The head of a cyborg reactivates, rebuilds itself, and goes on a violent rampage in a space marine's girlfriend's apartment.The head of a cyborg reactivates, rebuilds itself, and goes on a violent rampage in a space marine's girlfriend's apartment.The head of a cyborg reactivates, rebuilds itself, and goes on a violent rampage in a space marine's girlfriend's apartment.
- Awards
- 3 wins & 4 nominations total
Susie Savage
- Chinese Family
- (as Susie Ng)
Featured review
Five out of ten stars is generous because this movie doesn't deliver on what it offers- a suspenseful fight for survival against a murderous monster fashioned from our own technology. The movie is set the better part of a century into our future. It is a future where humanity has nearly rendered the Earth uninhabitable by war and pollution. Life goes on, though. Huddling in their fortified and environmentally controlled shelters, pockets of humanity hang grimly onto life. Some occasionally go forth into the desert wasteland to scavenge what they can. One such scavenger unwittingly brings back a dangerous relic of the wars- a combat robot. Within the human compound- rather implausibly- the robot comes to life....
Thus ends the promising description on the VHS cassette case. And most viewers will be saving a good hour and a half of their lives if they stop right now and contemplate what a cool, suspenseful, and, yes, poignantly ironic story this movie could have been because, chances are, their imagination will be far more entertaining than what they'll get out of this movie. The acting was unconvincing, the plot ragged and badly tempoed, the special effects were not that effective. Worst of all, perhaps, what was supposed to be artistry and novel ingenuity came off as just plain weirdness for the sake of weirdness.
On the other hand, the film's music and scenery both did their parts to give the movie a definite "feel". As I watched it, I felt that the world in the movie was real, consistent, and believable. While hardly superb, these two aspects of the movie were, by far, the movie's high points and something cyberpunk aficionados could probably appreciate- so long as plot, acting, and dramatic tension aren't essential to enjoyment. Judging by the reviews of 9 and 10 out of ten, they were not needed hardly at all by plenty of viewers.
I give this movie eight out of ten for ambiance, music, and premise, and two out of five for acting, plot and story- they really were pretty abysmal. The quality of photography, editing, nor sound were not remarkable to me so don't influence my 5 out of 10. Only devoted future-punk or cyberpunk or post-apocalyptic sci-fi fans should give this film any consideration. I think just about everyone else will find the film pretty silly and boring.
Thus ends the promising description on the VHS cassette case. And most viewers will be saving a good hour and a half of their lives if they stop right now and contemplate what a cool, suspenseful, and, yes, poignantly ironic story this movie could have been because, chances are, their imagination will be far more entertaining than what they'll get out of this movie. The acting was unconvincing, the plot ragged and badly tempoed, the special effects were not that effective. Worst of all, perhaps, what was supposed to be artistry and novel ingenuity came off as just plain weirdness for the sake of weirdness.
On the other hand, the film's music and scenery both did their parts to give the movie a definite "feel". As I watched it, I felt that the world in the movie was real, consistent, and believable. While hardly superb, these two aspects of the movie were, by far, the movie's high points and something cyberpunk aficionados could probably appreciate- so long as plot, acting, and dramatic tension aren't essential to enjoyment. Judging by the reviews of 9 and 10 out of ten, they were not needed hardly at all by plenty of viewers.
I give this movie eight out of ten for ambiance, music, and premise, and two out of five for acting, plot and story- they really were pretty abysmal. The quality of photography, editing, nor sound were not remarkable to me so don't influence my 5 out of 10. Only devoted future-punk or cyberpunk or post-apocalyptic sci-fi fans should give this film any consideration. I think just about everyone else will find the film pretty silly and boring.
Storyline
Did you know
- TriviaThe nomad who unearths the MARK-13 robot is played by Carl McCoy, lead singer of the goth rock band Fields of the Nephilim, for whom Richard Stanley had previously directed two music videos and designed an album cover. According to him, McCoy's character in "Hardware" is basically the same as it was in the Nephilim work. The character, then titled Preacher Man, had a prosthetic hand, yellow contact lenses and wore an old black coat with a cowboy hat.
- GoofsWhen the droid rebuilds itself, it picks up a circular saw. When it uses that circular saw as a weapon later, it is completely different design, with an all different cutting disk.
- Alternate versionsThe film was heavily cut to receive an M rating for its Australian theatrical run. The cuts were later restored for the R rated video release.
- ConnectionsEdited into Brave (1994)
- SoundtracksThe Order of Death
Written by John Lydon, Keith Levene and Martin Atkins
Performed by Public Image Ltd.
Published by EMI Songs Ltd/Virgin Music (Publishers) Ltd/Complete Music Ltd.
Details
- Release date
- Country of origin
- Languages
- Also known as
- M.A.R.K. 13 - Hardware
- Filming locations
- London, England, UK(The derelict Round House Theatre, the nearby grand Union Canal, the lobby of the former Astoria Cinema in Finsbury Park)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $1,500,000 (estimated)
- Gross US & Canada
- $5,728,953
- Opening weekend US & Canada
- $2,381,285
- Sep 16, 1990
- Gross worldwide
- $5,728,953
- Runtime1 hour 34 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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