Robin Hood: Prince of Thieves

The summer of 1991 was a lousy one for movies; there were only a few that stood out amid dozens of crummy releases. The only movies that summer that I admired were 'Terminator 2,' 'Thelma & Louise,' and this one, which still stands as one of the most entertaining action-adventure movies I've seen.

No, it isn't a masterpiece, on any level. Yes, I realize that Kevin Costner lacks a satisfactory British accent (he doesn't even attempt one). But the movie is still a fun, rip-roaring piece of escapism, sort of like 'Raiders of the Lost Ark,' only without the special effects.

Costner may seem miscast as Robin of Locksley, but there's no doubt that he had the physicality and screen presence to convincingly hold our attention as a larger-than-life hero. He'd just come off 'Dances With Wolves,' and so it was a thrill to see him on horseback again (it still is, in 'Open Range'). I'm willing to concede that he's no Olivier, but in the action hero mold, he still cut an exciting figure.

I also enjoyed Alan Rickman's great, over-the-top portrayal of the Sheriff of Nottingham. Out of place? You betcha. Fun? Funny? Wicked? Hey, that's why we pay admission.

The sets are all dank and gloomy and wonderful. The action is well-staged and had audiences on their feet all those years ago. Sherwood Forest is appropriately dense and spooky-looking. OK, so the movie has Christian Slater in it. I didn't say it was perfect.

'Robin Hood' marked the beginning of the end of Kevin Costner's unanimous popularity with audiences. Everyone started playing the part of Hollywood bean-counter and worrying about 'Waterworld's' budget. But you know what I like about both these movies? No CGI. I am sick and tired of CGI movies. Popping the deluxe 'Robin Hood' DVD into the old player is a refreshing treat and a thumb in the eye of digital junk like 'Pirates of the Caribbean.'

I don't really like Keven Costner but I like him a far sight better than I do Russel Crowe, and while his movies do tend towards the "revisionist" style, there is something to be said for this version of Robin Hood. I will freely admit the Errol Flynn version is superior in story but this movie has style where it may lack substance.

Apparently, Kevin Costner does not know how to pull off a character with such depth and range as Robin Hood. Whether he lacks the ability to interpret the character or just lacks as an actor I have never cared enough to determine but his failings are upheld widely by the team of Alan Rickman and Michael Wincott who absolutely steal the show.

This is not to say that this version of the story is without merit. It is worth seeing if only for Morgan Freeman, Wincott, and Rickman. And I'll guarantee you that this version will absolutely SHINE in comparison to Crowe's Nottingham (due out 2010). Honestly, the only actor MORE wrong for Robin Hood than Kevin Costner is Russell Crowe. Oy.

All in all? This is dark and sweeping. It is fun and entertaining and I LIKE IT!

It rates a 6.8/10 from...

the Fiend :.

Two reasons to watch this film:

1) Alan Rickman

2) Robin and Marian falling into each other's arms, oh so dramatic, and he says in a very guttural/passionate Kevin Costner way, "I would die for you." Almost as good as Kevin Kline in "French Kiss," when he runs up to Meg Ryan in the hotel and says "I want you..." giving this little hand gesture which makes it obvious to everyone except Kate that Luc has surrendered to her charms.

In conclusion: a terrifically unerring cheesy romantic drama/comedy, with a hint of Christian Slater bad boy and a dash of Morgan Freeman cool. If you've still got the thirteen year old girl within, give it a shot. If not, Alan Rickman's still awesome.

Robin Hood: Prince of Thieves was one of the best films of 1991, a triumph even over the special effects hype of Terminator 2: Judgement Day.

Despite the critics' complete and utter distaste for the film, I found it fun, well-acted, and fast-paced. Great performances abound including Morgan Freeman as the Moorish warrior Azeem, Alan Rickman as the hysterical Sheriff of Nottingham, and Kevin Costner as our stalwart Robin of Locksley.

There are great action sequences including the battle against the hired Celts and Nottingham's soldiers and the final confrontation at the climax of the film.

Finally, don't be put off by Costner's lack of an English dialect. It doesn't hurt the film at all, and is just something critics were instantly attracted to, as it is their job to find faults.

Highly recommended.

Robin Hood:Prince Of Thieves is an all-star rehash of one of cinema's oldest and most popular stories. Kevin Costner takes the title role and proves to be handsome enough and swashbuckling enough to do justice to the role during the action scenes. However, during the film's quieter moments, Costner's American accent grates a little amid the Sherwood Forest surroundings.

The story doesn't particularly need explaining, but for people who have lived on Mars for their whole lives here it is. Robin of Locksley, a young soldier, returns from the Crusades to find the city of Nottingham and its surrounding area terrorised by the evil Sherrif of Nottingham (Alan Rickman). Robin takes refuge in the nearby Sherwood Forest, where he gathers a band of woodland outlaws who are always stealing money and treasure taken by the Sherrif and giving it back to the poor. His dashing antics impress Maid Marian (Mary Elisabeth Mastrantonio), a childhood friend, and he quickly becomes popular with the poor and honest folk who nickname him Robin Hood - Prince of Thieves.

The film is very old-fashioned, but it occasionally gives away its 1991 release status with modern touches (the fancy camera-work in which the camera is seemingly fixed upon an arrow as it is fired at a target; the introduction of a Moorish warrior character [Morgan Freeman] to broaden the film's cultural reference; Rickman's self-deprecating pantomimic turn as the wicked Sherrif). On the whole, it is an entertaining film with a good balance between the action and the romance. The best performance - surprisingly - comes from Michael Wincott who oozes menace as the Sherrif's despicable cousin Guy of Gisbourne. There are some quite significant factual errors, the best (by "best" I mean "funniest") of which is when Robin and his Moorish companion stand at the foot of the white cliffs of Dover and Robin tells him: "by nightfall we will dine with my father!" Quite a feat, since Nottinghamshire is about 200 miles away and this pair are travelling on foot!