Say Anything...

In "Say Anything" Cameron Crowe has crafted a one-of-a-kind romantic comedy which avoids at least 90% of the pitfalls one would commonly associate with films within the genre. How does he do it? Simply by avoiding sappy moments, by creating a script that more or less mirrors the bittersweet experience of first love, and by simply, but tastefully guiding the film's visuals and outstanding acting.

"Say Anything" is not completely anti-conventions, and actually uses some wildly popular rom-com conventions to its advantage, but the role reversal (Dobbler being the 'lost' one), interjection of successfully genuine drama, and simple, understated romantic moments make this a wild success. That's not to say that Crowe isn't successful when he goes for the wildly over-the-top sap, because he knows it's sappy, but it does happen in real life. I mean, the over-the-top gestures like the stereo outside the window do occur in reality, and they guys who do them usually are just like Lloyd Dobbler.

Great characters, a great cast, really good writing, and simple but solid direction make this a real winner that is deservedly recognized as a romantic classic.

8.5/10

I rented this movie solely based on the excellent reviews that it has gotten everywhere. I missed it during its theatrical release (as so many others did) and had the hardest time finding a copy of it at our local video rental stores. Not because it wasn't popular but b/c, according to the clerks, people kept stealing or "losing" their copies...especially around Valentines Day. When I finally got my hands on a copy I was blown away. I had thought this was going to be just another in a long link of Pretty in Pinkish movies with predictable characters and a bad case of puppy love, but what I got was a surprisingly refreshing, unconventional story with a complicated and well-developed emotional depth flawlessly captured by the actors and Cameron Crowe.

And talk about role reversals! I'm so used to seeing the man take the assertive and mature role while courting a woman of limited financial or intellectual means...but in this film it's the girl that's got her future together and the guy who's more than willing to concentrate his attention on making her happy. And Lloyd Dobler isn't just a shiftless man with no future. He's an eternal optimist who lives in the present and recognizes, admires, and compliments the qualities in Diane that go beyond her amazing intellect. She becomes his dare-to-be-great situation and his absolute love and devotion to her is anything but unmanly. The force of it is palatable and immensely erotic without being reduced to cheap teenage lust. The sight of Lloyd in the shadows defiantly blasting out the truth of their love through the boombox is a scene which would have seemed awkward and goofy in any other movie but this one. It's easy to understand why even the critics of the time gave Say Anything two enthusiastic thumbs up. This is one of the few films that really captures the feeling of love.

Cameron Crowe succeeds in creating a vary likeable character dealing with love from afar. Lloyd Dobler, played by John Cusak, is very popular, but without major ambition. He is smitten with the smartest girl in school, played by Ione Skye. Dobler's current main goal in life is to get a date with the object of his obsession.

If you liked the movie PRETTY IN PINK, you will really enjoy this movie. Two people from different walks of life discover each other. Cusak is flawless in his role. Miss Skye is more than just a pretty face. John Mahoney plays the pampering father.

Crowe has a talented flair with the agonizing emotions that are part of approaching adulthood.

SAY ANYTHING is one of those movies from the 1980s that during all these years assumed some sort of cult following, and it's probably Cameron Crowe's most famous movie along with JERRY MAGUIRE. When I saw it few months ago I didn't consider it a classic but still a good movie in its own right.

Lloyd Dobler (John Cusack) is a good-hearted underachiever that falls for valedictorian Diane Court and wants to ask her out despite they belong to different social groups. Lloyd lives with his sister and still hasn't plans for his future: Diane comes from a sheltered academic upbringing, and she is about to take a fellowship in Britain for the summer. Some time pass, they become intimate much to her father's concern, and he is also investigated from the Internal Revenue Service but the real culprit is her dad, and they end up going together in Britain.

There are many good and memorable moments in it (most famous of them, when Lloyd stands under Diane's window playing Peter Gabriel's IN YOUR EYES on a boombox), and has a great 1980s vibe to it and a nice performance by the always good Cusack. The only negative would be the father subplot, but overall, it's just a decent comedy that has achieved some sort of cult status.

Most people I know loved Say anything and I am among the many who thought this was a very good touching, funny movie for teens and young people. It is a bit more wholesome then a lot of what's out there in this genre and although it doesn't rank among my favorite teen movie it definitely earned it's praise.

There are some terrific one liners in Say Anything and the male/female relationship is depicted in a touching and often very accurate-surprisingly accurate way. Plus there are moments of just pure hilarity and unforgettable lines, one of them being what I headed my Quote(my buddy and I still throw this line around to this day.) John Cussack stars here and was very good, it was my introduction to him. I'd recommend this movie to anyone who just wants to see a nice fresh teen movie with both touching and hilarious moments. My vote is 8 out of 10.