The Piano

There's no doubt The Piano is beautiful. The opening scene of the sailors carrying Ada and her beloved instrument onto the beach amidst the crashing waves is stunning; there are many shots like this, that show the awesomeness of the natural world, often as a reflection of the protagonist's emotional state.

I found the story to be less compelling however. It's slow, sparse on dialogue and doesn't give much information about the mute protagonist, like what her wants or fears are. I didn't find her particularly likeable.

There is also the matter of those awful Scottish accents; Why are American actors so bad at accents?

Even less convincing is the love story between Ada (Hunter) and George (Keitel). I felt there was zero chemistry between them; Keitel is such a lump of a man, I don't know why they couldn't have found someone more dashing for the role. His character, George, is so plain and boring, there's nothing about his personality that entices. It seemed silly to me that Ada would allow herself to be persuaded into bed with him, especially when his initial attempts at seduction were so blunt and rape-y. The love scenes left me cold.

It was the visuals and the haunting atmosphere that sustained me to the end. I can see why it gets praise from critics, but I can also see why it wasn't hugely successful with the general public. It just doesn't have the emotional power to match the cinematography.

Jane Campion is a director of quiet unease. I was not a big admirer of her "Angel At My Table", which had enormous possibilities but was suffocated under the filmmaker's penchant for what I refer to as 'ugly beauty'. Even the beautiful passages in this film are undermined by either something ghastly, something about to become ghastly, or something borne from ghastliness. A New Zealand woman in the 1800s becomes a mail-order bride for an uninterested working man; she's a self-elected mute and communicates through her wizened little daughter (Oscar-winner Anna Pacquin, a bit over-the-top) and through her passion for playing the piano, which becomes a point of contention in her marriage. Engrossing human drama with a torrid undercurrent of sexuality and violence. Many people I've talked to about this film could not get with it, but perhaps that's the fault of watching movies at home. In the theater, this was a slightly-dazed, rapturous and enveloping brew that held me spellbound until the lights went up. Movies like this don't hold the same spell when butchered up by ads for the CBS comedies. Holly Hunter, Sam Neill and, most especially, Harvey Keitel all do terrific work. Hunter deservedly won a Best Actress Oscar. ***1/2 from ****

If one wants to see true acting, just watch Hollie Hunter in this film. She does more with her facial expressions than twenty actors can with a thousand words. Her stature, her presence, her determination are so intense. One could feel sorry for her in places. She has been ripped from her world for reasons we cannot fathom. She has been deemed expendable. When she arrives she expects to be treated properly. Anna Paquin as her daughter settles into the new environment and begins to prosper. But it is not without sacrifice. The piano is the symbol of what was left behind. Her affair with the Maori is partly passion, partly payment. We never know how much of each. The performances are stunning across the board and, this time, worthy of Academy Awards.

There are some very sensual scenes and scenes of great danger. There is pain inflicted and selfishness and power. Hollie Hunter rises above it all and makes her way through this quagmire (the rainy muddy jungle in this case), and arises, victorious in her own fashion.

The Piano is a beautiful film in many different respects. In terms of cinematography, I've seen few like it. It is dark and beautiful and compelling. The story seems, on paper, as a torrid love story without much originality. But the sensuous portrayal of Harvey Keitel and Holly Hunter and the complex acting of a young Anna Paquin allow this story to ring true. I was skeptical upon viewing a film so lauded by critics and film snobs, but found myself both moved and connected to the film that holds strangely relevant themes for modern times. It is rare that I love both a film's visual beauty and it's script as well. This is that rare occasion.

Isn't it extraordinary how our opinions can change over time ,well mine anyway. After so many positive comments by people who list this film as one of their all time favourites I thought I should watch The Piano written and directed by New Zealander Jane Campion. It must be over 30 years ago that I first saw The Piano and It was like seeing it for the first time today .I don't know why I disliked it back then ,there were a lot of changes going on in my life but today I can only praise this film and I'm so glad I was curious enough to revisit it. There has been so much critical praise heaped on "The Piano "I won't add much except to praise the genius of Jane Campion ,the entire cast and technical personnel ,especially the camera people and film editors not only is it the greatest film to be produced in New Zealand but it holds its own with any film anywhere on earth. The year it was made 1994 The Piano was up against very stiff Hollywood competition with Stephen Spielberg 'S brilliant film "Schindler's List" if not for that I suspect I'm not the only one to think "The Piano " also would have one Best Picture and Best Director it thoroughly deserved it's 7 nominations and 3 wins.

It's a beautiful film to watch of course the breathtakingly beautiful misty forests and sea scapes of New Zealand . The emotional impact of Holly Hunter's Academy Award winning performance as Ada ( who doesn't have a line of dialogue except subconscious narrative ) and of course Anna Paquin as her precocious adult child daughter Flora are superb . Anna was only one year older than Tatum O'Neil the youngest Oscar winner and has had a much more impressive film career than Tatum since her win. The actors Sam Neil as Alisdair ,Ada's patient but ineffectual husband and Harvey Keitel as George Barnes the lonely overseer with a vivid fantasy emotional life are also very impressive in these roles . I did wonder if the few sexual scenes could be filmed as convincingly in today's ME Too World ? the actors would have to follow much stricter guidelines I suspect.

Finally I guess I'm writing this to encourage anyone who feels very strongly about or dislike a much praised movie to keep an open mind and give it another chance as I did the reward was worth it. Ps the music of course by Michael Nyman adds to the enjoyment but it's Director and writer Jane Campion who has produced a film where even the title "The Piano." An inanimate object becomes almost a living character that determines all the main characters fate and destiny.