A security pro finds his past returning to haunt him when he and his unique team are tasked with retrieving a particularly important item.A security pro finds his past returning to haunt him when he and his unique team are tasked with retrieving a particularly important item.A security pro finds his past returning to haunt him when he and his unique team are tasked with retrieving a particularly important item.
- Director
- Writers
- Stars
- Awards
- 2 nominations total
Jo Marr
- College-Aged Cosmo
- (as Jojo Marr)
- Director
- Writers
- All cast & crew
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Featured reviews
Given that this came out in 1992, the level of technology in it is amazing. I watched this twice, the latest in 1999, and still am amazed at some of the things they can do with computers. Of course, some hacking techniques are commonplace and outdated now, but it is still engrossing to see these acts in action.
Watching it a second time gives you a sense of perspective though. Back then, to think that a chip that can control the world was preposterous, but now, with almost everything microchip-controlled, and the ubiquity of the Internet, that thought is not too farfetched.
Talking in movie terms, this ranks as one of the better ones that center around computers. There is some solid acting, and though there are sub-plots within the main plot, they do not grow so much so as to overwhelm the main storyline, which is basically a group of men hired to find the chip-that-controls-everything.
Watching it a second time gives you a sense of perspective though. Back then, to think that a chip that can control the world was preposterous, but now, with almost everything microchip-controlled, and the ubiquity of the Internet, that thought is not too farfetched.
Talking in movie terms, this ranks as one of the better ones that center around computers. There is some solid acting, and though there are sub-plots within the main plot, they do not grow so much so as to overwhelm the main storyline, which is basically a group of men hired to find the chip-that-controls-everything.
A friend and I were discussing River Phoenix yesterday so last night I decided to watch this movie again for the first time in a while. Let me put this out there first. This isnt an Oscar movie but its really fun. Also for 1992 the technology they are showing didn't exist. There is a lot of "you couldnt do that in 1969/1992 on the internet". Those are my only criticisms. That being said a better cast cannot be found. Its got heavy hitters. The chemistry is great. The pacing is well done. I can watch this over and over. Whats disturbing is how well.it actually forecasts the role of data in our lives now. Theres actually dialog that gets very Edward Snowden-ish that I didn't catch in the 90's or early 2000s. But is so in your face in 2021. That being said I would so watch it again.
10tek-9
I was saddened that this movie had such a low rating. I've watched it many, many times over the years, and it continues to entertain. It is, perhaps, the last good "hacker" film (well, 23 (1998) also comes to mind, but that isn't widely available in English).
The math is believable (Janek's lecture makes sense), as is the technology (except for the Hollywood-ish decryption displays -- but that's forgivable). The characters are among the most realistic in any of these movies (with the exception of Joey the lamer in Hackers (1995) -- most accurate character in a hacking movie I've seen yet). They're each composites of well-known people from the 80s security scene. The techniques they use are the techniques of the business, especially in that era.
Now that computers have become such a big thing, I don't think it would be possible for Hollywood to produce another movie like this. Anything made now would have to be far more glamorous and unrealistic.
What's this movie got, if you don't care about any of that stuff? It's tremendously funny, cleverly written (every scene works overtime to say and do more than one thing), and beautifully shot and scored. (The opening scene and transition is wonderful) The acting is priceless. I've never met someone who didn't love this film. See it.
The math is believable (Janek's lecture makes sense), as is the technology (except for the Hollywood-ish decryption displays -- but that's forgivable). The characters are among the most realistic in any of these movies (with the exception of Joey the lamer in Hackers (1995) -- most accurate character in a hacking movie I've seen yet). They're each composites of well-known people from the 80s security scene. The techniques they use are the techniques of the business, especially in that era.
Now that computers have become such a big thing, I don't think it would be possible for Hollywood to produce another movie like this. Anything made now would have to be far more glamorous and unrealistic.
What's this movie got, if you don't care about any of that stuff? It's tremendously funny, cleverly written (every scene works overtime to say and do more than one thing), and beautifully shot and scored. (The opening scene and transition is wonderful) The acting is priceless. I've never met someone who didn't love this film. See it.
At a key point in the plot, the device that might be able to get past any computer encrypted password needs to be tested. Carl (River Phoenix) is asked what is the hardest computer to hack into, "give me the number for something impossible to access." He answers, "The Federal Reserve transfer node, Culpeper, Virginia." Mother (Dan Aykroyd) adds, "900 billion a day goes through there."
Between December 10, 1969 and July 1992, this same building in Culpeper housed four computers through which the majority of transactions of the 5,700 US banks were processed. It was also a bomb bunker that stored about four billion dollars cash. These cash reserves and computers could be used to keep business transactions going on throughout the eastern half of the United States in the event that Washington DC was bombed in a nuclear war making cash there radioactive and unusable. Interestingly this build was decommissioned in June of 1992 just months before the film "Sneakers" opened in September of 1992. Since 2007 this building has been home to the National Audio-Visual Conservation Center at the Packard Campus of the Library of Congress where over 6 million items of the nation's audio recordings, television and motion pictures are stored and preserved, including the copyright print of "Sneakers."
Between December 10, 1969 and July 1992, this same building in Culpeper housed four computers through which the majority of transactions of the 5,700 US banks were processed. It was also a bomb bunker that stored about four billion dollars cash. These cash reserves and computers could be used to keep business transactions going on throughout the eastern half of the United States in the event that Washington DC was bombed in a nuclear war making cash there radioactive and unusable. Interestingly this build was decommissioned in June of 1992 just months before the film "Sneakers" opened in September of 1992. Since 2007 this building has been home to the National Audio-Visual Conservation Center at the Packard Campus of the Library of Congress where over 6 million items of the nation's audio recordings, television and motion pictures are stored and preserved, including the copyright print of "Sneakers."
Sneakers is, and has been, one of my favorite movies for years. I saw it on Showtime, and I had to buy it on VHS. Soon after the release of DVD, I bought the DVD version and I watch it ALL the time. This movie is awesome in all aspects. I love the cast, and I love the music. I have the soundtrack on CD, and Branford Marsalis on sax adds so much to the movie and its entire mood. As for the story...funny, exciting, thought- provoking. I made a comment about the visuals, I think they were exciting as well. The camera shots and all, hard to explain, but I love it. I especially love the shots at the start of the movie in the snow, that scene as a whole, camera angles, music, lighting---awesome. What I don't get about the movie is this---how come Redford has to ask his off and on "girlfriend" what encryption is? I thought he was a hacker!? There are a few other times in the movie where he and his "crew" ask questions about computer subjects it seems they should know everything about. I never understood that. Well, that's that....I think the movie is a must see.
Did you know
- TriviaWhen Martin (Robert Redford) and Cosmo (Sir Ben Kingsley) attempt their initial prank at the beginning of the movie, the façade building seen is the famous Hill Valley clock tower from the Back to the Future (1985) trilogy.
- GoofsThe ceiling tiles that Martin and Carl use to move around above the floors in the Playtronics building are the hanging type, quite fragile like cardboard and would not be able to support an adult's full body weight.
- Crazy creditsIn the theatrical trailer, the case members' names were first presented as anagrams, then rearranged to spell correctly. They were: fort red border - Robert Redford a york dandy - Dan Aykroyd kneel by sing - Ben Kingsely carney mend moll - Mary McDonnell rionveih irnep - River Phoenix I edit spin yore - Sidney Poitier ad variant thirds - David Strathairn
- Alternate versionsThe line "Who's going to save the world Marty? Greenpeace?" in the dubbed Spanish version (DVD) becomes "Who's going to save the world Marty? The military?"
- ConnectionsEdited into The Green Fog (2017)
- SoundtracksReally
Written by Mike Bloomfield & Al Kooper
Performed by Mike Bloomfield, Al Kooper & Stephen Stills (as Steven Stills)
Courtesy of Columbia Records
By Arrangement with Sony Music Licensing
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Details
- Release date
- Country of origin
- Languages
- Also known as
- Héroes Por Azar
- Filming locations
- Countrywide Home Loans Corporate Headquarters, Simi Valley, California, USA("Playtronics Corporate Headquarters")
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $23,000,000 (estimated)
- Gross US & Canada
- $51,432,691
- Opening weekend US & Canada
- $10,031,145
- Sep 13, 1992
- Gross worldwide
- $105,232,691
- Runtime2 hours 6 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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