The head of a cyborg reactivates, rebuilds itself, and goes on a violent rampage in a space marine's girlfriend's apartment.The head of a cyborg reactivates, rebuilds itself, and goes on a violent rampage in a space marine's girlfriend's apartment.The head of a cyborg reactivates, rebuilds itself, and goes on a violent rampage in a space marine's girlfriend's apartment.
- Awards
- 3 wins & 4 nominations total
Susie Savage
- Chinese Family
- (as Susie Ng)
Featured review
I saw this movie in the theater the week it opened way back when. It was a very, very late showing, and there were approximately five other people in the theater. Two walked out during the film. As the film credits rolled, the two women sitting next to us said, "My god! That was the worst film I have ever seen!" My only thoughts were, "They have not seen Starcrash!"
Both my friend and I loved Hardware. I introduced my SO to it this weekend, and he loved it. I think what I like about it is that it's a small movie that manages to execute its space perfectly. The universe of Hardware is dark, dirty, claustrophobic (without being small). The narrative is pure dystopia, which fits very well with the droid gone wild theme. The droid is so unrelenting, as is the dreariness of existence in this post apocalyptic space. I like how tight the movie is. I also like how clean the narrative is. There isn't any extraneous fluff.
I think this movie will appeal to the slightly more sophisticated film lover. It doesn't have big movie pretensions. Hollywood did not destroy this movie. The symbolism is far more subtle than in big productions. The pacing is also different. I loved the slow buildup.
This movie worked, but it's not an easy movie. If you're willing to work a little with a movie that doesn't have the big movie facade of Terminator II or Independence Day, and you enjoy dystopic science fiction, I think you will like this one.
Both my friend and I loved Hardware. I introduced my SO to it this weekend, and he loved it. I think what I like about it is that it's a small movie that manages to execute its space perfectly. The universe of Hardware is dark, dirty, claustrophobic (without being small). The narrative is pure dystopia, which fits very well with the droid gone wild theme. The droid is so unrelenting, as is the dreariness of existence in this post apocalyptic space. I like how tight the movie is. I also like how clean the narrative is. There isn't any extraneous fluff.
I think this movie will appeal to the slightly more sophisticated film lover. It doesn't have big movie pretensions. Hollywood did not destroy this movie. The symbolism is far more subtle than in big productions. The pacing is also different. I loved the slow buildup.
This movie worked, but it's not an easy movie. If you're willing to work a little with a movie that doesn't have the big movie facade of Terminator II or Independence Day, and you enjoy dystopic science fiction, I think you will like this one.
Storyline
Did you know
- TriviaThe nomad who unearths the MARK-13 robot is played by Carl McCoy, lead singer of the goth rock band Fields of the Nephilim, for whom Richard Stanley had previously directed two music videos and designed an album cover. According to him, McCoy's character in "Hardware" is basically the same as it was in the Nephilim work. The character, then titled Preacher Man, had a prosthetic hand, yellow contact lenses and wore an old black coat with a cowboy hat.
- GoofsWhen the droid rebuilds itself, it picks up a circular saw. When it uses that circular saw as a weapon later, it is completely different design, with an all different cutting disk.
- Alternate versionsThe film was heavily cut to receive an M rating for its Australian theatrical run. The cuts were later restored for the R rated video release.
- ConnectionsEdited into Brave (1994)
- SoundtracksThe Order of Death
Written by John Lydon, Keith Levene and Martin Atkins
Performed by Public Image Ltd.
Published by EMI Songs Ltd/Virgin Music (Publishers) Ltd/Complete Music Ltd.
Details
- Release date
- Country of origin
- Languages
- Also known as
- M.A.R.K. 13 - Hardware
- Filming locations
- London, England, UK(The derelict Round House Theatre, the nearby grand Union Canal, the lobby of the former Astoria Cinema in Finsbury Park)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $1,500,000 (estimated)
- Gross US & Canada
- $5,728,953
- Opening weekend US & Canada
- $2,381,285
- Sep 16, 1990
- Gross worldwide
- $5,728,953
- Runtime1 hour 34 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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