IMDb RATING
6.1/10
2.1K
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New Orleans, 1951: A law student, working at WXBU radio station, falls in love with his cute aunt, who's looking for a third husband. Then Pedro starts writing radio series at WXBU, stirring... Read allNew Orleans, 1951: A law student, working at WXBU radio station, falls in love with his cute aunt, who's looking for a third husband. Then Pedro starts writing radio series at WXBU, stirring up things.New Orleans, 1951: A law student, working at WXBU radio station, falls in love with his cute aunt, who's looking for a third husband. Then Pedro starts writing radio series at WXBU, stirring up things.
- Awards
- 2 wins total
Anna Thomson
- Faith Hope
- (as Anna Levine Thomson)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
This was my first Peter Falk movie and I certainly hope it won't be my last. I saw "Tune in Tomorrow" to see Barbara Hershey (a favorite actress of mine) but was completely taken with this funny, eccentric middle-aged man looking like either a French maid or a Jewish rabbi. The plotline was charming and the characters were cute...Simply that. Don't expect a whole lot out of "Tune in Tomorrow" because when you see it, it'll then blow you away. Keanu looked so young! Besides that, it was a very VERY funny movie with a lot of "Paris When it Sizzles" type fluff added to it. Very sweet. 9/10
Why is a movie funny? The plot? The actors? The director? All of the above? I cannot answer but "Aunt Julia..." surely gathers all of them and must be one of the most hilarious movies I have ever seen. I cannot stop laughing when thinking of Peter Falk disguised as a fireman explaining why men have to hate other men. A truly special film.
I thoroughly enjoyed this movie. The jokes about Albanians were hilarious and Peter Falk's character was the most ridiculous. Just one person creating so many multi dimensional characters. Especially the fire scene. Very dramatic.
Keanu Reeves and Barbara Hershey play very good characters with romantic interests in each other. Well you end up rooting for Keanu's character since he has such an endearing innocence. The backdrop, scenery and the costumes are very colorful and convincing.
The movie is a great joy to watch. It brings light to a entertainment medium that is hard to imagine in this digital age.
10curaceau
Whenever I think of extremely underrated movies, Tune in Tomorrow always comes to mind. Barbara Hershey, Peter Falk and Keanu Reeves all shine in their leading roles. The luminous and hilarious supporting cast showcases Patricia Clarkson, Peter Gallagher, Elizabeth McGovern and John Larroquette like you've never seen them before. This ensemble is one of the best that I've encountered on screen and makes me wish they gave out awards for supporting casts.
The movie might not be everyone's cup of sweet tea but it's a gem, nonetheless. Even if the story doesn't tickle your heart, the movie is definitely worth catching for the Wynton Marsalis score and the classic images of a pre-Katrina New Orleans.
The movie might not be everyone's cup of sweet tea but it's a gem, nonetheless. Even if the story doesn't tickle your heart, the movie is definitely worth catching for the Wynton Marsalis score and the classic images of a pre-Katrina New Orleans.
Nothing is more exciting to Pedro Carmichael than "reality impacting." It happens when the radio serial he writes offends Albanians who picket the station and attack the diminutive scenarist in the street, and it happens when a young news writer falls in love with his sexy aunt, a situation bearing similarities to the latest storyline from Carmichael's prolific pen. Reality impacts a little too much for the couple, however, when their words and actions turn up on the radio exactly as they were played out in their lives.
The premise of "Tune in Tomorrow..." is one that could certainly be the springboard for some first-rate comedy and if it had been written by someone as imaginative as the writer portrayed in the film by Peter Falk, it might have been just that. Instead, the movie sputters along, never quite catching fire, except literally at the conclusion when those fed up Albanians bomb the station.
The cast is almost perfect. Almost, you say? Two words: Keanu Reeves. Affecting a less than convincing Southern accent, Reeves is as dull here as he's been in most of his films. Barbara Hershey is fine as his sexy aunt,
and in the strictly imaginary visual reenactments of the radio soap operas, John Larroquete, Buck Henry, Dan Hadeya, Henry Gibson, Peter Gallagher, and Elizabeth McGovern are terrific. The star of this show, however, is Peter Falk who saves "Tune in Tomorrow..." from being a total misfire with a wonderfully eccentric performance. As Carmichael, Falk dresses up as a maid, surgeon, rabbi, fireman, and cardinal, all in an effort to create new characters from a base of reality. Falk rates a solid four stars. The movie only rates two and a half.
The premise of "Tune in Tomorrow..." is one that could certainly be the springboard for some first-rate comedy and if it had been written by someone as imaginative as the writer portrayed in the film by Peter Falk, it might have been just that. Instead, the movie sputters along, never quite catching fire, except literally at the conclusion when those fed up Albanians bomb the station.
The cast is almost perfect. Almost, you say? Two words: Keanu Reeves. Affecting a less than convincing Southern accent, Reeves is as dull here as he's been in most of his films. Barbara Hershey is fine as his sexy aunt,
and in the strictly imaginary visual reenactments of the radio soap operas, John Larroquete, Buck Henry, Dan Hadeya, Henry Gibson, Peter Gallagher, and Elizabeth McGovern are terrific. The star of this show, however, is Peter Falk who saves "Tune in Tomorrow..." from being a total misfire with a wonderfully eccentric performance. As Carmichael, Falk dresses up as a maid, surgeon, rabbi, fireman, and cardinal, all in an effort to create new characters from a base of reality. Falk rates a solid four stars. The movie only rates two and a half.
Did you know
- Quotes
Pedro Carmichael: Life is a shitstorm, and when it's raining shit the best umbrella is art.
- Crazy creditsThe opening credits are read over the radio instead of being shown.
- ConnectionsFeatured in Siskel & Ebert & the Movies: Silent Classics (1990)
- SoundtracksChewin' Fat
Written by Wynton Marsalis
Performed by Wynton Marsalis and His Band
Featuring Johnny Adams
- How long is Tune in Tomorrow...?Powered by Alexa
Details
Box office
- Budget
- $11,000,000 (estimated)
- Gross US & Canada
- $1,794,001
- Opening weekend US & Canada
- $62,747
- Oct 28, 1990
- Gross worldwide
- $1,794,001
- Runtime1 hour 47 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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Top Gap
By what name was Aunt Julia and the Scriptwriter (1990) officially released in India in English?
Answer