IMDb RATING
6.4/10
2.9K
YOUR RATING
When a police detective thinks he is dying and learns that his life insurance pays out more if he dies in the line of duty, he tries to make that happen.When a police detective thinks he is dying and learns that his life insurance pays out more if he dies in the line of duty, he tries to make that happen.When a police detective thinks he is dying and learns that his life insurance pays out more if he dies in the line of duty, he tries to make that happen.
Dee Jay Jackson
- Spivak
- (as Deejay Jackson)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Burt Coleman is a police officer who is about to retire and is of course extra careful to prevent anything from happening to him before then, that all changes when he is accidentally diagnosed with a terminal illness during a routine check-up at the hospital and he wrongly thinks he only has a few days to live.
However, for the payment of his police life insurance he has to die in service so he takes all the risks and takes on the most dangerous police tasks to ensure that his family can collect the insurance money.
Often more drama than humor but the humor moments are entertaining.
Otherwise a somewhat different buddy cop film with some spectacular chases but not too exaggerated.
Terri garr is as always good casted as his wife.
However, for the payment of his police life insurance he has to die in service so he takes all the risks and takes on the most dangerous police tasks to ensure that his family can collect the insurance money.
Often more drama than humor but the humor moments are entertaining.
Otherwise a somewhat different buddy cop film with some spectacular chases but not too exaggerated.
Terri garr is as always good casted as his wife.
Soon to be retired Seattle Police Detective Burt Simpson (Dabney Coleman) is a fastidious man who makes it a point to keep his risks low and his plans high often to the annoyance of his best friend and partner Ernie Dills (Matt Frewer). When Burt goes in for some routine bloodwork as a pre-requisite for life insurance, a mix-up with another patient results in Burt being misdiagnosed with a terminal illness that will kill him in mere weeks. Wanting to provide for his ex-wife Carolyn (Teri Garr) and son Dougie (Kaj-Erik Eriksen), Burt pulls double duty in the hopes that taking on more dangerous criminals will lead to the lucrative payout for his survivors should he be killed in the line of duty. This puts him on a collision course with psychotic arms dealer Carl Stark (Xander Berkeley) who has stolen a large number of high end military weaponry.
Short Time is a 1990 action-comedy and directorial debut of Gregg Champion who'd previously worked as a producer on films such as Blue Thunder, Short Circuit, and Stakeout. Written by first time writers John Blumenthal and Michael Berry, the movie was filmed in Canada with a $9 million budget. When the film was released in May of 1990, it opened at #10 behind a number of holdovers such as Teenage Mutant Ninja Turtles, Pretty Woman, as well as the opening of Tales from the Darkside the movie and disappeared from theaters within two weeks. Critical reception was equally frosty with critics deriding the premise and Siskel & Ebert even called it one of the worst films of the year. For me personally I think the film has a really solid premise for a dark comedy, but it doesn't execute it all that well but I do recommend the movie because it is carried by Dabney Coleman's performance in the lead and some solid work by the ensemble.
Dabney Coleman is simultaneously really good in the movie as well as the primary reason it doesn't work. There's a sincerity to Coleman in all of his performances that the material surrounding him, regardless of the quality, never snuffs out (save for Hot to Trot, but that was doomed from the get go). Coleman is just really likable as an actor and while he is playing a typical straight laced cop archetype you do get very sincere scenes from Coleman with Frewer, Garr, and Eriksen as his best friend, ex-wife, and son respectively and you do find yourself getting invested in Burt as a character because of that sincerity. The movie also features some solid stunt and action work, particularly a lengthy car chase sequence where Burt engages in a high speed pursuit to ridiculous degrees as his vehicle deteriorates more and more as the chase goes on as he tries to goad the crooks into killing him.
Despite Coleman being very good in the movie, this leads to the major issue with the premise: Namely that it feels like it's played too light and too soft for material that when you step back and look at it is quite cruel and mean and is begging for the type of "black as pitch" humor you'd expect from Coen Brothers or Danny DeVito. The scenes where Burt realizes all his planning for his son's future and his retirement are out the window are quite sad and the moments of emotionally vulnerability like where he talks down a suicide bomber are played straight (and quite well) by Coleman but Coleman's so likable as a character that it becomes uncomfortable to laugh at the scenes where he's trying to get himself killed (he even goes to lengths to make sure there's no innocents or collateral damage). If the movie had been about a corrupt cop who was estranged from his ex-wife and son played by someone like Jack Nicholson or Harvey Keitel maybe the movie would've played better to critics and audiences as a way of stomaching the material. As is, Short Time plays itself like a conventional cop action-comedy that just happens to have a morbid premise.
I enjoyed Short Time for things that did genuinely work, but considering the rather bouncy and zany way the marketing pitched this movie only for audiences and critics to be subjected to scenes of genuine sadness crudely mixed in with buddy cop conventions of the era it makes sense to a degree why critics and audiences rejected the film. I certainly don't agree with Siskel and Ebert's assertion of this being one of the worst movies of 1990 (it probably wouldn't even make it to the top 30 of exclusively theatrical releases), but when the marketing promises a zanier experience than you get it can give the audience a sense of whiplash. Taken on its own and with the performances you get some really good moments, but it doesn't play them as well as they should.
Short Time is a 1990 action-comedy and directorial debut of Gregg Champion who'd previously worked as a producer on films such as Blue Thunder, Short Circuit, and Stakeout. Written by first time writers John Blumenthal and Michael Berry, the movie was filmed in Canada with a $9 million budget. When the film was released in May of 1990, it opened at #10 behind a number of holdovers such as Teenage Mutant Ninja Turtles, Pretty Woman, as well as the opening of Tales from the Darkside the movie and disappeared from theaters within two weeks. Critical reception was equally frosty with critics deriding the premise and Siskel & Ebert even called it one of the worst films of the year. For me personally I think the film has a really solid premise for a dark comedy, but it doesn't execute it all that well but I do recommend the movie because it is carried by Dabney Coleman's performance in the lead and some solid work by the ensemble.
Dabney Coleman is simultaneously really good in the movie as well as the primary reason it doesn't work. There's a sincerity to Coleman in all of his performances that the material surrounding him, regardless of the quality, never snuffs out (save for Hot to Trot, but that was doomed from the get go). Coleman is just really likable as an actor and while he is playing a typical straight laced cop archetype you do get very sincere scenes from Coleman with Frewer, Garr, and Eriksen as his best friend, ex-wife, and son respectively and you do find yourself getting invested in Burt as a character because of that sincerity. The movie also features some solid stunt and action work, particularly a lengthy car chase sequence where Burt engages in a high speed pursuit to ridiculous degrees as his vehicle deteriorates more and more as the chase goes on as he tries to goad the crooks into killing him.
Despite Coleman being very good in the movie, this leads to the major issue with the premise: Namely that it feels like it's played too light and too soft for material that when you step back and look at it is quite cruel and mean and is begging for the type of "black as pitch" humor you'd expect from Coen Brothers or Danny DeVito. The scenes where Burt realizes all his planning for his son's future and his retirement are out the window are quite sad and the moments of emotionally vulnerability like where he talks down a suicide bomber are played straight (and quite well) by Coleman but Coleman's so likable as a character that it becomes uncomfortable to laugh at the scenes where he's trying to get himself killed (he even goes to lengths to make sure there's no innocents or collateral damage). If the movie had been about a corrupt cop who was estranged from his ex-wife and son played by someone like Jack Nicholson or Harvey Keitel maybe the movie would've played better to critics and audiences as a way of stomaching the material. As is, Short Time plays itself like a conventional cop action-comedy that just happens to have a morbid premise.
I enjoyed Short Time for things that did genuinely work, but considering the rather bouncy and zany way the marketing pitched this movie only for audiences and critics to be subjected to scenes of genuine sadness crudely mixed in with buddy cop conventions of the era it makes sense to a degree why critics and audiences rejected the film. I certainly don't agree with Siskel and Ebert's assertion of this being one of the worst movies of 1990 (it probably wouldn't even make it to the top 30 of exclusively theatrical releases), but when the marketing promises a zanier experience than you get it can give the audience a sense of whiplash. Taken on its own and with the performances you get some really good moments, but it doesn't play them as well as they should.
As another user has said, this is some of Coleman's best work. An overlooked film for a bland plot and story, this film gives Coleman a place to shine. To be sure, the acting of the others is very good, as well, and they deserve credit for a job well done, but this is obviously his film. I spotted this film on network television and I usually avoid films with commercial interruptions, but I like DC and gave it a shot for him. I am very glad that I did. He pulls this film up by it's bootstraps from a two to a six. 6 of 10
I first saw this movie First Choice (at the time Canada's HBO) in the early 90's and immediately fell in love with it. Now in my mid 30's I have been lucky enough to find it on DVD to add to my collection. I am very happy as I understand that it is a hard to find DVD and I stumbled across it on amazon one day.
If you are lucky enough to be able to view this movie on DVD or on cable or whatever, have a look. I think just about anybody could enjoy this film as it is able to be very entertaining without being overly vulgar or violent.
This is a funny story about a cop who's physical results are mixed up with another patient and he is told that he is going to die in a short time. He then finds out that his life insurance only pays out if he dies on the job. You can imagine where it goes from there. This movie is funny from start to finish and is worth a look from any movie fan.
If you are lucky enough to be able to view this movie on DVD or on cable or whatever, have a look. I think just about anybody could enjoy this film as it is able to be very entertaining without being overly vulgar or violent.
This is a funny story about a cop who's physical results are mixed up with another patient and he is told that he is going to die in a short time. He then finds out that his life insurance only pays out if he dies on the job. You can imagine where it goes from there. This movie is funny from start to finish and is worth a look from any movie fan.
This movie is plain, simple, fun. It doesn't leave you breathless with suspense, or on the edge of your seat with your heart pounding. But for those who don't enjoy all the smut, violence, and potty mouth movies we've been inundated with in the past several years, its a winner. Dabney Coleman plays the part well. First, he is soon to retire from police work, and understandably doesn't want to risk his neck and lose it just before he retires. However, this all changes when he is told he has just a short time to live. Wanting nothing more than to leave his family some security, he begins his unsuccessful quest to get himself killed on the job, only to find out its harder than he thought it would be. This is a movie that does not require anyone to swim through the gray area of a controversial issue. It's just plain entertaining.
Did you know
- TriviaThe building at the climax of the movie is the same one used in the climax of True Lies (1994) and many of the shots are similar to this later film.
- GoofsDuring the car chase underneath the elevated roadway, even the other cars not involved in the chase are running the stop signs.
- SoundtracksRoll With It
Performed by Steve Winwood & Kaj-Erik Eriksen
Written by Steve Winwood (uncredited), Will Jennings (uncredited), Eddie Holland (uncredited), Brian Holland (uncredited) and Lamont Dozier (uncredited)
Courtesy of Virgin Records Limited
Details
- Release date
- Countries of origin
- Language
- Also known as
- Zoraki Kahraman
- Filming locations
- New Westminster, British Columbia, Canada(chase scene)
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $9,000,000 (estimated)
- Gross US & Canada
- $4,010,647
- Opening weekend US & Canada
- $1,237,211
- May 6, 1990
- Gross worldwide
- $4,010,647
- Runtime1 hour 37 minutes
- Color
- Aspect ratio
- 1.85 : 1
Contribute to this page
Suggest an edit or add missing content