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7.9/10
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New York police Detectives J.C. Williams, and Eddie Torres try to balance their stressful work duties with their own personal demands. Their boss, Lt. Virginia Cooper, is tough but fair in h... Read allNew York police Detectives J.C. Williams, and Eddie Torres try to balance their stressful work duties with their own personal demands. Their boss, Lt. Virginia Cooper, is tough but fair in her assignments.New York police Detectives J.C. Williams, and Eddie Torres try to balance their stressful work duties with their own personal demands. Their boss, Lt. Virginia Cooper, is tough but fair in her assignments.
- Awards
- 9 wins & 16 nominations total
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I thought this show was very good. When I saw the first season, I was somewhat iffy about where it was going. The next season they added the beautiful Lauren Velez, and I think it was then that the show took off. I became a New York Undercover addict! I even enjoyed the episodes in which they brought in Detective Macnamara, played by Jonathan LaPaglia. The next thing I know, New York Undercover just went down hill due to the killing off of the characters Torres and Macnamara. I thought for sure that the season after Macnamara was introduced, that it would get better just as the show always seemed to do at the start of every new season. Well, Mr. Wolf handed fans a HUGE disappointment. I agree with the person who stated that this show could have survived at least two or three more seasons had they kept the Eddie Torres character. Dick Wolf should have seen disaster on the rise. Viewers were used to seeing Torres and Williams. You can't kill off one of the lead characters and expect to have a chance at good ratings. Not only did they kill off Torres and Macnamara, but they killed the spirit of the show. Tommy Ford as Lt. Barker looked more like a pimp than a cop. And who were these other rejects? Even Lt. Cooper left the show. I think fans only watched the very FIRST episode of the last season because they wanted to know if in fact Torres' character was really dead. Once they found out, that was it. Dick Wolf has learned his lesson I'm sure. When you've got a good thing, keep it the way it is. Nobody likes drastic changes to something that they're used to. He's learning that with Law & Order.
This was one of those unique shows that should have acquired more praise. While white-dominated cop shows seem to be the norm, this show broke new ground with a diverse cast and minority related issues. Sadly, the whiteness of Hollywood was far too much to overcome in regards to the shelf life of this show. Malik Yoba and Michael DeLorenzo were especially excellent in this series, demonstrating their talent as they were constantly torn between race, culture and the police force. I especially felt the opening montages to the show provided quite a trademark within the series, using no words and only the pulsating beats of contemporary hip-hop and R&B artists to tell the story in a neo-silent film fashion. Whenever I can catch this show at 1 a.m. (and this is only on the weekends), I am rarely disappointed.
I am currently streaming NYU on Peacock and this show is EXCELLENT. I'm not sure who or why they inexplicably destroyed this show by killing Det. Torres and adding McNamara, and then axing Lt. Cooper. It appears that it intentionally harsh...they way they killed off Torres. I only watched like 2 episodes of season 4., and I guess everybody else agreed that season 4 was awful since there are only 13 episodes 😂. I've read that this show was the number one show in Black & Hispanic households and I believe it! The show had action, strained relationships, a dysfunctional family...it has it all. I don't think a reboot could recapture this magic.
Show ruined in 4th season. Recently watched on Prime and the shows vibe drastically changed direction in the 4th season. I believe this was why in was canceled. Despite the last episode of season 3 being awesome and the first episode of season 4 action packed it lost it's appeal. It was if someone wanted it to be less ethnic and more main stream suburbia. The shows core was rooted in urban music, social economic hurdles, cultural differences, and complex dynamics of relationships encompassing the aforementioned. There are uncomfortable subjects and points of view in the series, but nothing outside the realm of reality. There were plenty of cop shows during that time depicting other ethnic and none ethnic groups. Why mess up a good thing....but the network did and the show never recovered. The show during it's time was a great starting point for exposing up and coming talent to a larger audience. So many actors and actresses show up in the episodes which makes it fun and interesting to watch. In the end, I'd still watch NYU knowing what I know. Kind of like life; you know you're going to get old if you life long enough and you know it'll suck, but you enjoy it as long as you can anyway.
Dick Wolf struck gold in this 90s drama centering around the personal and professional lives of two New York cops. Realistic, gritty, clever, and so hip it was almost ahead of its own time, New York Undercover did for inner city minorities what the Cosby show did for middle class minorities in the 80s and 90s: It depicted strong non-stereotypical characters living through reality.
Guest stars, particularly musical guest stars, were the punch-line to almost every episode; the smooth buttercream frosting on the cake. And Natalie's was the perfect place to showcase all the talent. Gladys Knight, B.B. King, Notorious B.I.G.--on any given night anyone could be at Natalie's--and you sure didn't want to miss it. In fact, the way the characters flocked to Natalie's provided a fun parallel for the way we all flocked each week to the show. Smiles on our faces, ready to be entertained, wondering what was in store tonight. And who could forget Ice T's non-musical stint as the deliciously criminal Danny-Up? I never have, and probably never will, see a television villain more believable and more entertaining than this one, and the story line he brought to the show was a masterpiece.
It was hard to see the show go. Possibly even harder, though, was that last season after Detective Torres was killed off and they tried to revamp the show into something else. New characters, new focuses, a new feel. It had lost its spark, its magic. The lights were dimming, the music had stopped. It was time to go. I like to imagine the season before that as having been the last one. Watching Eddie die, seeing J.C.'s face, knowing what it all meant. Those were the characters we loved and the ones we would miss because we knew them. Dick Wolf, you did something right, and thanks for that. It WAS hard to see the show go. But it's just like leaving the club: it was a wonderful night and you're tired, but that last song is still in your head. And you can't stop singing it.
Guest stars, particularly musical guest stars, were the punch-line to almost every episode; the smooth buttercream frosting on the cake. And Natalie's was the perfect place to showcase all the talent. Gladys Knight, B.B. King, Notorious B.I.G.--on any given night anyone could be at Natalie's--and you sure didn't want to miss it. In fact, the way the characters flocked to Natalie's provided a fun parallel for the way we all flocked each week to the show. Smiles on our faces, ready to be entertained, wondering what was in store tonight. And who could forget Ice T's non-musical stint as the deliciously criminal Danny-Up? I never have, and probably never will, see a television villain more believable and more entertaining than this one, and the story line he brought to the show was a masterpiece.
It was hard to see the show go. Possibly even harder, though, was that last season after Detective Torres was killed off and they tried to revamp the show into something else. New characters, new focuses, a new feel. It had lost its spark, its magic. The lights were dimming, the music had stopped. It was time to go. I like to imagine the season before that as having been the last one. Watching Eddie die, seeing J.C.'s face, knowing what it all meant. Those were the characters we loved and the ones we would miss because we knew them. Dick Wolf, you did something right, and thanks for that. It WAS hard to see the show go. But it's just like leaving the club: it was a wonderful night and you're tired, but that last song is still in your head. And you can't stop singing it.
Did you know
- TriviaArtists featured on this show included Teena Marie, 112, Aaliyah, Erykah Badu, George Benson, Mary J. Blige, Bone Thugs-N-Harmony, Boyz II Men, Brandy, Brownstone, Tevin Campbell, Chuck D, George Clinton & The P-Funk All-Stars, Celia Cruz, Johnny Gill, Groove Theory, Montell Jordan, Usher Chaka Khan, Gladys Knight, Amel Larrieux, Levert, Monifah, Aaron Neville, New Edition, The Notorious B.I.G., The O'Jays, Tito Puente, The Temptations, Xscape, and many others. The two exceptions were a first-season episode, wherein The Notorious B.I.G. performed at a rap concert, and the two-episode third-season premiere, wherein Kirk Franklin and the Family portrayed a church choir.
- Quotes
Moreno: Did you sleep with her?
Eddie Torres: I don't think you would call what we did sleeping.
- Crazy creditsOn most episodes of the series, there's live performances of various artists singing positive songs during the end credits.
- ConnectionsFeatured in FOX 25th Anniversary Special (2012)
- SoundtracksAfter The Love Has Gone
Performed by 112
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