Poison Ivy

First, I have to say that I seriously enjoyed this film. These 90s dark twisted thrillers are extremely appealing to me. I was mesmerized by Drew Barrymore's character. From the minute she appears you sort of intuit that she has ulterior motives for every little thing she does until it becomes obvious what her intentions really are. I was fascinated by her performance, because you don't usually get to see her play these type of characters and she does it incredibly well. I kept thinking about her character in Never Been Kissed, reflecting on her abilities to interpret such polar opposites. She completely steals the film with her intoxicating and sensual presence, spreading her poison all across the other characters, who at first are clearly charmed by her bewitching personality.

I was rather surprised by some of the sex scenes involved, I was not expecting them to have such an explicit tone, but I assume that is to shock viewers and to show how far Ivy was willing to go to get what she wanted. Sara Gilbert and Tom Skerritt played their parts really well, adding even more depth to Barrymore's own performance.

I loved the ending, it was a satisfying conclusion and it made me want to watch the other Poison Ivy entries, but somehow I doubt they will match the rather morbid intensity and sinister atmosphere of this one.

Drew Barrymore plays Ivy a Lolita-like teen that gradually moves in with a shy reclusive classmate Sylvie(Sara Gilbert)and the presence of the streetwise Ivy starts a chain reaction of mixed emotions. Sylvie's self destructive mother(Cheryl Ladd)is jealous of her husband's(Tom Skerritt) reaction to Ivy's seductive ways. Soon he is hooked and can't get enough of the perverse teen. Questions arise concerning the death of Sylvie's mother about the time Sylvie realizes what is going on between her father and Ivy.

My favorite scene is the sultry love making in the rain on the car hood. It is hard to tell who is seducing who. The 17 year old Barrymore is hypnotic. I couldn't take my eyes off of her. Kudos to Katt Shea for directing this erotic thriller. Note: Look for a young Leonardo DiCaprio.

Drew Barrymore turns in the most memorable performance of her career, in this strange, beautifully filmed tale of betrayal and teenage alienation. The introverted Sylvie meets the mysterious Ivy at the posh private school they attend, and become fast friends. It seems Sylvie idolizes Ivy just a bit, for her beauty and fearless, outgoing style. And Ivy, coming from a broken home, begins to envy Sylvies life, as Sylvie lives in a gorgeous home, and has a mother and father who care deeply for her. The tale is more sad than suspenseful, and this is more of a teen drama than 'an erotic thriller. The friendship that develops between the two girls is done in a very believable way, and it is sad when things begin to go wrong, and it becomes clear that Ivy has some deep emotional problems. The plot here is not so original, but so many elements elevate 'Poison ivy' above other films of this type. The acting all around is impressive; Cheryl Ladd is beautifully fragile as the sick, bed-ridden mother, and the relationship that develops between her and her daughter's mysterious friend is touching, as the two look very similar. It is obvious that when 'Georgie' looks at 'Ivy' she is reminded of her own youth, and her own days of being wild. And this is how the connection develops between the mother and Ivy. The daughter unfortunately is unable to connect with her own mom, as the two are so different. 'Gerorgie,' like Ivy, is blond, pretty, and glamorous, while Sylvie is mousy-haired and wears glasses. This causes immediate, but subtle tension between the two girls from the outset. Tom Skeritt is perfect as the brooding, wounded husband, who feels abandoned by a wife who has given up on living. This fact makes him easy prey for Ivy as well, whose desire to become a part of this family soon escalates to a disturbing level. Sara Gilbert is likewise perfectly cast as the shy but intelligent Sylvie. So much attention is paid to small details, which is so important with films of this sort. Ivy's tattoo, which turns out to be fake, and the Egyptian eye that is shaved into Sylvie's scalp, gives these characters depth. The film possesses a strong, atmospheric tone, and Ivy's strange, childlike sexuality has an almost hypnotic quality about it. The background music as well, is lush, and darkly romantic. And many scenes are absolute eye candy, and truly erotic. Among them, the scene where Tom Skeritt's character 'takes' Ivy on the hood of his Mercedes in the forest, while the rain pours down and that haunting melody plays; classic. And the film succeeds in being erotic without being very graphic, and this is not easy to accomplish. I was lucky to see this in the theater, and was happy to find the DVD, which contains both versions of the movie, the theatrical, 'R' rated version, and a slightly more graphic unrated edition. There were some sequels to this, that were released straight to video, and are, not surprisingly, terrible exploitation trash that has nothing to do with this legitimate film. 'Poison Ivy" is an above average 'teen angst' film, and deals effectively with it's subject matter. Recommended, especially for fans of Drew Barrymore. Fans who are only familiar with her more recent films will be amazed at how great she is, and how amazing she looks, in this very special film.

Drew Barrymore performs excellent in this movie, she plays the role of a seductress quite well, from the first scene with her friend's dad to the last seen. The most Important is the way the characters are portrayed, the direction is superb.

Nabokov's Lolita used the affections of a fawning, elderly man (her stepfather) for her own purposes--which never amounted to much more than sex and cash. It only figures that today's Lolita would be dressed to kill, literally. As Drew Barrymore plays her here, she's a sexy homicidal figure with maternal delusions. "Poison Ivy" begins rather endearingly, with high school outcast Sara Gilbert (looking like the modern equivalent of a teen beatnik) befriended by a striking blonde student with lots o' leg and a fake tattoo. This wanton woman-child has no name; Gilbert calls her "Ivy" and Barrymore likes that ("It gives me the opportunity to start over," she says). The tone of the picture shifts however before the midway point, with Ivy infiltrating Gilbert's dysfunctional household and seducing dad Tom Skerritt (doing terrific work). Gilbert's narration--and the surreal jumble which becomes the hectic climax--is rather off-putting, but there's a great deal of worth in Barrymore's solid performance. The film is stylish on a low-budget and is actually steamier than "Nine 1/2 Weeks". Yet, it's really two different pictures struggling within the context of one. A stronger screenplay might've brought the two halves together, although, as the director, Katt Shea Ruben manages to come up with a commendable amount of incidents both amusing and titillating. ** from ****