IMDb RATING
4.6/10
1.1K
YOUR RATING
On Christmas Eve Johnny Modine's father is murdered by a psycho cut-throat. The cop swears bloody revenge, though he's taken off the case. He doesn't suspect yet that he's also target in a d... Read allOn Christmas Eve Johnny Modine's father is murdered by a psycho cut-throat. The cop swears bloody revenge, though he's taken off the case. He doesn't suspect yet that he's also target in a diabolic plan of revenge.On Christmas Eve Johnny Modine's father is murdered by a psycho cut-throat. The cop swears bloody revenge, though he's taken off the case. He doesn't suspect yet that he's also target in a diabolic plan of revenge.
Heidi Kozak Haddad
- Gang Girl
- (as Heidi Kozak)
Featured reviews
It's safe to say this isn't quite what I expected. The antagonist played by Jonathan Banks has had little time on screen even as the halfway point rolls around, except primarily for the scene of violence that kicks off the plot. Meanwhile, the film carries itself with an oddly light tone, such that there's a lot of humor sprinkled liberally throughout - more than is characteristic for any such thriller. The romantic element is even more contrived than we get from most movies, and not written very well in the first place; the protagonist and his buddy are even more free-wheeling, endangering civilians, than is true of most Hollywood cops, let alone real-life cops. And through all this, plot develops rather slowly, with only scattered beats advancing the story even heading into the last third of the runtime.
I don't think 'Cold steel' is outright bad. The cast, and Dorothy Ann Puzo's direction, are mostly fine. The crew behind the scenes put in good work, stunts and effects not least of all (though one effect employed at T-15 minutes is astoundingly weak). The writing, however, is something else altogether. The characters, dialogue, and scene writing are middling, and kind of unconvincing, and the overall tale suffers as a result. This definitely goes for the plot development, too - slow in the first two-thirds as noted, even in the last act something just feels very "off" about it. And the linchpin of the feature, the background we get early in the last act that ties all the pieces together, is maybe the flimsiest part of all, in every regard. Or is it the climax?
It feels more earnestly like a thriller than some of its brethren can claim, despite the weird levity throughout much of the runtime. Yet it's a thriller in which the writing is strangely hollow and questionable, and from one moment to the next I can't decide which aspect of the screenplay is the most troubled; it looks good on the surface, but meaningful substance is missing. 'Cold steel' is entertaining on some level, but it's the type of entertainment whereby anything will suffice to pass the time, sans active engagement - and as if to emphasize the point, the action-filled climax really should be fun, but instead it sort of Just Is.
Look, I don't hate this. But every time I think the picture is breaking even, cynicism rears its head once more. It's decent enough for a lazy day if you come across it, and perhaps most recommendable for fans of those involved. Don't go out of your way, though, because 'Cold steel' is a thriller that can't quite gel into a complete, satisfying whole.
I don't think 'Cold steel' is outright bad. The cast, and Dorothy Ann Puzo's direction, are mostly fine. The crew behind the scenes put in good work, stunts and effects not least of all (though one effect employed at T-15 minutes is astoundingly weak). The writing, however, is something else altogether. The characters, dialogue, and scene writing are middling, and kind of unconvincing, and the overall tale suffers as a result. This definitely goes for the plot development, too - slow in the first two-thirds as noted, even in the last act something just feels very "off" about it. And the linchpin of the feature, the background we get early in the last act that ties all the pieces together, is maybe the flimsiest part of all, in every regard. Or is it the climax?
It feels more earnestly like a thriller than some of its brethren can claim, despite the weird levity throughout much of the runtime. Yet it's a thriller in which the writing is strangely hollow and questionable, and from one moment to the next I can't decide which aspect of the screenplay is the most troubled; it looks good on the surface, but meaningful substance is missing. 'Cold steel' is entertaining on some level, but it's the type of entertainment whereby anything will suffice to pass the time, sans active engagement - and as if to emphasize the point, the action-filled climax really should be fun, but instead it sort of Just Is.
Look, I don't hate this. But every time I think the picture is breaking even, cynicism rears its head once more. It's decent enough for a lazy day if you come across it, and perhaps most recommendable for fans of those involved. Don't go out of your way, though, because 'Cold steel' is a thriller that can't quite gel into a complete, satisfying whole.
Brad Davis plays a cop here tracking down his fathers killer, and on occasion has various encounters with defiant vending machines. Jonathan Banks shows his versatility by giving the same dry performance were all accustomed to, despite an unusual vocal disposition. Oh, and then there's Sharon Stone,
no surprises here. Director Puzo tries to show some visual flair with gravity defying slow-motion car jump's, a la' Blues Brothers, and it comes off just as silly. The films sports cliché' locations and situations, routine acting, and the occasional twist here and there, but really, nothing ever leaves the realm of the status quo. Even the off-casting of Adam Ant couldn't help rise this mediocre entry above it's ilk.
Thats what it received from critics and audiences alike . Except for the over the top violence quota, COLD STEEL is a revenge cop caper more suited to television than general release, which was at best - limited to say the least.
Jonathan Banks, a Frank Stallone look-alike of sorts, gives us a hammy performance as Iceman, who knocks off Brad Davis's dad who understandably then, carries a grudge against the knife-wielding maniac until the last scene.
Sharon Stone's contribution is negligible except for her figure and regularly thrust-forward breasts! Not a solitary viewer's life could be greatly enriched by watching this under-achiever of a movie.
Jonathan Banks, a Frank Stallone look-alike of sorts, gives us a hammy performance as Iceman, who knocks off Brad Davis's dad who understandably then, carries a grudge against the knife-wielding maniac until the last scene.
Sharon Stone's contribution is negligible except for her figure and regularly thrust-forward breasts! Not a solitary viewer's life could be greatly enriched by watching this under-achiever of a movie.
Adam Ant rocked. He always does. Sharon Stone played Sharon Stone (I forgive her for her poor acting, the part was *horridly* written. She deserved better.) Jonathan Banks was fairly good as the evil Iceman (who comes up with these names??), but with better writing he would have been far more impressive. Bad writing sums this film up. And Brad Davis' flat acting and monotonous character didn't help the matter much. There were some really amusing scenes (including the battle with the drinks machine, and the bad fish episode;), and some really fun artillery. And of course, the red-blooded male in me enjoyed seeing the lovely Sharon Stone baring all in her pre-gravity days. But it wasn't enough to save this second-rate CHiPs wannabe. 4/10.
Police detective Johnny Modine (Brad Davis) gets a bad Christmas surprise. His father opens his store to Dorian "Mick" Michael Duran (Adam Ant) and gets killed by Isaac "Iceman" (Jonathan Banks). One night, Kathy Connors (Sharon Stone) shows up in the cop bar and starts talking to Johnny. As he investigates, he finds a group of men with a vendetta against him.
Once upon a time, Brad Davis was a rising star, but he never got to A-list status. In this one, he's trying very hard and maybe too hard. Everything in the movie is a little over the top and not well done. It does have some interesting side characters including Sharon Stone as the femme fatale. According to the movie posters, she is the big selling point. It also has Jonathan freaking Banks and Adam Ant. Banks is a legend and Adam Ant is a forgotten name from the 80's. The vending machine gag is not funny and they repeat it. The movie keeps trying for comedy and it rarely works. They do like their car stunts and it's fun to see all the cars flipping around in the air. This is a poor action movie, but it does have a couple of fun scenes.
Once upon a time, Brad Davis was a rising star, but he never got to A-list status. In this one, he's trying very hard and maybe too hard. Everything in the movie is a little over the top and not well done. It does have some interesting side characters including Sharon Stone as the femme fatale. According to the movie posters, she is the big selling point. It also has Jonathan freaking Banks and Adam Ant. Banks is a legend and Adam Ant is a forgotten name from the 80's. The vending machine gag is not funny and they repeat it. The movie keeps trying for comedy and it rarely works. They do like their car stunts and it's fun to see all the cars flipping around in the air. This is a poor action movie, but it does have a couple of fun scenes.
Did you know
- TriviaAnthony LaPaglia's movie debut.
- GoofsAll entries contain spoilers
- ConnectionsReferenced in 976-EVIL (1988)
- How long is Cold Steel?Powered by Alexa
Details
Box office
- Gross US & Canada
- $285,885
- Opening weekend US & Canada
- $137,186
- Dec 13, 1987
- Gross worldwide
- $285,885
- Runtime1 hour 31 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
Contribute to this page
Suggest an edit or add missing content