Cop

Cop is based on the book 'Blood and the Moon' by James Ellroy. I have not read the book that the film is based on; although I am a big fan of the first three books in Ellroy's 'L.A. Quartet'. It is often said of Ellroy that his writing got better as it went along; and assuming that this film is closely based on the book, I would say that there's a good chance that is true as the story here is not exactly solid. The entire film hinges on one major and quite unbelievable coincidence that boggles the mind if you care to think about it. However, it's the style and atmosphere that saves it; and that's the main reason I loved this film! The plot focuses on your everyday hard-bitten cop, Lloyd Hopkins, who after investigating the murder of a woman in Los Angeles, comes to believe that a serial killer may be operating in the area. Naturally, the police captain doesn't believe a word of it and Lloyd is forced to investigate on his own; leading him to a revelation closer to home than he was expecting.

Director James B. Harris creates a fabulous atmosphere for the film to take place in and ensures that L.A. seems to be every bit the gritty and sleazy location needed to facilitate a tale like this. Similarly, James Woods fits the central role like a glove and is always believable in the role; even when the plot is getting out of hand. The first half of the film is really rather good and plausible; but then the twist hits and it really requires a suspension of disbelief from the viewer. It's not that the twist could not happen; it's more the way that it does happen which comes off as silly. It's just far too convenient and the whole film is turned on its head from that point on. Still, the atmosphere is retained and the story continues to be gripping; which are the film's strongest elements. Certain elements of the film are rather nasty, and indeed the book was originally denied by many different publishers for being too graphic! Still, a lot of it focuses on dialogue and from what I know of Ellroy, this part of the film is quite faithful. It all boils down to a rather hurried and coincidental ending; but I really do feel that this is a film where the style of it is much more important than the plot line. For some it will no doubt be too much of a problem...but I wouldn't hesitate to recommend this to anyone that enjoys a good crime thriller!

Well, if you're a James Woods fan (which to me is the real reason to rent this) then you will love him in this movie. I haven't read the novel but I liked both this movie & Ellroy's L.A. Confidential. It is rare indeed to take a novel & translate it to the screen without losing something. Perhaps I'm lucky because I never read either novel before seeing the film.

One of the reasons I watch this movie over & over again is that it IS funny yet disturbingly dark at times. In one scene where Woods is trying to get laid by an uptight bisexual poetess, you can just see the boredom & apathy on his face as she drones on & on about her " knight in shining armor." This ties in with an opening scene when he's trying to convince his soon to be estranged wife that it's better NOT to delude their daughter with fairy tales that is just AWESOME writing. I cannot paraphrase it all, but he basically says that innocence kills. The idea that some man will come along to make it perfect is what kills deluded women. Which ties into the story because he ends up on a case that turns out to be a serial killer who specializes in killing innocent women.

There are some parts that are slow but over all this movie is well paced w/great actors and great acting. This movie is just as gripping as Training Day, just less well known. Either way, give it a try, you won't be disappointed if you like James Woods.

If you are a big fan of James Wood's work than please go to your video store right now and rent this gem. You see I'm more into the performance side of a film, not the writing or story (even though it does help). Trust me, you've seen it all before. An over-the-top detective (Woods) gets caught up in a murder case which takes over his professional and private life. With the clues stacking up, Woods begins to believe that he is not only dealing with a murderer but a serial killer as well, who preys on females. This opinion on the matter doesn't sit well with his captain or coworkers, except one, a long time friend named Dutch. As the film moves along you begin to notice that Woods is a womanizer who usually ends up in bed with the witnesses. Everything Woods did made me laugh. I know this probably isn't "right" of me but he is just so FUNNY!! Even in a serious murder mystery such as this, I still can't help it. This film also contains one of the quickest endings I've seen in a long time. It's great!! Trust me though, I won't give it away. Thanks for reading.

Based on the James Ellroy novel "Blood on the Moon", James Woods is LAPD detective Lloyd Hopkins who discovers the terribly mutilated corpse of a young woman and immediately starts comparing the scene with previously unsolved murders. He becomes convinced a serial killer is at work here, preying on women for the last fifteen years. Soon, more gruesome murders occur and detective Hopkins becomes a target himself. Detective Hopkins is the kind of amoral sleazeball that makes Dirty Harry seem like a little angel in comparison. He's the kind of cop that blows your date away, leaves his partner to clear the mess and then asks the woman if she needs a ride home and have some fun.

James Woods also co-produced with director James B. Harris, long time buddy of Stanley Kubrick and producer of THE KILLING (1957), PATHS OF GLORY 1958) and LOLITA (1962), who also wrote the script for this hard-edged cop thriller. I made the mistake expecting a really good film, mostly based on Woods' presence, the writings of James Ellroy, and Kubrick sidekick James B. Harris taking the directorial helm, but Harris hardly shines in that department. His direction is adequate, but not much more. Best to watch this as a gritty cop flick, trashy, cynical and sometimes a bit silly with plenty of misguided attempts at humor on account of leading man James Woods, always a plus, in any film. It's a reasonably well-executed cop thriller, but no classic. Expect an enjoyable slice of B-movie nonsense and you probably won't be disappointed.

Camera Obscura --- 7/10

If you want to watch a cool movie, I suggest you see it. James Woods did a great job as a hard egotistical cop out to solve a serial killing. Maybe it is like other cop thrillers, but this was made a while back before a lot of others. So, if you're not a 'critic' I'd say it's nothing short of intriguing. I came away saying "it was a good movie," a couple of times.