 4 stepped in and partially funded it. The result is one of the most moving and engaging films of the 1980s and an early masterwork in Leigh's catalog.
- GoofsAfter they come back from the opera, Lætitia sings the aria "La ci darem" to Rupert, which she claims was from the opera they just saw. They proceed to talk about the characters Susanna and Cherubino. However, these characters are from The Marriage of Figaro whereas the aria "La ci darem" is from Don Giovanni.
- Quotes
Rupert Boothe-Braine: Now... what made this country great was a place for everyone, and everyone in his place. And this is my place.
Featured review
Released in 1988, this is Mike Leigh's (director of Vera Drake) sublime comedy which examines the social climate of 1980s London.
I really liked this film, it centres on one extended family living in London during the Thatcher years. Cyril is a Marxist, who does despite his strong values and views chooses not to act on them, giving the world up for a hopeless cause. His partner, Shirley, desperately wants a baby, despite Cyril's strong views that the world is already "over-populated". Living in the last council house on a now yuppie infested road is Cyril's mum. A member of the generation who has been forgotten, she is slowly losing her marbles, much to the distaste of her neighbours. And as for Cyril's sister, Valerie, who lives in the social climbing climate of the middle class, she has seemingly to forgotten her roots and family ties, no doubt due to her excessive drinking of cheap champagne and her leeching husband.
This film is a brilliant gem of 1980s British cinema, despite its clear socialist values (it's cartoonish portrayal of the rich and yuppie somewhat softens the blow of its left wing message), it brings up so many interesting questions in an intelligent manner, portraying all its characters from a variety of angles and political stances, its hard not to like Cyril, but when he criticises a young 'active' Marxist follower for planning to open a market stall, he is shown to be hypocritical.
Leigh' doesn't just direct, but also write, and the script is water tight. It is extremely witty, just full of emotion and very down to earth.
This film is a very good snap shot of life in a variety of social situations and views in the churning world of the 1980s as the capitalistic London really began to boom. It is a flick that will not doubt have you smiling from cheek to cheek, yet also leave you feeling emotionally vulnerable and self-questioning.
I really liked this film, it centres on one extended family living in London during the Thatcher years. Cyril is a Marxist, who does despite his strong values and views chooses not to act on them, giving the world up for a hopeless cause. His partner, Shirley, desperately wants a baby, despite Cyril's strong views that the world is already "over-populated". Living in the last council house on a now yuppie infested road is Cyril's mum. A member of the generation who has been forgotten, she is slowly losing her marbles, much to the distaste of her neighbours. And as for Cyril's sister, Valerie, who lives in the social climbing climate of the middle class, she has seemingly to forgotten her roots and family ties, no doubt due to her excessive drinking of cheap champagne and her leeching husband.
This film is a brilliant gem of 1980s British cinema, despite its clear socialist values (it's cartoonish portrayal of the rich and yuppie somewhat softens the blow of its left wing message), it brings up so many interesting questions in an intelligent manner, portraying all its characters from a variety of angles and political stances, its hard not to like Cyril, but when he criticises a young 'active' Marxist follower for planning to open a market stall, he is shown to be hypocritical.
Leigh' doesn't just direct, but also write, and the script is water tight. It is extremely witty, just full of emotion and very down to earth.
This film is a very good snap shot of life in a variety of social situations and views in the churning world of the 1980s as the capitalistic London really began to boom. It is a flick that will not doubt have you smiling from cheek to cheek, yet also leave you feeling emotionally vulnerable and self-questioning.
- p_adkins2004
- Mar 10, 2007
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Details
- Release date
- Country of origin
- Languages
- Also known as
- Winter
- Filming locations
- Stanley Passage, King's Cross, London, England, UK(apartment of Ruth Sheen and Philip Davis)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- £1,800,000 (estimated)
- Gross US & Canada
- $1,192,322
- Opening weekend US & Canada
- $27,964
- Feb 26, 1989
- Gross worldwide
- $1,192,322
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