A horror film director is stalked by a mad psychiatrist/serial killer bent on killing people to model the killings after the director's gory death scenes from his movies.A horror film director is stalked by a mad psychiatrist/serial killer bent on killing people to model the killings after the director's gory death scenes from his movies.A horror film director is stalked by a mad psychiatrist/serial killer bent on killing people to model the killings after the director's gory death scenes from his movies.
Brett Halsey
- The Monster
- (archive footage)
Ria De Simone
- The Soprano
- (archive footage)
- (as Ria Desimon)
Sacha Darwin
- Woman in Oven
- (archive footage)
Robert Egon
- Second Monster
- (archive footage)
- …
Malisa Longo
- Katya Schwarz
- (as Melissa Lang)
Paola Cozzo
- Nurse Lilly
- (as Judy Morrow)
Adriana Russo
- Nightmare Victim
- (archive footage)
- (as Layla Frank)
Luciana Ottaviani
- Nightmare Victim
- (archive footage)
- (as Georgia Moore)
Paul Muller
- Nightmare Victim
- (archive footage)
Marco Di Stefano
- Nightmare Victim
- (archive footage)
Maurice Poli
- Nightmare Victim
- (archive footage)
Lubka Lenzi
- Nightmare Victim
- (archive footage)
Claudio Aliotti
- Nightmare Victim
- (archive footage)
- (uncredited)
Annie Belle
- Nightmare Victim
- (archive footage)
- (uncredited)
Storyline
Did you know
- TriviaThe original script was 49 pages long and contained no dialogue. It consisted of descriptions of bodily mutilations/imagery and sound effects that would compliment them on screen.
- GoofsWhen one of the victims gets her throat slit with a piano wire, we see blood running from her mouth and onto her chin - however between shots, we don't see the woman spitting up the blood.
- Alternate versionsGerman video version was cut down to 67 minutes but still got a "Not under 18" rating.
- ConnectionsEdited from Sodoma's Ghost (1988)
Featured review
As one who often paid good coin to see Fulci movies during their brief theatrical runs, I can appreciate the guilty pleasure of kicking back to hoot at badly-dubbed sadism and cheesy gore. But I draw the line at clods who insist that Lucio Fulci was some kind of tortured, misunderstood artist. Better you should write theses on the mise-en-scene of AIRPORT 1975, or maybe the underlying theme of ROLLER BOOGIE. There's no doubt Fulci was intending to shock his audience with mean-spirited viciousness; however, his ham-handed obviousness and ineptitude are what make his films "classics". I haven't seen BEATRICE CENCI or that DUCKLING one, so maybe there was some real talent there once. But from ZOMBIE onward, Fulci delivered more unintentional comedy than on-purpose terror. CAT IN THE BRAIN is probably his worst ever, a hopeless porridge of old gore-fx footage spliced into new scenes in an excruciating attempt at a psychological thriller. A horror-film director slowly losing his ability to distinguish reality from fantasy IS a scenario ripe with possibilities: wait till you see how badly this simple-yet-solid premise is botched. Or better yet, take my word for it and pass altogether. I hold no personal animus against the late Fulci, but it irritates me no end that this guy is slowly gaining a reputation as some kind of great Italian moviemaker - mostly from lazy gorehounds who can't be bothered to check out De Sica, Rossellini, Visconti or legit horror masters like Bava and Freda. Maybe CAT IN THE BRAIN isn't representative of Fulci's best -he was in failing health at the time- but I've seen his other "triumphs" and his only genius was in aiming low - and missing.
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Details
- Release date
- Country of origin
- Language
- Also known as
- Cat in the Brain
- Filming locations
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $100,000 (estimated)
- Runtime1 hour 33 minutes
- Aspect ratio
- 1.66 : 1
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