Kill Me Again

1989
18
1h 34m

IMDb RATING

6.3/10

YOUR RATING

Val Kilmer and Joanne Whalley in Kill Me Again (1989)

A young detective becomes involved with a beautiful woman on the run from the mob and her psychopath boyfriend.

Play trailer1:48

1 Video

93 Photos

Erotic Thriller Action Crime Drama Thriller

A young detective becomes involved with a beautiful woman on the run from the mob and her psychopath boyfriend.A young detective becomes involved with a beautiful woman on the run from the mob and her psychopath boyfriend.A young detective becomes involved with a beautiful woman on the run from the mob and her psychopath boyfriend.

See production info at IMDbPro

IMDb RATING

6.3/10

YOUR RATING

See production info at IMDbPro

Awards
- 1 win total

Videos1

Trailer 1:48

Trailer

Photos93

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Storyline

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Did you know

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Trivia
Joanne Whalley's new name "Vera Billings" is a combination of the town (Billings) where writer-director 'Dahl, John' is from, and a girl he dated.

Goofs
The semiautomatic pistol that Fay loads with a fresh clip in the white Cadillac suddenly becomes a revolver when she points it out of the car's window and fires at the police officer following them.

Quotes
Vince Miller: You might live through the rest of the day if you tell me where my money is.

Connections
Featured in Dark and Deadly: 50 Years of Film Noir (1995)

Soundtracks
Still Doin' Time
Written by Michael P. Heeney and John Moffat
Performed by Jackson Leap
Published by Cedarwood Publishing (BMI)

User reviews35

Featured review

9/10

Nifty little flick

What a sexy woman Joanne Whalley is. I can see why Kilmer grabbed her & married her. In this she's the antecedent of the Linda Fiorentino character in Last Seduction, another wondrously sexy wench. John Dahl has a unique & powerful knack for choosing strong actresses & bringing out the universal vixen in them.

The plot's nothing terribly original but it plays its familiar theme with some nice changes & variations. It has that classic quality that the best "noir" films had: it moves right along & keeps you in the center of the action.

One thing I find curious is that no one (to my knowledge) has ever linked the Michael Madsen throat-cutting scene in this film with the Michael Madsen ear-cutting scene in Reservoir Dogs. Give credit where it's due!