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Spike Lee, Tommy Redmond Hicks, Tracy Camilla Johns, and John Canada Terrell in She's Gotta Have It (1986)

Metacritic reviews

She's Gotta Have It

79

Metascore

11 reviews · Provided by Metacritic.com
  • 90
    Los Angeles TimesMichael Wilmington
    Los Angeles TimesMichael Wilmington
    Spike Lee's She's Gotta Have It is a joyfully idiosyncratic little jazz-burst of a film, full of sensuous melody, witty chops and hot licks
  • 90
    Chicago Reader
    Chicago Reader
    Made for less than $30,000, Lee's first feature poses him as a rival to Woody Allen, nearly equaling him in psychological authenticity, perhaps bettering him in virtuosity and sheer creative glee.
  • 88
    Slant MagazineEric Henderson
    Slant MagazineEric Henderson
    Lee’s first film statement conveys the communal experience.
  • 83
    The A.V. ClubNoel Murray
    The A.V. ClubNoel Murray
    From the jump, She's Gotta Have It announced that it wasn't going to define black life in terms of crime and poverty, just as it wasn't going to bind independent filmmaking to moribund realism.
  • 80
    Time Out London
    Time Out London
    Structurally, it could be compared to Kurosawa's Rashomon for its subjective cross-examination of Nola's loves; but this delightful low-budget comedy, with its all black cast and black humour, is 100 per cent Lee.
  • 80
    Washington PostPaul Attanasio
    Washington PostPaul Attanasio
    She's Gotta Have It is Spike Lee's impressive first feature, discursive, jazzy, vibrant with sex and funny as heck. [22 Aug 1986, p.D1]
  • 75
    Chicago TribuneGene Siskel
    Chicago TribuneGene Siskel
    Featuring an all-black cast, this little film is a revelation, primarily because it provides black faces with the most natural dialogue they've had in years. She`s Gotta Have It is neither a crime story nor a heavy message movie, and the conversations in it are therefore free of the shackles of most minority-oriented stories.
  • 70
    The New York Times
    The New York Times
    These people are not victims of blind forces; they make choices, defend them and grow in understanding, not always happily, as a result. Their story would be more enjoyable in a more polished film, but it has a power that is not dissipated by this one's weaknesses.
  • 60
    TV Guide Magazine
    TV Guide Magazine
    Although the film's small budget and tight shooting schedule (lensed in 15 days on Super 16mm) is betrayed by sloppy editing, unpolished sound and an occasional flat performance, particularly Johns in the lead role, She's Gotta Have It still bursts with the energy and technical command that have quickly established Lee as a major force in American cinema.
  • 60
    Variety
    Variety
    This worthy but flawed attempt to examine an independent young woman of the 1980s was lensed, in Super 16mm, in 15 days but doesn’t appear jerrybuilt.
  • See all 11 reviews on Metacritic.com
  • See all external reviews for She's Gotta Have It

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